Claudia Dain's "Courtesan Chronicles"

Claudia Dain is a two-time Rita finalist and a USA Today bestselling author.

Here she shares her thinking about the director and principal cast for a film adaptation of the Courtesan Chronicles:

This is so easy, the actor part of the equation, anyway. I always work from a photo to create and cement a character. I like to be able to stare at an intriguing face, to see the subtle and not so subtle differences between one brown-eyed brunette and another. Plus, then I don't forget the details, like the scar is on the left cheek and not the right.

I didn't use to need physical props to remember my characters, but now I do. I'd like to blame it on age but since I'm not 92, is age really the factor here?

Don't answer that.

I'm writing a long-running series (the fifth book out in July 2010) and the central heroine must be played by Catherine Zeta-Jones. She's that perfect blend of smart sophistication, sex appeal, and innate good humor; my Sophia Dalby character to a T.

Her hero should be played by Clive Owen. Dark haired and green eyed, tough, and yet still a gentleman, he's a man who is not intimidated by anything or anyone, yet doesn't make a big deal out of that fact.

In the director's chair, I'd love to see Bonnie Hunt. She has a light touch and can hit both the humor and romance button in the same instant. That's not easy to do well.

To produce? That's tougher. Someone who isn't afraid to take on the costs of filming a Regency historical. All those location shots! All those lavish costumes!

Learn more about the author and her novels at Claudia Dain's website.

--Marshal Zeringue

Joel Shepherd's "Sasha"

Joel Shepherd was born in Adelaide, South Australia, in 1974. He has studied Film and Television, International Relations, has interned on Capitol Hill in Washington, and traveled widely in Asia. His first trilogy, the Cassandra Kresnov Series, consists of Crossover, Breakaway and Killswitch.

Here he shares some ideas about casting opportunities for a film adaptation of Sasha, the first book in the A Trial of Blood and Steel series:

One giant plus for any movie made of Sasha, is that unlike my previous ‘Cassandra Kresnov Series’, Sasha would be relatively cheap to film. Yes there are some quite big battle scenes at the end, but most of the story is character driven rather than action driven, so aside from the costs of shooting in some very pretty, wild terrain (New Zealand? Canada?), I can’t see any prohibitive expenses. There’s also no magic or dragons or other giant, flame spewing monsters, so special effects would barely be needed (and wouldn’t that be just wonderful, to see some character based fantasy that didn’t just rely on eye candy?).

Since characters drive the plot, by far the most important part of the film would be casting. And for my main character Sasha, I have exactly the same problem I had with the Cassandra Kresnov Series -- there’s very few actresses in Hollywood who have established themselves playing tough female roles. There are probably quite a few who could do it, but haven’t been given the opportunity. But I don’t know who they are.

As a character, Sasha is something of a force of nature. She was born a Princess, daughter of the King of Lenayin, and was a very wild kid. In any other circumstance she might have had it beaten out of her, but Lenayin loves individualists and Sasha’s older brother, Prince Kristoff, was a little wild himself and encouraged her, perhaps unwisely. But Kristoff was killed when Sasha was eight, Sasha was heartbroken, and went to live with Kristoff’s old mentor Kessligh, greatest warrior in Lenayin , to take Kristoff’s place as his student.

Any actress playing Sasha would have to get into the shape of her life, think Demi Moore in G.I. Jane. Swordfighting in my novels isn’t some magical gift -- talent perhaps is (as Tiger Woods or Roger Federer could tell you), but talent has to be worked at, and Sasha works hard. She’s only an average sized girl, twenty years old in the novel, but she’s got muscles all over. She’s not bulky at all, because she relies on speed more than power, but has technique to achieve both.

She fights with an exotic swordfighting style called the svaalverd, the like of which I’m not sure has ever actually existed with swords, so I’m not actually certain that it’s possible, I’m just presuming it is. It’s inspired by the Wing Chun style of Kung Fu, which was created by a woman (the story goes) named Yim Wing Chun a long time ago in China, and was designed specifically to enable a weaker fighter to beat a stronger one, using the power derived of form and technique to overwhelm the inferior power of size and muscle. Or in other words, it was designed in part to allow women to beat men, by using a man’s greater size and strength against him (the irony being that these days far more men practise it than women). To portray this in a movie would be fascinating, and would require a very good fight choreographer with an excellent imagination who grasped the concept. Sasha’s blindingly quick, has amazing footwork and balance, and parries often with an angled blade so she’s not meeting force with force, but deflects her opponent’s blade past its target, leaving him open for the next cut. The more power her opponent uses against her, the better she likes it, because a big swing that misses its target will leave him completely exposed on the follow through.

