John Nadler's "A Perfect Hell"

John Nadler's most recent book is A Perfect Hell: The True Story of the Black Devils, the Forefathers of the Special Forces.

Here's who he would cast in the movie or miniseries version of the book:

Many novelists today plan for movie adaptations even before they begin writing. Michael Crichton constructs his potboilers in the standard three-act cinematic structure. As a result, some of his novels read like fast-paced, slightly wordy screenplays.

When writing A Perfect Hell I too fantasized about a big-screen (even small-screen) version. Not without precedent. My book is based on the WWII exploits of the Black Devils, a legendary commando outfit. An earlier popular history of this unit was The Devil's Brigade, which became a classic 1960s war movie starring William Holden and Cliff Robertson.

Both men were class acts, utterly irreplaceable. But whom would I pick for a 2007 re-make? The leader of the Black Devil's (played by Holden in the original) was an extraordinary WWII commander named Robert T. Frederick. Although fearless and aggressive, Frederick had a refined, reserved, almost aristocrat quality to him that was not really consistent with Holden's robustness. I once thought George Clooney would make a great Colonel Frederick (because I like George), but if I had my druthers I would cast Guy Pearce (Memento, LA Confidential) because of his understated intensity.

A Perfect Hell is also the story of a lifelong friendship between two frontline soldiers: Joe Glass and Lorin Waling. My gut feeling is that both actors would have to be new discoveries: for the big-hearted Glass, a 19-year-old version of Adrien Brody (Hollywoodland), another fierce and flexible actor with a fascinatingly asymmetrical face. For Waling, a waif who comes of age on the front lines, I would cast Daniel (Harry Potter) Radcliffe in his first adult non-wizard role. For their girlfriends and wives: two down-to-earth beauties, Elisha Cuthbert (Kim on 24) and Canadian actress Sarah Polley.

Lastly, instead of a movie, I'd make a mini-series, and I'd spend as much of the budget as possible on a screenwriter and cinematographer. I'd shoot the movie on location in Montana (where the commando unit was born), and I'd cast the surviving Black Devils and their children in cameo appearances.

Read the prologue to the Canadian edition of A Perfect Hell and the prologue to the US edition.

Visit Nadler's official website and Contemporary Nomad, a group blog.

The Page 69 Test: A Perfect Hell.

--Marshal Zeringue

Mark Coggins's "Candy from Strangers"

Mark Coggins is the author of three novels featuring PI August Riordan: The Immortal Game, Vulture Capital, and Candy from Strangers. (A fourth, Runoff, is due for release this fall.)

The notion that August Riordan could make the leap from the page to the screen is not entirely hypothetical; if (or when) that happens, who should play Riordan? The author weighs in:

If Candy from Strangers were made into a movie, the key casting decision would be who to put in the role of jazz bass-playing private eye August Riordan.

As it turns out, my first novel, The Immortal Game, was optioned by a producer in Hollywood and a script for the book was written by James Robinson of The League of Extraordinary Gentlemen fame. The project never got any further than that, but as The Immortal Game also features Riordan as the protagonist, I had a lot of fun batting around the names of actors to play Riordan with the producer.

But before talking about specific names, let’s review the requirements for the character. Riordan narrates most of the novels himself, so the reader only gets a few hints about his physical appearance. However, Vulture Capital is told in an objective third person point of view, and there is a description of him in the scene where he meets venture capitalist Ted Valmont:

He was over six feet tall, but his heavy musculature made him appear shorter — especially in contrast to Ted Valmont’s willowy stature. His forehead and jaw were square and his mouth was a crooked line that seemed fixed in a sardonic grin. A crookeder scar traced a route from the corner of his mouth to the edge of his jaw. He had brown eyes and tousled brown hair that he had not invested over $10 to have cut. His suit — with puckered seams and lapels that would not lay flat — was poorly made and its fit on his heavy frame was bad. His nose had been broken at least once.

As far as personality goes, he is pretty much of a wiseacre, although he is more of a counter-puncher: while quick with a comeback line, he doesn’t go out of his way to antagonize people upon first meeting — at least in the later books. And in the intelligence department, he’s not dumb, but he’s not a genius either.

