Deanna Raybourn's Lady Julia Grey series

Deanna Raybourn is the author of the Lady Julia Grey series, including Silent in the Grave and Silent in the Sanctuary.

Here she shares a few thoughts about the cast and director of a potential film adaptation of the books:

The funny thing about imagining the late Victorian Julia Grey series as a movie is that nobody ever picks anybody to play Lady Julia Grey, the aristocratic amateur sleuth. I blame Nicholas Brisbane. He’s Julia’s partner in detection and more, a mysterious private inquiry agent, tall, dark, handsome, and enigmatic — a devastating combination. Women like to cast his role endlessly, and they have very strong opinions on the matter. Just this week I got an e-mail from an Australian reader who included a picture of “local boy Hugh Jackman” as her pick. (Not that I would have any say whatsoever in casting, but it was nice to have a little eye candy at my desk.) The top choices to play Nicholas are — in no particular order because otherwise there would be a serious catfight — Hugh Jackman, Gerard Butler, Clive Owen, James Purefoy, and most recently, Javier Bardem.

When I really, really press women for an answer on who should play Julia, I get a half-hearted, “Oh, I suppose Scarlett Johansson would do,” and then they go back to debating how many times Nicholas should take his shirt off in the movie. (I always pictured her looking a little more like Eva Green myself, although the voice is totally wrong.)

I’m not sure that any author, having seen what Joe Wright did for Atonement, wouldn’t happily make some small human sacrifices to get him on board as director. (And if I’m going to ask for the moon, I’d pretty much take anybody who ever touched Atonement, but that’s just greedy isn’t it?)

But if I’m completely honest, I don’t actually care all that much about the particulars of casting because once I turn loose the film rights, the story is no longer mine to tell. I would love to see what a different kind of storyteller, working in a different medium, would do with these characters. If you’re a producer and you’re reading this, it means I am the LAST girl to take an ad out in Variety telling you you’re doing it wrong. All I ask is a visit to the set, and maybe a little one-on-one time with Gerard Butler.

Learn more about Silent in the Grave and Silent in the Sanctuary at the publisher's website.

Visit Deanna Raybourn's website, Blog A Go-Go.

--Marshal Zeringue

Erika Schickel's "You’re Not the Boss of Me"

Erika Schickel is the author of You're Not the Boss of Me: Adventures of a Modern Mom.

Last year, she applied the Page 69 Test to the book. Here she shares her thinking about the cast of a possible film or television adaptation:

Well, everyone wants a movie made of his or her life, right? And since my book You’re Not the Boss of Me is a memoir that is literally what it would be. As chance would have it, my book was optioned for a TV series last summer and I had many conversations with my producers about who would play me, so I come to this challenge well armed.

First of all, let it be said that I think I should play me. I was an actress long before I got into the writing racket and I think I would be brilliant in the role of Moi, but of course no one wants to make films starring 43 year-old unknown actresses. So, what-ever, Mary.

My next choice was Laura Linney, because she’s smart and brittle and has that New York/intellectual/WASP thing going and those are my people. Did you see The Squid and the Whale? That was my childhood and Linney was note perfect in that. But producers were cool on her and started trying to sell me on Debra Messing (yikes!) so I countered with Téa Leoni, which they loved, but they said we’d never get her. Then I saw Knocked Up and loved Leslie Mann (Apatow’s wife) just for the mouth on her. That got mild interest from the Hollywood suits, but we found out she was already attached to another project. A bit after that my husband had the wild idea of casting Natalie Maines (of the Dixie Chicks), who we both love and who has that sassy, rebellious thing happening. She lets it fly just so to see people’s reaction, which is totally me. Even though Maines has never acted, we thought she’d have been perfect and we even sent her manager a few copies of the book but never heard anything back. Then the writer’s strike hit and it all went in the turlet.

As for my kids, I’d cast a young Jodie Foster to play Franny. People are always saying how much she looks like Jodie (they said the same to me when I was twelve). Foster’s sensible and non-girly like Franny and she don’t take no crap from no one. For Georgia I’d cast Abigail Breslin or Gracie Bednarczyk (the little girl from Grace is Gone). In fact, I’d cast both of those sisters from Grace is Gone to play my girls, it's uncanny how alike they all are, which may explain why I cried all the way through that movie. Anyway, both Breslin and Bednarczyk have that kooky, look-at-me quality that Georgie has in spades. She’s not afraid to break out into a silly dance, she dresses to impress, has a sweet tummy and a super sparkly personality.

As for the other characters, I never got that far when the strike hit. I don’t know if the project will revive post-strike, but it sure was fun to think about and I’m glad my casting dreams have found an outlet here!