Another key character is Kessligh, Sasha’s mentor. I’ve always imagined him as a guy with a very rugged and memorable face. Michael Douglas comes to mind, though only in a general sort of way. Kessligh’s an even better fighter than Sasha, not quite as fast any longer (he’s about fifty) but deadly experienced. He’s a philosophical guy with a hard edge, whose emotion when you get it out of him is that much more valuable because it’s so rare.

Sasha’s most prominent brothers, Damon and Koenyg, could be played by any number of tough young Hollywood guys. Damon is taller, more cynical and less self confident. Koenyg is a brick wall, average height but built like you might see in the WWF, and with similar attitude.

And then there’s Sofy, Sasha’s younger sister, intelligent, sophisticated and ‘girly’, an utterly different personality to Sasha, yet somewhat worshipful of her all the same. She has no interest in being ‘just like’ Sasha, but has huge admiration for Sasha’s strength of character. Sofy is the peacemaker in a world filled with warriors, and it is a struggle for her to retain her youthful optimism in the face of all her world’s troubles. As a character type, I don’t think she’d be difficult to cast compared to Sasha, but again, her character’s surface simplicity becomes more and more complicated the further the story goes, so some real acting talent would be required.

Lastly, I think Sasha the movie would require some awesome cinematography. Lenayin is a very rugged, beautiful land, rather like its people in that it can be difficult, dangerous and wonderful all at once. The native Goeren-yai are animists who believe spirits live in all things, and beautiful photography could capture their sense of wonder at the land around them, and help to convey why it is that they are like they are.

Read an excerpt from Sasha and learn more about the land of Lenayin. Visit Joel Shepherd's website and blog.

My Book, The Movie: Crossover.

The Page 69 Test: Sasha.

--Marshal Zeringue

Meg Gardiner's Evan Delaney series

Meg Gardiner's novels include the Jo Beckett series -- The Dirty Secrets Club and The Memory Collector -- and several Evan Delaney novels, which feature "a smart-aleck freelance journalist, deal with religious extremism, a high school reunion killer, and sex, drugs, and rock’n'roll. (They’re set in California. Of course they do.)"

China Lake (of the Evan Delaney series) won the 2009 Edgar award for Best Paperback Original; Stephen King calls the series “simply put, the finest crime-suspense series I’ve come across in the last twenty years.”

Here Gardiner explains some casting choices for a big screen adaptation of the novels:

Here I go, stepping into a bear trap.

I’ve always avoided being pinned down about who should play Evan Delaney. I write about her in the novels: She’s a tomboy who doesn’t know that she’s beautiful. She’s athletic, has a quick laugh, a quicker tongue, and a sharp sense of humor.

The books are fast-paced thrillers set in southern California. And when the Winnipeg Free Press reviewed Kill Chain, it said, “You just want to see what Rachel Weisz could do as Evan Delaney, a Santa Barbara freelance journalist whose father has gone missing.”

Rachel Weisz is fabulous. It’s a kick to hear that somebody sees her as Evan. Others have said they picture Sarah Michelle Gellar and Sarah Connor—meaning Linda Hamilton in the Terminator movies. And not one of those actors is the Evan of my imagination.

Here’s the wonderful thing about fiction: After I write the book, readers do creative work of their own, and imagine the world of the novel fresh in their own minds.

But if I had to pick a big-screen actress to play Evan, I’d go with Hilary Swank. She’s feisty but vulnerable, has strong looks with an underlying tenderness, and can run like hell. Plus, in Kill Chain, Evan says she has a better chance of landing the space shuttle than of fixing her computer. In The Core, Hilary Swank actually does land the space shuttle. That’s good enough for me.

(And in the background, my husband calls: “But give Evan Sigourney Weaver’s voice.”)