The first suggestion the producer had seemed to me to come completely from left field: Jeff Goldblum. I didn’t think he was the right physical type, and he didn’t exude the sort of aggressive masculinity I associated with August. However, after thinking about it, I decided that Goldblum would be very good with wisecracks and comeback lines, and perhaps he could come across tougher for this part than he had in other roles. (It’s interesting to note, by the way, that Goldblum is now staring in a TV show where he plays a police detective.)

The producer’s other suggestion was Clive Owen. At that point, I’d only seen Owen in Croupier and thought he might be a little too slick for the role, and maybe too handsome, but I did think he could be tough and good with a wisecrack.

My pick was Clint Eastwood. At the time, he was definitely older than August, but The Immortal Game has no love interests for August (so no unbelievable May/December parings) and no particularly demanding physical stunts. He seemed to meet all the other requirements, and the thing I really liked is that Eastwood has an interest in jazz, and his son is a jazz bassist. In Candy from Strangers, he would be called upon to do a bit more physically, but the love interest is actually on older, married woman, and we all know he has experience with those sorts of relationships from The Bridges of Madison County!

It was all good fun, but none of the actors were ever contacted because we never got funding for the project. As Kurt Vonnegut would say, “so it goes” (in Hollywood).

Read the results of the Page 69 Test for Mark Coggins's, Candy from Strangers.

Visit Coggins's website and his blog.

--Marshal Zeringue

Michael Allen Dymmoch's "Death in West Wheeling"

Michael Allen Dymmoch's most recent novel is Death in West Wheeling.

The story:

When a teacher disappears from a local missionary school in the rural town of West Wheeling, acting sheriff Homer Deters investigates. Before long, he's got three more missing persons: local ne'er-do-well Ash Jackson, a pregnant teenager, and an ATF agent on Jackson's trail. Further investigation turns up the bones of a murder victim in Goode Swamp and a second corpse dumped by the highway. Homer must determine just whose remains these are, and who — if any — among the missing might be their killer. The investigation is complicated by a car theft, a twenty-three vehicle pileup in the center of town, a missing pet tiger, and the arrival of more ATF agents in search of their vanished colleague. With no help from the feds, Homer turns to his moonshiner buddy, Rye Willis, and the town's eccentric postmistress, Nina Ross. Their aid and his own nose for the truth enable Homer to locate the missing, identify the bodies, and bring a murderous impostor to justice.

So who would the author cast in a film adaptation?

Though he drives a modern squad car and sends evidence to the state crime lab, Homer Deters, the Sheriff of mythical Boone County, is a throwback to the strong, silent western hero common in movies when I was growing up. He’s principled, good natured and resourceful. He doesn’t wear his heart on his sleeve, but he isn’t afraid to go after the girl.

Homer’s no clown, but some of the situations he gets into are hilarious. So the actor who portrays him has to be able to do comedy.

Death in West Wheeling took only three months to write, but nine years to sell. I finished the first draft in 1997. Ever since Starman, I’d been a great fan of Jeff Bridges; his was the face I saw when Homer first came to me. Back then, Jeff’s brother Beau would have been perfect for the part of Homer’s buddy Rye Willis. And I would have cast Meg Ryan for the part of Nina Ross, the eccentric postmistress.

Tempus Fugit. Jeff Bridges is now old enough to play Homer’s predecessor, Sheriff Rooney, and Meg Ryan could be Homer’s ma. If I were casting the parts today, I’d tap Owen Wilson to play Homer, Kristen Bell — who does tough and chutzpah so well — for the part of Nina, and Woody Harrelson — my second choice for Homer — to be Homer’s friend, Rye.

Read the results of the Page 69 Test for Michael Allen Dymmoch's White Tiger.

Learn more about Michael's books, and check out The Outfit, a group blog powered by her and six other Chicago crime writers.

--Marshal Zeringue

Kris Nelscott's "Days of Rage"

Kris Nelscott is the mystery-writing nom de plume of award-winning author Kristine Kathryn Rusch.