Visit Erika Schickel's website and her column on MOLI.com.

The Page 69 Test: You're Not the Boss of Me.

--Marshal Zeringue

Mark Haskell Smith's "Salty"

Mark Haskell Smith is the author of three novels: Moist, Delicious, and, most recently, Salty, which was a Book Sense Notable Book. He is also is a screenwriter whose feature film credits include Playing God and the award-winning Brazilian film A Partilha.

Last year he applied the Page 69 Test to Salty. Here he develops some ideas for cast and director for a film adaptation of the novel:

Turk Henry, the protagonist of Salty, is a dissolute, sex addicted, Heavy Metal superstar. It’s difficult for me to put on my casting director cap and think of someone who could play him. There’s a specific physicality to him, a kind of cocksure waddle, that’s hard to find in today’s personally trained actor. The character is spoiled, pathetic and yet has the seeds of heroism gurgling around in his beer-bloated belly. I think Thomas Haden Church (Sideways) could bring the right mix of sex appeal and debauchery to the role or perhaps John Travolta in his puffy Pulp Fiction heyday.

For the character of Sheila, the fading former super model, I’d like to think there are a number of actresses who would have fun with the part like Marisa Tomei, Juliette Binoche or a post-rehab Sean Young. Presuming they enjoy spending the day naked in the shower.

Simon West (Con Air, The General’s Daughter) is already attached to direct the film version of the book and I honestly think he’s a great director for it. However, if couldn’t do it, I’d call Pedro Almodóvar. In fact, Almodovar probably should adapt and direct my Hawaiian novel, Delicious. ¿Pedro? ¿Has Leido?

Learn more about Salty at the author's website.

The Page 69 Test: Salty.

--Marshal Zeringue

Simon Wood's "Accidents Waiting to Happen"

Simon Wood is the Anthony Award winning author of four books as well as over 150 published stories and articles.

Last year he applied the Page 69 Test to Accidents Waiting to Happen. Here he speculates on the casting of a film adaptation of the novel:

The weird thing is that when I’m reading someone else’s book, I always imagine who I would like to see play the parts in the movie, but when it comes to my own books, I don’t really have a visual of who would appear in the movie. I think the reason for this is that I’m too close to the material. Also when I’m writing all these characters, I tend to be playing all these characters in my head. So if the book became a movie, I’m not sure the world is ready to see me do a one-man production.

That said, I do visualize certain people for several of the roles in Accidents Waiting to Happen. The main role of Josh Michaels requires an actor who comes over as a vulnerable everyman and not someone who is an indestructible superhero. For that I think Matthew Fox (Jack from Lost) would be perfect. I think the moviegoers would get behind him. They could forgive him for the mistakes Josh had made in the story and they would root for him to survive the onslaught coming his way.

Josh has a femme fatale in the form of Belinda “Bell” Wong in his life and there’s no contest to who I want for that role. I wrote the book with Lucy Liu in mind. Lucy would be able to pull off the cruel demented streak Bell possesses. Bell is a character you love to hate and I think Lucy would do the character justice.

The Professional is the story’s anonymous hit man. He’s a tough character to cast, as the killer goes out of his way to make himself transparent to the world around him. But I think Kevin Spacey could pull it off. The Professional is an anonymous but engaging person. For all his milquetoast outer appearance, he possesses the ability to manipulate people. He also possesses a ruthless side. The man is a killer after all. So I think Kevin would be able to give an understated performance that people won’t forget. If we couldn’t get Kevin, I would go with Hugh Laurie. He’s one of those guys who would be able to play all the facets the Professional has to offer.

The last key character in the story is Josh’s best friend, Bob Deuce. Twenty years ago, this would have been a role for John Goodman, but I need someone more contemporary and I would go with Philip Seymour Hoffman. He’s the right age and shape for Bob. And whereas PSH has become known for these serious roles, I think the lightheartedness and comic relief that Bob brings to the story would make a nice break for him and a role he could have a lot of fun with. Well, that’s how I’d sell it to him.

Well that’s the cast, now I just need to sell the movie rights…

Read an excerpt from Accidents Waiting to Happen.

Visit Simon Wood's website, his MySpace page, and his blog.

The Page 69 Test: Accidents Waiting to Happen.

--Marshal Zeringue

Sophie Hannah's "Little Face"

Sophie Hannah is a bestselling poet and novelist who regularly performs her work both in the U.K. and abroad.