Other characters also take some thought. Jesse Blackburn, Evan’s boyfriend, combines Jensen Ackles from Supernatural with Keanu Reeves in Speed—and maybe Matt Damon in Jason Bourne mode, if his dialogue were written by The West Wing writers. But casting Jesse’s tricky. He’s a smartass, drives too fast, is as brave as all get out, and once had the world at his feet as a world-class athlete. But he’s been disabled by a hit-and-run driver. He can’t walk. Any hot men out there who are paraplegics and first class actors, please grab for the role. Meanwhile, the guy who comes closest to looking like him is Brazilian actor Reynaldo Gianecchini.

Then there’s Evan’s family. Mark Harmon would be great as her dad, Phil Delaney. Jamie Lee Curtis — though she’s too young in real life — would be good as Evan’s mom, Angie. And let’s have Jon Hamm play Evan’s fighter-pilot brother, Brian. Oh, yeah.

As for Evan’s guardian demons — the spy couple, Jax Rivera and Tim North — Jada Pinkett Smith would play a fierce Jax, and Jason Isaacs a coolly threatening Tim.

What do you know—that wasn’t painful at all. I don’t even have to gnaw off my own foot to get out of the trap.

Learn more about the author and her work at Meg Gardiner's website and blog.

--Marshal Zeringue

Ellen Byerrum's Crimes of Fashion mysteries

Ellen Byerrum is a journalist in Washington, D.C., and a produced and published playwright. She holds a Virginia private investigator’s registration.

Here she shares her thinking about the characters in her Crimes of Fashion mysteries, both on the page and on the screen:

It’s funny how many people ask me who would I cast in movies of my books. At least I don’t have to make up an answer on the fly because two of my books, Killer Hair and Hostile Makeover, have already been made into Lifetime Movie Network films. They aired this past summer in June and July. As it turned out, I was pretty lucky with the cast, and the movies were fun and they still resembled my books.

When I write I have a very clear picture of my characters; their age, height, hair and eye color, as well as their background and quirks and style of dress. But that’s only natural: I write Crimes of Fashion mysteries. The books feature Lacey Smithsonian, a reluctant (yet stylish) fashion reporter turned amateur sleuth who works in Washington, D.C., which she likes to call “The City Fashion Forgot.” In addition to Lacey, there are her friends, her love interest, her suspects, and her coworkers to complicate her life. But I don’t write with actors in mind. Not even now, after the movies. Of course if Katharine Hepburn and Cary Grant were available…

As a playwright, I learned that unexpected casting choices often produce the best results. Your first-choice actor may not work the way you imagined or have the right chemistry with the rest of the cast. Counting on one actor to play a particular part can be shortsighted and limit the creative possibilities. So I was not thinking about who I would cast as Lacey Smithsonian when the movie deal came up.

I wanted an actress who would bring Lacey to life, rather than someone famous who simply plays the same role every time. Some movie stars essentially just play themselves, not the character. But Maggie Lawson brought abundant charm and wit and intelligence to the role of Lacey and won lots of applause from my readers, and from me.

Some of the movies’ characters differed from the books, but they all brought something unique to their roles. Sadie LeBlanc’s character look as Stella Lake was not exactly the spiky-haired, leather lass, punk goddess hairstylist in my books, but she was very funny and engaging and had great chemistry with Maggie’s Lacey, as did Sarah Edmondson, who played attorney and conspiracy theorist Brooke Barton. Jocelyne Loewen took a small role as food editor Felicity Pickles and made it very funny and left a lasting impression.

The leading men in the movies offered lots of eye candy for the ladies. Victor Webster played Lacey’s main squeeze Vic Donovan, who is a private eye in the books, but a homicide cop in the TV flicks. (A couple of readers complained he was too handsome! Oh please, I beg to disagree. How can a man be too handsome?) Mark Consuelos offered a sharp, humorous and smart turn as police reporter Tony Trujillo. James McDaniel was appropriately cranky and caring as Eye Street Observer editor Douglas MacArthur Jones, Lacey’s boss.

Mary McDonnell made a wonderful Rose Smithsonian, Lacey’s loving but smothering mother. And Katharine Isabelle played a spunky Cherise Smithsonian, Lacey’s little sister, a former high school cheerleader with a lethal high kick.

While I don’t write my characters with actors in minds, I have to confess a few actors have always struck me as perfect, mostly for the secondary characters I love to have fun with. For instance, I would love to see a Wally Shawn-type actor play my happy-go-lucky death-and-dismemberment reporter Harlan Wiedemeyer. Maybe someday. I’m crossing my fingers.