In 2001, Nelscott received the Herodotus Award for Best Historical Mystery Novel for A Dangerous Road, which was also nominated for an Edgar.

Here she develops some casting ideas for a film adaptation of Days of Rage, which Kirkus chose as one of the top ten books of 2006:

For years, people have asked me which actor should play Smokey Dalton, the late 60s private eye whose most recent appearance was in my novel, Days of Rage. My answer never satisfies anyone, even though they understand.

Sidney Poitier is Smokey Dalton. Hands down. The man whom they call Mr. Tibbs has the right combination of pride, toughness, and intelligence to play the hero of these novels.

But Smokey is in his forties and Sidney is no longer, unfortunately. So I’ve played with the idea of many different actors playing Smokey. All would bring something different. Denzel Washington can also do the anger/pride/intelligence but he’s always a bit vulnerable, when Smokey is not. He’s also the right age. Danny Glover is a tad too old, but who cares? He would be quite convincing. As would Morgan Freeman or Samuel L. Jackson or Will Smith or just about any major black star. (Don Cheadle is a small man, but I have a hunch he’d bring something quite unique to the role.)

As for the other main characters, I never gave an on-screen Jimmy much thought until I saw Jaden Smith playing opposite his father in The Pursuit of Happyness. Jaden Smith would be perfect for Jimmy. He has the right combination of heart and bravado.

Laura Hathaway ... well, in my dream casting, she’s Jane Fonda (from Coming Home). She is beautiful — required — and also has that perfect combination of intelligence and naiveté that are Laura’s hallmarks. Fonda can play a convincing hippie as well as a convincing wealthy woman. (Having been both.)

Modern actresses in the right age group? There aren’t many who can pull that combination off. I was thinking of Cate Blanchett, but naïve she’s not. It would have to be quite the acting stretch (which I suspect she’s capable of). Scarlett Johansson is too young. Jodie Foster maybe, but it’s hard for her to do extremely feminine, which Laura does as an act. The only one who might be able to pull off Laura now is Reese Witherspoon, because she can hide that intelligence and bring it out like a weapon if necessary.

And finally, Marvella Walker. That’s easy casting. We need a woman with a distinctive look and a lot of personal power. Gina Torres comes to mind. So does Angela Bassett.

As for the others, like Truman Johnson, I have no real preference. However, if anyone ever casts Jack Sinkovich, I’d like a true Chicagoan to play him, someone who still has the accent, like Gary Sinise or Gary Cole. I’ll even take John Mahoney, although he’s too old. He’s got the world-weariness.

My real dream casting, however, is to have Memphis play Memphis and Chicago play Chicago. I know that’s probably too much to ask, more even than to have my perfect actors in the right roles. But a writer can dream, can’t she?

Read an excerpt from Days of Rage.

Days of Rage is the sixth novel in the Smokey Dalton series: to read the series from the beginning, start with A Dangerous Road.

Visit Kristine Kathryn Rusch's website.

Also see the "My Book, The Movie" entry for Kristine Kathryn Rusch's The Retrieval Artist.

--Marshal Zeringue

Robert J. Sawyer's "Rollback"

Science fiction writer Robert J. Sawyer, winner of Best Novel Hugo and Nebula Awards, has a brand new novel -- Rollback -- in bookstores this week.

Here the author offers some casting ideas for a film adaptation of the novel:

Rollback is a novel about rejuvenation, and so contains an interesting casting challenge. At the beginning of the book, the main character, Don Halifax, is 87 years old, but as the story progresses he ends up having his body rolled back to the way it was when he was just 25.

An elderly man, no matter how skilled an actor, can't move with the vigor and grace of a young person, so you can't have a senior citizen play both parts. And having different actors play young and old Don reminds me too much of the 1970s series The Incredible Hulk, in which Bill Bixby played Dr. Banner and Lou Ferrigno played the alter-ego: it was impossible for me to suspend disbelief and think of them as the same person.

No, let's go with a young actor and use makeup and appliances to make him look old in the early scenes. My choice would be Topher Grace, who played Eric Forman on That '70s Show. He's 28 right now but has that amazing combination of a really youthful smile and those soulful eyes that look like they've seen a lot.