Here she develops some casting ideas for film adaptations of her novels Little Face and Hurting Distance:

If Little Face were to be made into a movie, I would like Kevin McKidd (Trainspotting, Dog Soldiers) to play the part of Simon Waterhouse, the main detective. McKidd is brilliant at being wronged, furious and persecuted, and that is how Simon always feels, so I think he'd be perfect. Vivienne, the controlling mother-in-law, would ideally have been played by Bette Davis - I'm not sure I'm willing to settle for anyone else! Alice, the heroine, is tricky. The young Sissy Spacek would have been perfect. I see Donald Pleasance as Detective Inspector Proust and Nicole Kidman might be all right as Briony, Alice's friend and ally. Writing this makes me realise how glad I am that I don't have to make decisions like this! My books are being adapted for TV in the UK at the moment, and I'm glad I'm not in charge of casting. In a way, I think it's better to have unknown actors playing all the roles, because then they will be identified only with one book/story - they can really become the characters they're playing. I still think of Richard Gere as Zack Mayo from An Officer and a Gentleman! Oh, while I'm thinking of that film, I wouldn't mind Debra Winger as Charlie, my female detective, though she's probably the wrong age now. Part of the problem is that my novels are set in England, so I should probably have English actors, but all the actors that spring to mind are American.

My second novel Hurting Distance is harder. Robert Haworth, the missing married lover of Naomi, would be very hard to cast. I can picture him exactly in my mind, and he doesn't really look much like anyone I can think of. He's supposed to look a bit like Elvis Costello the singer, but bigger and broader-shouldered. Naomi, the heroine, could be played by Kate Winslet - she doesn't look like her, but Kate Winslet is one of my favourite actresses and has the necessary spirit. For some reason, the person who springs to mind for Naomi's sensible friend Yvon is Laura San Giacomo (from Pretty Woman).

The Page 69 Test: Hurting Distance.

The Page 69 Test: Little Face.

--Marshal Zeringue

Rhonda Pollero's "Knock 'em Dead"

Rhonda Pollero is the author of more than thirty novels, including two humorous mysteries featuring Finley Anderson Tanner, Knock Off and (coming in February 2008) Knock 'em Dead.

Here's how she would cast film adaptations of Knock Off and Knock 'em Dead:

Okay, I’ll admit it, I ALWAYS have an actor in mind when I craft a character. Not because I’m thinking any of my books will make it to film or television, but because I’m a visual learner and use photographs of celebrities – and non-celebs – when I’m creating my character binder. FYI – soap opera sites are great for this because they have photos of people ranging in age from birth to near death. MySpace and Facebook opened up a whole new world from me to cull photos.

Enough about that - who should play Finley? Me, – but only if we did “Finley Anderson Tanner – the Overweight, Wrinkled Midlife Years.” Since it can’t be me, I’d pick Emily Proctor. She’s the right height and body type and she manages to blend sexy and smart effortlessly. The thing about Finley is at first glance, people only see her as beautiful. The beautiful is the cocoon that camouflages her intelligence. When Emily Proctor was on The West Wing (my all time fave show), the Sam Seaborn character (played by Rob Lowe) upon seeing her all dressed up for a function said, “You’d make a good dog break his leash.” Even though that line of dialogue was spoken years ago, it stayed with me as a great jumping off point for developing a character. So when Finley was being born and that phrase suddenly popped into my head, I immediately thought of Emily Proctor as my visual Finley.

I do visuals for all my characters, not just the major ones. This actually serves two purposes. First and foremost, it provides continuity when writing a continuing character. As I began Knock 'em Dead, book 2 in the series, I just flipped open my character binder and there was Emily staring back at me. I did change her eye color and Finley does not have a southern accent, so she really is the visual. The second purpose it serves is during the process is that I can imagine Emily Proctor walking through each scene, so it gives me a physicality to build on when I’m actually writing.

Finley’s voice would be played by different actresses. When I hear her in my head, her voice is one part Valerie Harper (minus the accent) for humor and one-liners; one part Allison Janney for intelligence and reasoning skills; and one part Reese Witherspoon (minus the accent) for that hint of innocence Finley has when it comes to tackling new situations. Notice there’s a lot of minus the accent going on here. Finley doesn’t have any discernable accent.

For Liam I’d chose television actor Eddie Cahill. He had me at jet-black hair and piercing blue eyes. He has that just-below-the-surface smoldering sensuality that Liam brings to the Finley mysteries. No swagger, not even a hint that he knows he’s attractive. That kind of confidence is what I wanted for Liam and I think Eddie would be a perfect Liam – I wouldn’t even need voiceovers.

So I suppose if I had the job of casting the movie, I’d need some sort of character Mr. Potatohead™ casting ability. Either that or a good voice coach.