Visit Ellen Byerrum's website and blog.

--Marshal Zeringue

Chelsea Quinn Yarbro's Saint-Germain Chronicles

Chelsea Quinn Yarbro is the first woman to be named a Living Legend by the International Horror Guild. She has been nominated for the Edgar, World Fantasy, and Bram Stoker Awards and was the first female president of the Horror Writers Association. She is best known as the creator of the heroic vampire, the Count Saint-Germain. The latest volume in the Saint-Germain Chronicles is Burning Shadows.

Here she shares some insights about the difficulty of casting the principal parts in any adaptations of her Saint-Germain Chronicles ... and names some actors who might have done the story justice:

When asked what actor I would like to play Saint-Germain, for the last quarter century, I've said James Mason in 1954. He was short, he was smart, he was a grown-up, he had incredible dark eyes, and a truly seductive voice; he rode well, he was a fine musician, and he seemed to lack that short man's chip on the shoulder -- I say seemed because I can only assess that from his acting; I didn't know the man himself. But no, I didn't and I don't imagine him as Saint-Germain while I write. Since the character is based on a real man, when I visualize him, that is who I see in my mind's eye. The historical man looked a lot like the late French film director François Truffaut, but with eyebrows angled in a more Slavic manner than and his nose more out of line than Truffaut's.

With a book series that has run longer than some actor's careers, settling on one for the role has seemed a bit ... unrealistic. There are actors who might do it very well, but as time goes by, who they are changes. Since Saint-Germain himself was about five-foot-six and stocky, he isn't the current "image" of a vampire, and that narrows the field right there. While I occasionally see an actor I think might be the right fit for the role, it doesn't happen very often, since the real man is so well-established in my imagination. But I have a great respect for the manner in which an actor can accommodate a role and give it authenticity through their art, and I sometimes can see possibilities in unlikely places.

Another factor in these stories -- and it would be a crucial one in casting most of the novels -- is Roger. The right balance needs to be struck between Saint-Germain and Roger. Among the current crop of actors who would look about the right age and can play the demeanor is British actor Michael Kitchen. But if he were cast in the role, it would definately influence who would play Saint-Germain. The relationship between the two is one of the major means of establishing that the foreignness of the two isn't just geographical. And with as long-enduring a relationship as those two have, much of what goes on with them is by implication as much as discussion, so the chemistry of the actors would be very important in terms of getting the tone right.

The great stage director Frank Corsaro and I once spent the better part of a dinner discussing who should play Saint-Germain, and Roger, for that matter. The time factor entered into our thoughts: in the 70s, Alan Bates (he'd need contact lenses, but short and tending to stocky; perhaps a bit too flamboyant, which Saint-Germain distinctly is not); for the 90s, Sting (wig/dye-job, contact lenses, a bit too tall, but great presence); Ralph Fiennes for the end of the 90s (wrong build, needs contacts, and a strong Roger to anchor, but has wonderful self-contained intensity). For Roger, in the 70s, Ian Richardson (providing the Saint-Germain had a more beautiful and distinctive speaking voice than Richardson's), in the 80s Edward Petherbridge (too tall, and would need a very elegant Saint-Germain to out-elegant him); in the 90s, we couldn't agree. We also had a good time debating Olivia, ranging over a great number of really good actresses, but never narrowed it down to one per decade. Frank said that it was a juicy role for any woman, and I, naturally, agreed. We were also in full accord about Saint Sebastien: the only actor for the role was, and is, Christopher Lee: the book is dedicated to him with an operatic joke, and he is familiar with the book. If he weren't available, we thought --- staying with actors who have played Dracula --- possibly in the 80s Jack Palance, and in the 90s Frank Langella.

There is also the problem that leading men tend to be handsome, and handsome changes from era to era and culture to culture. The real Saint-Germain wasn't handsome by the standard of his day, he was attractive, and attractive remains fairly constant. Casting the role to adhere to the standards of male handsomeness for this time will be inconsistent with standards of other centuries and other cultures. Making full allowance for the adaptability of actors, perhaps Saint-Germain would be better served by one of many fine character actors who are attractive but not so handsome that their very faces scream "Early twenty-first century!" After all, the old guy is over 4,000 years old, and Roger is just over 2,000, and they've been over a good portion of the world.