The other lead role is Sarah Halifax, Don's wife. She's an astronomer who, in her youth, decoded the first-ever radio signal received by aliens; as the novel opens, a reply to the message she sent them is finally received. She's the one who was really supposed to get the rollback -- Don was just along for the ride -- but the process fails for her while succeeding for him, and the tragedy of that tests their marriage to the limit.

If one wanted to go for stunt casting, Jodie Foster in makeup would be excellent, as she played a SETI researcher once before, in the film version of Carl Sagan's Contact. But there are so many fabulous elderly actresses doing the best work of their careers right now that I'd go for one of them: Helen Mirren would be my first choice, followed by Judi Dench, and then maybe Rosemary Harris, who has been brilliant as Aunt May in the Spider-Man movies.

The book's other significant role is the real 25-year-old who catches Don's eye: a free-spirited red-headed astronomy grad student named Lenore Darby. Kirsten Dunst would be fabulous in the role, but so would Katrina Bowden, who is beguiling in her minor part as Cerie on NBC's 30 Rock.

There's also one meaty supporting part: Cody McGavin, the president of a robotics company, who is a bit of a Bill Gates character. Paul Giamatti would be my choice.

My own idol as a science-fiction writer is Arthur C. Clarke, and he has a cameo in 2010 -- he's the guy sitting on the park bench feeding pigeons outside the White House while Roy Scheider and James McEachin are talking. And since we're day-dreaming about making a movie of my book, I suppose I can day-dream about having a cameo in it. Don has a souped-up PDA/cellphone called a "datacom" that talks to him a couple of times. I'm a trained radio broadcaster, and people say I have a good voice; I'd love the chance to do the datacom's few lines.

Visit Robert Sawyer's website and blog, and read an excerpt from Rollback.

--Marshal Zeringue

Laura Wiess's "Such a Pretty Girl"

The book description for Such a Pretty Girl reads almost like a movie pitch:

Meredith was promised nine years of safety, but they only gave her three. Her father, who was sent to prison for sexually abusing Meredith and other children in their small town, has been released on good behavior. He was supposed to be locked up until Meredith's eighteenth birthday, when she could legally be free of both her abusive father and her delusional mother who dwells on a fantasy that the three of them will be a happy family once more.

But Meredith is only fifteen, and her father is out of prison ... and her mother is bringing him home. And Meredith won't let him hurt her, or anyone else, ever again. No matter what the cost.

So what does the author Laura Wiess think about casting this hypothetical film adaptation of her novel?

You would think casting Such a Pretty Girl, the movie, would be easy for me, seeing as how I wrote the book but that’s not the case.

I know so much about Meredith, the fifteen year-old main character, but the one thing I’ve never seen is her face. It’s always stayed just a little hazy, and off-focus, hidden behind a curtain of hair or a blank expression to mask her emotions. I’d like to see her played by an actress who could be any girl in the world, the girl next door, someone who is extraordinary not because of cheekbones or grooming, but because of her strength during ongoing, silent terror, determination and survivor spirit.

Meredith’s boyfriend Andy, who was also molested by Meredith’s father, would go to an actor with a lean, angular and hungry look to him, someone who, with long brown hair and a goatee, could have been plucked out of a garage band.

Her pedophile father Charles appears to be a regular kind of guy, on the handsome side, friendly, helpful, seemingly sincere, and very attentive to children, but has quite a frightening dark side. Readers have suggested Rob Lowe, Billy Zane, Dylan Walsh, and Julian McMahon, among others. Some of the actresses suggested for Meredith’s mother have been Charlize Theron, Cate Blanchett, Gwyneth Paltrow, Kelly Ripa and Portia de Rossi.

I can’t decide.

For retired police officer Nigel Balthazar, however, I’d choose Dennis Franz, and for Leah Louisa, Meredith’s no-nonsense grandmother, Glenn Close. Kathy Bates would be stellar as Paula Mues, and Gilly, Nigel’s Great Pyrenees, would go to an as yet undiscovered, gorgeous canine starlet.