Hope you enjoy Knock 'em Dead.

Visit Rhonda Pellero's website and her blog; learn more about the Finley Anderson Tanner books.

Read an excerpt from Knock Off and an excerpt from Knock 'em Dead.

The Page 69 Test: Knock Off.

--Marshal Zeringue

Chris Mooney's "The Secret Friend"

Chris Mooney is the critically acclaimed author of Deviant Ways, World Without End, and Remembering Sarah, which was nominated for the Barry Award and the Edgar Award for Best Novel. Last year he applied the Page 69 Test to his latest novel, The Missing.

Here he suggests actors who might play the main characters in a film adaptation of The Secret Friend, the second novel in his Darby McCormick series:

This is a tough one - and a subject that's under fierce debate in the Mooney household. For The Secret Friend, the next Darby book, there are two major characters - Darby McCormick and Malcolm Fletcher. To play Malcolm Flether, the former FBI profiler who is now on the FBI's Ten Most Wanted List, my vote would be for Daniel Day Lewis. I think he would bring an entirely new dimension to the character. My wife's vote is for Frank Langella, and while he's a great character actor, my vote remains remains for Daniel Day Lewis. As for Darby McCormick, you would need a strong actress to play her - someone who has a lot of emotional depth. As long as Lindsay Lohan or Jennifer Lopez didn't play her, I'd be a happy camper.

Read more about Chris Mooney and his fiction.

The Page 69 Test: The Missing.

--Marshal Zeringue

Lev Raphael's "The German Money"

Lev Raphael's books include the award-winning Dancing on Tisha B'Av, two novels about Holocaust survivors, Winter Eyes and The German Money, and a collection of Jewish memoirs and essays, Journeys & Arrivals.

Last year he applied the Page 69 Test to Hot Rocks, one of his Nick Hoffman mysteries.

Here he develops some ideas for a film adaptation of The German Money:

My novel The German Money is the story of three adult children of a Holocaust survivor dealing with the surprises of her Will after she dies unexpectedly. It's an intimate family drama interwoven with a mystery,with scenes and dialogue I would love to see on-screen, more than any other of my books. Writing is solitary, of course, but this book brought me a lot of contact with the world: because it was a Jewish Book Council pick, I toured Jewish Book Fairs in the US; the English publisher had me read in London and Glasgow, and the German publisher sent me on a two-week tour of Austria and Germany.

So I'm not surprised that someone's been doggedly been trying to make a movie out of it, and has come close twice to putting together a deal. That means I've had lots of time to think about casting, which also means dreaming of some of my favorite actors. Robert Downey, Jr. would make the perfect lead, playing Paul, a neurotic Jewish man fleeing his past. Rachel Weisz would be luminous as Valerie, the women he loves but abandoned, who's now a successful writer. For Simon, the bisexual screwed-up brother, Justin Kirk would have just the right look and energy, and Laura Linney, one of my favorite actresses, would be ideal as Paul and Simon's beautiful, cold, angry sister. I'm also thinking of how they'd look together, as well as their acting styles. The family friend with a pivotal role would have to be Olympia Dukakis.

And for the director, I'd want John Curran, who did an amazing job with the Andre Dubus stories that made up We Don't Live Here Anymore. Fun to fantasize about, but not as much fun as writing the next book, and the one after that....

Read more about The German Money and Lev Raphael at his website.

--Marshal Zeringue

Kate Pepper's "One Cold Night"

Kate Pepper's novels include Five Days in Summer (2004), Seven Minutes to Noon (2005), One Cold Night (2006), and Here She Lies. In April 2007 she applied the Page 69 Test to Here She Lies.

Here she develops some ideas for a film adaptation of One Cold Night:

Whenever I visualize Dave Strauss, the detective whose quest to find his kidnapped teenage sister-in-law and whose love for his wife are at the heart of my thriller One Cold Night, I see Viggo Mortensen: quiet, intense, brooding, intelligent, and sexy. Dave is a man whose greatest attributes include his keen investigative instincts, the self-doubt inspired by a seasoned past, and his ability to deeply love and cherish his wife, Susan. I can see Mortensen embodying this character with conviction and soul.

Susan is played by Diane Lane, but maybe that’s just because I remember the sizzling chemistry between Mortensen and Lane in the 1999 movie A Walk on the Moon. Both these actors are not only gorgeous but have an emotional range along with the ability to play smart down-to-earth characters, and I like that a lot. (I went to graduate school with Diane’s late father, Burt Lane. He was older than the rest of us but he fit in because he was a great guy, completely unpretentious; at the time, he spoke only briefly of his then-nineteen year old daughter who was about to star in a movie called The Cotton Club. That film sank like a stone while Diane rose to stardom. I’ve always wanted to meet her to tell her how proud her dad was of her.)