If a producer started out today to film all the Saint-Germain tales, novels and shorter works, at the rate of one a year, it would be 2034 before the films caught up to where I am now --- and that doesn't include Out of the House of Life or the Olivia books. In the meantime, I plan to write some more, so there would be at least two, and probably three Saint-Germains, and the same number of Rogers, so the casting conundrum would continue into the future, and probably remain just as perplexing as it is now.

Visit Chelsea Quinn Yarbro's website.

--Marshal Zeringue

Jordan Summers' "Red"

Jordan Summers' many books include the Atlantean Quest series as well as the Phantom Warriors series.

Here she shares her preferences for director, producer, and stars in a big screen adaptation of Red, the first book in her Dead World series:

If I could choose a director for my novel, Red, it would be an easy decision. I love a lot of different directors, but Peter Jackson would have the job. I believe he (and Weta) could do wonders with the post-apocalyptic world I established, especially since there are genetically created werewolves, vampires, chimeras hiding in plain sight.

I’d want Jerry Bruckheimer to produce, although I’m not sure I can picture those two titans working together.

When it comes to the actors, the decision gets a little tougher. I originally started out with Hugh Jackman in mind for Sheriff Morgan Hunter, but that changed as I got to know Morgan better. He was a lot more rough and tumble than Hugh. He was striking, but not handsome in the traditional sense of the word. Morgan suddenly became a combination of Clive Owen and Daniel Craig. I’d audition those two for the part.

Gina ‘Red’ Santiago is the hardest to cast of them all. She’s tough, but rather naïve when it comes to social interaction. She’s been insulated, even though she’s in law enforcement. The actress would need to be able to play vulnerable and capable. When I first ‘saw’ her in my mind, I pictured Angelina Jolie. (I have no doubt she could pull off the role.) As I got into the story I realized Red was Hispanic, so my image of her began to change. It’s difficult to narrow down who I’d pick for the part, but I’d audition Rosario Dawson, Jordana Brewster, and Roselyn Sanchez. And you can bet, I’d be the first in line to see the finished product.

Learn more about the author and her work at Jordan Summers' website and blog.

Read about Crimson, the latest book in the Dead World Series.

--Marshal Zeringue

Luke Lively's "A Questionable Life"

Luke Lively has over twenty-five years experience as a bank executive and currently runs Lively Consulting Services, providing leadership, training and operational support to the financial services industry. His clients include banks, insurance, internet and software companies. Lively regularly lectures on organizational change, leadership and client service to a variety of businesses, governmental, community and non-profit organizations and has been published in a number of banking publications including The American Banker.

If his debut novel A Questionable Life is adapted for the big screen, here are Lively's suggestions for director and principal cast:

My book, A Questionable Life, has been described as ideal for movie adaption, especially with the current economic and social conditions. Set against a backdrop of greed, deceit and corruption, the story follows a ruthless banker, Jack Oliver, as he attempts to climb to the top of the corporate ladder in Philadelphia. When his plans are derailed, Jack’s life begins an uncontrollable downward spiral. On the verge of losing everything he had worked to achieve, Jack’s best friend, John Helms connects him with an old, rural banker—Benjamin “Benny” Price. Benny helps Jack to change his greedy perspective by introducing Jack to a different kind of life in the Blue Ridge Mountains of rural Virginia—a life of giving.

Director- With much of the movie connected to hiking and the outdoors, the ideal Director would be Robert Redford. Redford has already made excellent movies in rural surroundings (A River Runs Through It). In addition, Redford won an Oscar directing a movie where a family was destroyed by class consciousness and greed (Ordinary People). Also in his list of directing credits is an inspirational story of redemption and hope (The Legend of Bagger Vance).

Characters:

Benjamin “Benny” Price- Redford, aging gracefully would also be ideal to play the role of Benny Price, the wise, experienced life-coach. Tall and exuding a calm confidence, Redford would fit perfectly as director and co-lead.

Jack Oliver- Philip Seymour Hoffman is perfectly suited to take on the character of the despicable, greedy banker, Jack Oliver. Hoffman is engaging even when he is bad (Mission: Impossible III) and would bring the complex character traits and collision of ethics and morality Jack Oliver faces to life for movie audiences similar to his Oscar winning performance in Capote. Physically, Hoffman again fits the character of self-indulgent, hard-drinking and chain-smoking Jack Oliver.