Visit Laura Wiess's website, her blog, her other blog, and her MySpace page.

Read the results of the Page 69 Test for Such a Pretty Girl.

--Marshal Zeringue

Andrew Blechman's "Pigeons"

The movies use pigeons all the time, yet never in a starring role.

Andrew D. Blechman recently published a well-received book about the birds, Pigeons: The Fascinating Saga of the World's Most Revered and Reviled Bird.

Here's what he reported when I asked for his input should Hollywood decide to make a movie out of his book:

My book delves into humankind's obsession with a gentle little bird that only wants to be our friend. These birds somehow act as a magnified human foil, bringing out the very best in us, and the very worst. What better vehicle for a movie than a bird that elicits tremendous adoration and hatred and attracts bizarre individuals and subcultures to it like bees to honey.

I picture the movie being split into several interlaced stories connecting these colorful figures in amusing ways. Here are a sampling: an obsessive pigeon racer whose birds live above his bed and who runs around his yard with a whistle training his birds like a soccer coach; a Walter Mitty-like "secret agent" who patrols New York City's street in search of pigeon poachers and other pigeon abusers; a rural loner who sleeps wrapped tinfoil because he can't afford heat and who dedicates his meager resources to breeding pigeons for national beauty contests (yup!); Mike Tyson (need I say more); the Queen of England ('nuff said as well); and angry white men who take great pleasure in slaughter thousands of pigeons in a morning for target practice. Oh, did I mention the Don Quixote of humane pigeon control who lives in downtown Phoenix with dozens of uncaged pigeons inside his house?

Tying all these partially unhinged characters together is a bird with an unparalleled history and Olympic athletic abilities. But for the movie, I think I'd magnify the human characters and downplay the pigeon -- unless of course Benjy is an adapt "character" actor (I suspect playing a non-canine role might be a bit of a stretch, and Flipper, I'm told, frowns upon avian roles). Which human actors would play the other roles? Why the very best, of course. But the real magic would be in the directing. My choices are P.T. Anderson or Quentin Tarantino, because tying together multiple stories with a curious and edgy thread comes naturally to them. Such a movie would be a fascinating study of human nature, as well as unusually entertaining and heck, even informative.

Visit Andrew Blechman's website and read an excerpt from Pigeons.

The Page 69 Test: Pigeons.

--Marshal Zeringue

Jason Sokol's "There Goes My Everything"

Jason Sokol's first book, There Goes My Everything: White Southerners in the Age of Civil Rights, was released by Alfred A. Knopf in August 2006.

He and the playwright-performer Nina Louise Morrison teamed up to develop some casting ideas for a feature film adaptation of his book:

A work of history and scholarship, There Goes My Everything contains within it manifold tales – stories of families, cities, and individuals who experienced massive upheaval in their daily lives. The movie version focuses on one of the many dramatic narratives that the book reveals.

We set our movie in New Orleans, and revolve around the lives of those families impacted by school desegregation. In November, 1960, the Big Easy became the first locale in the Deep South to integrate its schools. This saga unfolded in the now-infamous Ninth Ward.

As thousands of white families boycotted the newly integrated schools, a few parents continued to send their children to William Frantz Elementary and McDonogh School No. 19. One such mother was Margaret Conner. While Susan Sarandon seems a popular choice, we think the role of Margaret Conner would be an ideal fit for her. Initially, Conner marched her young children to Frantz School simply because she thought it was more convenient than keeping them at home. But when the segregationist mobs caught wind of Conner’s actions, their reprisals were severe.

These mobs of jeering mothers became known as the Cheerleaders, and Rosie O’Donnell (with a southern accent) would lead the screen version of this group. In time, Conner became so disgusted by their tactics that she grew even more determined to take her children to school. In the beginning, Conner harbored racial prejudices that could only be seen as traditional for white southerners. But through the New Orleans School Crisis, those prejudices began to recede.