In the role of Detective Lupe Ramos, I see Rosie Perez, because no one else has the comic grit to simultaneously strut in tight jeans and snap orders in a high-pitched voice like Rosie. Lupe Ramos is both tough and funny; her appearance in a scene guarantees that the plot will propel forward and also supply some needed comic relief … especially when she’s with her partner, Detective Alexei Bruno.

If Robin Williams would be willing to be cast in a supporting role, he’d make a brilliant Bruno, a leather-clad Russian whose English is peppered with malapropisms. On the outside, Lupe and Bruno seem like opposites, but as partners they’re in perfect synch and much sharper than they appear at first glance. They work seamlessly with Dave in pursuit of a kidnapper who may also be a long-sought killer.

And to play Lisa Bailey, Susan’s fourteen-year-old sister whose abduction sparks the story into action and leads to the revelation of a long-held family secret that nearly wrecks Dave and Susan’s marriage, give me Evan Rachel Wood. Wood embodies the mix of feistiness and sweet innocence that helps Lisa survive her ordeal, and like Lisa, Wood sings like an angel.

Last but not least, among the lead players is not a person but a place that is the main setting for One Cold Night: Dumbo, an acronym for Down Under the Manhattan Brooklyn Overpass. This gritty waterfront neighborhood in Brooklyn, directly across from lower Manhattan, once inspired Walt Whitman to write his poem “Crossing Brooklyn Ferry” and now straddles a haunting sense of history in its cobblestone streets and nineteenth century warehouses, with the high-rises and galleries that mark its recent gentrification. The heart of the neighborhood was recently given landmark status to preserve its historic nature, and so no matter how long it takes this movie to get made, the neighborhood that is one of the story’s main characters will be waiting, mostly intact, to supply the sense of atmospheric mystery it lends this thriller in spades. Dumbo is where Dave and Susan live, where Susan has her handmade-chocolate shop, where Lisa vanishes, and where Dave begins his search for her on what becomes the longest, coldest night of all their lives.

Read excerpts and learn more about the author and her work at Kate Pepper's website and her blog.

The Page 69 Test: Here She Lies.

--Marshal Zeringue

Bill Cameron's "Lost Dog"

Bill Cameron is the author of Lost Dog and stories and poems.

Here he develops some ideas for actors should Lost Dog be adapted for the big screen:

Way back when I first started writing Lost Dog, I was already visualizing the movie version. As each new character materialized on the page, the casting director in my mind was on the job. The brooding, yet smart-assed form of John Cusack would be Peter. Dennis Farina as crusty Skin Kadash. Gillian Anderson as perky Ruby Jane (yes, I confess to a deep and abiding Scully crush). Jake was a tricky one, and while I never settled on a specific choice, any of the boy toys from Beverly Hills 90210 had the inside track.

Those are the main folks, and I confess to never having cast the support roles, though secretly I dreamed of being Jake’s first male victim, a fellow who dies before the start of the action and only appears in a photograph late in the novel. Yeah, a bit part, but then I can’t act my way out of a speeding ticket.

The nature of publishing being what it is, so much time passed between my initial concepts and the actual appearance of Lost Dog as a book that my thoughts have had to change as a matter of necessity. Let’s face it, actors age even if characters on the page don’t. Much as I still adore Cusack and Anderson, I fear they’ve aged past Peter and Ruby Jane. Alas. If I could still have them in the mid-90s, ... But no.

So I’m looking now to fresh fish. After much rumination, I realized that the perfect choice already had practice as an on-screen couple: John Krasinski and Mandy Moore. Okay, so it didn’t go so well for them with License to Wed, but I’m a man who believes in second chances. John, Mandy? What do you say? You in?

Dennis Farina could still do Skin, though I’ve recently found myself taken with John C. Reilly. He’s got a quirky presence on screen, plus amazing range. And for Detective Mulvaney I’ve settled on Emma Thompson. I don’t even care if she loses the English accent for the role; she’s Mulvaney.

And for Jake now that the 90210 Boy Toys are getting their first face lifts? Haley Joel Osment, of course. Not only is he the perfect age and more than capable of projecting darkly creepy, but he sees dead people. In Lost Dog he’ll get to make some of his own.

Read an excerpt from Lost Dog and visit Bill Cameron's website where you can view a video trailer for the novel.

The Page 69 Test: Lost Dog.

--Marshal Zeringue