Tina Oliver- Julianne Moore not only looks like Tina, the left-behind wife of Jack Oliver, but has portrayed characters (The End of the Affair) struggling with life choices. Seeing Moore together with Hoffman would showcase the vast differences in how the two characters set out to find happiness together and instead are forced to deal with shattered dreams, forgiveness and redemption.

John Helms- If ever there was a happy-go-lucky character described as a “Southern John F. Kennedy, Jr.” Matthew McConaughey fits the bill. The role of John Helms requires the good looks and womanizing exuberance McConaughey is capable of delivering. Seeing McConaughey and Hoffman on screen offers both a visual and philosophical divergence that would maintain a grip on audiences.

Ann Price- Meryl Streep, utilizing Hollywood’s best make-up artists to age beyond her years, would be an amazing Ann Price. The final scenes of the movie pull together the themes of love, forgiveness and redemption. No one could be a better fit than Oscar winning Ms. Streep.

There you have it—a sure-fire Oscar winning film and office blockbuster, A Questionable Life.

Read more about the book and author at the publisher's website and Luke Lively's website.

--Marshal Zeringue

Gail Dayton's "New Blood"

Gail Dayton was born in Ohio, only because her dad was in the Air Force at the time. She got to Texas as soon as she could—at one year old. She was raised in Texas and Idaho, reading everything she could get her hands on, especially adventure stories. She was reading and loving fantasy and science fiction back when she still thought kissing was icky. Then she grew up.

Now, Dayton lives with her husband of 30-plus years on the Texas Gulf Coast two blocks from the beach, and writes fantasy romance for Tor Paranormal Romance. She reads in the back yard—the beach is too sandy for her Sony reader—but she still considers everything she reads a beach read.

Here she explains who she has in mind for the leads in a film adaptation of New Blood, published earlier this year:

I am one of those authors who needs to cast my main characters before I can really get a story untracked. Often, I use character actors—those actors who’ve made a career of playing the villain, or the hero’s best friend or father or brother. Sometimes I do use “the big names.” It’s not always my choice, because while sometimes I do cast my characters myself, sometimes they cast themselves after I’ve come up with the character, and sometimes they show up already wearing an actor’s face and tell me to get busy and write their story—once I figure out what it is.

That’s what happened with New Blood. Jax walked fully formed out of the swamp in my head where my story ideas come from. (Some authors have a basement, some have a factory in Tulsa, I have a swamp ... which probably gives you an idea of what’s in there.) He was wearing a brown leather duster over a Victorian era suit with a brocade waistcoat and high boots. He told me his name was Jax, he was searching for something but didn’t know what. It was my job to figure out what that was. Oh, and he was wearing the face of English actor Jason Flemyng.

Y’all may not be familiar with Flemyng. He played Dr. Jekyll/Mr. Hyde in The League of Extraordinary Gentlemen, and did a fabulous job. But he first came to my attention as the coachman Nettley in From Hell. I had been seeing a lot of movies with Flemyng in them—and one day, Jax just showed up. It took me a while to realize that Jax had a lot of secrets to uncover, and that he belonged in the vague story idea I had about a universe where blood magic worked differently than what is found in the usual fantasy— a place where if you steal blood from someone, the magic would turn on you. During the story, Jax moves from a magic-haunted servant bound without will to the blood sorceress, to a man who chooses and fights for the destiny he wants. Flemyng is such a wonderfully talented actor, he can create all those nuances with ease.

And it was time to cast Amanusa, the heroine in New Blood. I had a lot of trouble with her, because she’s very tall, very blond, and more striking than beautiful. I had seen the Swedish athlete Carolina Klüft win the heptathlon at the Olympics in Greece in 2004, and thought she looked something like Amanusa. But she’s not an actress, is she? Wouldn’t work for a movie.

But Jeri Ryan (Star Trek: Voyager and many other television roles) could definitely play the part. She’s striking and beautiful. Amanusa grows into her beauty and her strength during the story, and Ryan plays strong women so well, it would be perfect for her.

I cast most of the secondary characters in New Blood, but the alchemist Harry Tomlinson, the conjurer Grey Carteret, and the would-be wizard Elinor Tavis will all get starring roles in their own books, so I’ll save those for another blog.