Time transformed Conner’s initial reflex of convenience into a profound statement about civil rights. With a courageous stand, Conner had her say about that world in which she would raise her children. She looked at a world of milling mobs, vicious epithets, harsh conformity, and abandoned schools – and thought it wrong. In ways both dramatic and subtle, the New Orleans school crisis changed Margaret Conner; in turn, Conner helped to reshape New Orleans. One mother who opposed desegregation could – with the everyday act of continuing to bring her children to school – become integration’s most visible proponent. Unforeseeable at first, the change was in the end undeniable.

This story features quite a few other major players: the young moderate mayor, Chep Morrison (played by Tim Robbins), who was torn by the school crisis; Ruby Bridges, the African-American girl who bravely integrated Frantz School, and whose father, Abon Bridges (Cuba Gooding, Jr.), lost his job because of it; fiery segregationists like Leander Perez (John Goodman); national civil rights leaders who fought for school integration (Morgan Freeman); and other white parents who brought their children to school, with less success than the Conners -- people like Rev. Lloyd Foreman (Sean Penn) and Daisy Gabrielle (Mary Louise-Parker).

In the end, this movie would also show how the Ninth Ward came to be the ravaged neighborhood that the world now knows. After school integration, whites quickly fled the Lower Ninth Ward for more exclusive urban enclaves and suburban shelters. This process left the neighborhood disproportionately poor and black, and the fierce waters of Hurricane Katrina completed the transformation.

Jason Sokol is Visiting Assistant Professor of History and Mellon Postdoctoral Fellow at Cornell University.

Nina Louise Morrison is a playwright, performer, and teacher. She is an MFA candidate at Columbia University’s School of the Arts.

Visit Sokol's website and read an excerpt from There Goes My Everything.

The Page 69 Test: There Goes My Everything.

--Marshal Zeringue

Kristine Kathryn Rusch's "The Retrieval Artist"

Kristine Kathryn Rusch is an award-winning mystery, romance, science fiction, and fantasy writer. She is the only person in the history of the science fiction field to have won a Hugo award for editing and a Hugo award for fiction.

Here she develops some casting ideas for a television series adaptation of her "The Retrieval Artist" series of novels:

I have written a lot of novels, most of which I can see as movies. But only one can I see as a television show.

I’m writing a series of novels called “The Retrieval Artist.” They’re science fiction and mystery. In each book, I try to use a different mystery format — some are police procedurals, some are hard-boiled, some are thrillers. They originated in a short story called, “The Retrieval Artist,” which was nominated for a Hugo. There are five, currently, with the six, The Recovery Man, appearing in September.

I’d love to see this on the SciFi Channel, like the Dresden Files or Battlestar Galactica. Miles Flint is a fallen angel. He’s very pretty, but he has had a hard life and it shows in the planes of his face. Since I’m told I can cast any actor from any time period, let me indulge:

For Miles Flint, I’d like someone like Robert Redford from the Electric Horseman period. Or Brad Pitt from Babel — a beautiful blond guy who has lived enough to taint that beauty.

Noelle DiRicci, his sometimes partner, is a lot more difficult to cast. She’s not pretty, but she’s smart and tough. She’s disillusioned, but she’s starting to realize that she can have power. We need a powerful woman here, but one a little older and a lot more jaded. I’m thinking Marsha Gay Harden.

Then there are the minor characters. Paloma, who has her moments of importance, seems like a wise woman early on. Cicely Tyson would be great.

And Halle Berry is Ki Bowles, the reporter no one likes and yet plays such an important part in the books.

Yes, I know — these are not Sci Fi actors. But let’s talk like a casting director: Let’s cast folks who suggest those actors. A SciFi series ... weekly ... ah, the stuff of dreams.

Kristine Kathryn Rusch has written many novels under various names, including Kristine Grayson for romance, and Kris Nelscott for mystery. Her novels have made the bestseller lists and have been published in 14 countries and 13 different languages.

Her awards range from the Ellery Queen Readers Choice Award to the John W. Campbell Award. She is the only person in the history of the science fiction field to have won a Hugo award for editing and a Hugo award for fiction. Her short work has been reprinted in six Year's Best collections.