Besides, if I let the secondary characters have faces, they tend to get uppity and try to take over the story. Then I have to either do a characterectomy and take away face and personality, or I have to promise them their own book—like I did Harry, Grey and Elinor.

Learn more about the book and author at Gail Dayton's website and blog.

--Marshal Zeringue

Lara Zielin's "Donut Days"

Lara Zielin is a magazine editor by day and young-adult author by night. She grew up in Wisconsin eating cheese and watching the Packers, both of which she never really stopped doing even after moving to Ypsilanti, Michigan.

Here she shares some thoughts about the actors and director for a big screen adaptation of her debut YA novel, Donut Days:

Donut Days’ protagonist, Emma, is something of a budding hipster living in a community of conformists. Her parents are evangelical ministers who want her to attend a Christian college when she graduates from high school, but Emma can think of nothing worse.

Emma has a funny, often sarcastic voice, so the actress who plays her would need to be edgy, but not too edgy since the book takes place in the Midwest and, well, no one is that mean in the heartland. I think Ellen Page would be a fabulous option. Emma Watson, too, if she lost the British accent. I also think Amanda Bynes could do the role a great justice, and also I’d like her to play me in the Lifetime movie they’ll make about me one of these days: Lara Zielin: The Lara Zielin story: Hallowed Pages [subtitle] Not Without My Pen.

Emma’s in a fight with her best friend, Nat, who is tall and gorgeous, and who has red hair. Her character is more conservative and simple than Emma, so I’m thinking of someone fresh-faced and wholesome like Hayden Panettiere (but with scarlet locks).

Emma’s love interest is a nerd-turned-hunk, which would be a fun twist to bring from real life to the screen. Peter Billingsley is a bronze god of a man, who was Ralphie in A Christmas Story. But he more directs than acts now, so maybe Patrick Dempsey, except a few years younger. But not too young, because then he’s back to being a geek. It’s very nearly a quandary, you see.

To direct, I’d love Rob Hess, who always does an amazing job of capturing humor and drama in his films (full disclosure: I’m sleeping with him. We’re married.).

If not Rob, then Mark Waters who did an awesome job making Mean Girls fast and engaging, or Spike Jonze because he’s amazing and why not. I mean, come on, Being John Malkovich? That’s just brilliant filmmaking right there.

I would caution all the actors and producers and the director that they’d better bring to set a love for donuts and pastries because a big chunk of the book/movie takes place as people camp out in front of a donut shop waiting for it to open (full disclosure: I gained 20 pounds writing this book. I called it research.).

Learn more about the book and author at Lara Zielin’s website and blog.

--Marshal Zeringue

A.W. Hill's "Nowhere-Land"

A.W. Hill is the author of Nowhere-Land: A Stephan Raszer Investigation, as well as two previous Stephan Raszer novels; he has won numerous literary prizes. He is a Grammy Award-winning music supervisor for films, and was vice president of music for Walt Disney Pictures.

Here he shares some ideas for casting a cinematic adaptation of Nowhere-Land:

Stephan Raszer (the name is an acronym), protagonist of Nowhere-Land and the two novels that preceded it, was real for me long before any of his plots took shape.The first tic I pictured was the squint he registers when something doesn't smell right, or when he's faced with a metaphysical puzzlement. It's a gesture stolen from the facial repertoire of the great Steve McQueen, who is the most enduring model for Raszer. When the first book was in movie development at Paramount under Alphaville and director Alex Proyas, I had to give some serious thought to who a latter-day McQueen might be (not that I would have had any say about casting), and I thought of guys like Daniel Craig (not yet Bond), Guy Pearce, and Viggo Mortensen, all guys whose vulnerability is just barely disguised by tough exteriors, all "on the borderline of handsome." That's still pretty much how I see the character.

Raszer's women are a special breed of dirty angel. They're more grounded than he is, but only because their wings would otherwise carry them off. Monica Lord, his indispensable assistant, has always been Claire Danes. No one else comes remotely close. The character of Ruthie Endicott in Nowhere-Land, a "slice of rhubarb pie too good to spoil with ice cream," is a tougher call. She would be, I think, the present-day version of Valerie Bertinelli at 22. Cat's eyes, full of guile, and impossible to resist.

Learn more about the book and author at A.W. Hill's website and blog.

--Marshal Zeringue