In 2001, her story, "Millennium Babies," won the coveted Hugo Award. That year, she also received the Herodotus Award for Best Historical Mystery Novel (for her Kris Nelscott Series) and the Romantic Times Reviewers Choice Award for Best Paranormal Romance (for her novel Utterly Charming, written as Kristine Grayson). In 1999, her story, "Echea," (available at Fictionwise) was nominated for the Locus, Nebula, Hugo, and Sturgeon awards. It won the Homer Award and the Asimov's Reader's Choice Award. In 1999, she also won the Ellery Queen Reader's Choice Award and the Science Fiction Age Reader's Choice Award, making her the first writer to win three different reader's choice awards for three different stories in two different genres in the same year.

Visit Kristine Kathryn Rusch's website.

--Marshal Zeringue

Ed Lynskey's "The Blue Cheer"

Ed Lynskey is a crime fiction writer and poet living near Washington, D.C. Here he shares his ideas about casting the main roles in a hypothetical film adaptation of his new novel, The Blue Cheer: A PI Frank Johnson Mystery:

If Tinsel Town ever has the impeccable taste (ha!) to make my latest novel, The Blue Cheer, into a film, I could see Mark Wahlberg playing the lead role of Private Investigator Frank Johnson. Mr. Wahlberg, born in 1971 and now 36, falls in about the same age range. They both have the same wiry build. Plus Mr. Wahlberg snaring the Oscar nomination for Best Supporting Actor in 2006's The Departed (enjoyed seeing at the theater) can't hurt.

Since my PI books are written in first-person, I haven't devoted a lot of thought or included too much written description on Frank's physical appearance. Given all the jams he winds up in, and the rigors needed to extract himself, I'd say he's fairly young and athletic. If not, perhaps the director would hire a stunt double to film the action sequences.

On the other hand, Frank is something of a pulp novel buff. If using that as a guideline and dipping back in time, I'd tap Ralph Meeker (Kiss Me Deadly) or even further back, Dana Andrews (Laura). The only trouble is these three actors would need to speak with a Southern accent, but then that's why they're actors (and I'm not).

Frank's pal and sometimes employer, billionaire-lawyer Robert Gatlin is depicted as a husky man who relishes being in the public eye. Gatlin's brusque mannerisms and quick wits might translate well to a younger Fred Thompson (Law & Order). Besides an actor, Mr. Thompson is also a lawyer. His pivotal question from the Watergate hearings -- “Mr. Butterfield, are you aware of the installation of any listening devices in the Oval Office of the President?" -- rings like a Gatlin courtroom line. However, Mr. Thompson's latest political aspirations might tie him up for four years (or maybe more).

Frank's other friend, bail-bond enforcer (i.e., bounty hunter) Gerald Peyton, is a tougher call to make. Gerald, an African-American, is large, brawny, and a little rough around the edges. Perhaps Michael Clarke Duncan (The Green Mile), another Oscar best supporting actor nominee and an ex-bouncer/bodyguard, would be casted for the role. If we could stretch this casting across time, I'd argue for football running back/actor Jim Brown (circa 1967's The Dirty Dozen) to play the Gerald character.

Of course no PI movie can be complete without a romance interest for our detective-hero. I'd think the casting director would search for an intelligent, attractive, and tough-minded actress. Kelly McGillis (Witness, The Accused) comes to mind.

Putting together these disparate parts to make an ensemble cast is a like playing Fantasy Football. You'd want them to mix just so and develop the beautiful chemistry to deliver a classic performance. You know, a cult flick that sticks in the mind of viewers, luring them back to watch repeatedly. That, to me, is the best sort of movie to make of my PI book, The Blue Cheer.

Ed Lynskey first mystery featuring his PI Frank Johnson, The Dirt-Brown Derby, was released last year. The Blue Cheer will be followed by two sequels, Pelham Fell Here (Mundania Press, 2007) and Troglodytes (Mundania Press, 2008). His work has been anthologized by St. Martin's Press and University of Virginia Press. His short fiction has appeared in Alfred Hitchcock Mystery Magazine, and his poems have appeared in The Atlantic Monthly. His reviews have appeared in the New York Times Book Review and the Washington Post.

--Marshal Zeringue