Anne Lawrence-Mathers's "The True History of Merlin the Magician"

Anne Lawrence-Mathers is senior lecturer in medieval history at the University of Reading.

Here she shares some ideas for the leads and director of an adaptation of her new scholarly book, The True History of Merlin the Magician:

When I wrote The True History of Merlin the Magician I had no real visual image of Merlin in my mind – how can you tie down someone who ‘lived’ from the 5th century to the 16th, and took the forms of boy-prophet, scholar, doctor, hermit, Welsh warrior-prince and half-demon, to one physical incarnation or appearance? The one thing I was clear about was that the historical Merlin was not the aged sage in a pointy hat seen in Disney’s version.

But, once I started to think about Merlin as a movie, the actor to play Merlin was obviously Johnny Depp. A blend of Edward Scissorhands, Captain Jack Sparrow and The Mad Hatter is about as close to the Merlin of medieval chronicles and prophecies as I can imagine – though adding to these the hermit who can see to the very end of time and understands the secrets of the earth might be a stretch even for Johnny Depp. Of course, since Merlin can change shape, and take on the appearance of any person he chooses, this movie would not need to be restricted to just one lead actor. Yet the versatility of an actor like Johnny Depp is so impressive that it’s a form of magic in its own right, and I think it would help to get across the message that Merlin was truly believed to be a real person.

One of the chapters of the book looks at how Merlin the historical figure became so famous that courtly romance (the equivalent of historical novels, in a way) were written about him and became best sellers. It was these romances which imagined an explanation for Merlin’s disappearance from the histories after he’d brought about the birth of King Arthur. The story was that there were two things even more powerful than Merlin’s magic: love and feminine cunning – and the two were embodied in the character of Viviane. Here is a powerful character, but one who is also a misogynist stereotype. Viviane starts out as a young girl sent to entice the great magician, grows into a powerful enchantress as she learns Merlin’s magic, and ends as a ruthless killer (in some versions at least). I am going to cheat slightly and go for a younger Helen Mirren, in her incarnation as Cleopatra, blending into her role in Prime Suspect. That may sound surprising, but to Viviane, Merlin is a villain.

Finally, the director should be Sam Mendes. It’s not that I think Merlin is an early James Bond (though the fictional Merlin was a Brit who travelled the globe, settling political, diplomatic and even religious crises, so I might be on to something). It’s more that I enjoy the idea of Merlin as a musical, with all the doomed romance of Cabaret.

Learn more about The True History of Merlin the Magician at the Yale University Press website.

--Marshal Zeringue

Timothy Hallinan's "Crashed"

Timothy Hallinan is the Edgar- and Macavity-nominated author of numerous widely praised books—twelve novels and a work of nonfiction—including the Poke Rafferty Bangkok thrillers and the Junior Bender mysteries.

Here he dreamcasts an adaptation of his newest book, Crashed:

Crashed is the first in a series featuring Junior Bender, a San Fernando Valley burglar who moonlights, usually reluctantly, as a private eye for crooks. I've been fascinated for years with the shadow world of crooks, which exists in the same towns and on the same streets as the world most of us inhabit. But let me tell you, a block of nice houses is a different landscape for a burglar than it is for someone who lives there.

The books are funny, although the mysteries are real, people actually get killed, and there's nothing “cozy” about them. If I were a film director pitching the idea (which has, in fact, been bought for movies) I'd describe them as “Monty Python noir.”

In addition to being a burglar, Junior is an unhappily divorced man and the father of a thirteen-year-old daughter, Rina, whom he loves more than anything else in the world. He's eminently plausible as a straightforward middle-class, middle-thirties guy, and he can easily muster a convincing semblance of innocence. The other thing about him that matters (for casting) is that he's nearly always the smartest guy in the room.

I've always been drawn to actors who seem to have a dozen things going on in their minds beyond the words they're saying. My first thought for Junior was Robert Downey Jr., who constantly gives the impression that he might walk through a door onscreen and come out into a completely different movie. And then my wife, Munyin, fell in love with a two-season television series from 2008-2009 called Eli Stone starring Jonny Lee Miller, now playing Sherlock Holmes in a modern-day TV reboot opposite Lucy Liu. In Eli Stone, Miller was so convincingly American that I was stunned to hear his British accent in the DVD extras. He'd be the ideal Junior Bender.

For Junior's best underworld friend, Louie the Lost, a former getaway driver whose lack of a sense of direction finally cost him his job, I'd want the younger Danny DeVito. (I often hear DeVito's voice when I write Louie.)

In the book, Junior is forced into preventing the sabotage of a big-budget x-rated movie that's being produced by the San Fernando Valley's leading gang figure, the beautiful and effortlessly lethal Trey Annunziato. Trey inherited the job by killing the person who held it before she did, Deuce Annunziato, who happened to be her father. Her natural habitat would be the Vatican under the Borgia pope, and to play her (since I can have anyone) I'd approach Angelina Jolie. There's some history here, too, because Jonny Lee Miller was Jolie's first husband.

And finally, the “adult” film is supposed to star a drug casualty named Thistle Downing, now impoverished and barely sentient, but once the most beloved child actress on television, a brilliant natural comedian who gradually lost her talent and her confidence over the course of several years in full view of half of the American public. I'd love to have one (or, for that matter, both) of the Olsen Twins play her. They could do alternating scenes. I think they, or one of them if the other is busy, would be brilliant.

There are lots of good short parts, many of them very vivid crooks, and what I'd love to do it bring Preston Sturges and his entire stock company back to life and just hand the film to them—as long as they'll accept my stars, I mean.

And I have no idea what direction Lionsgate, who bought the film rights, will actually take, but I hope they read this.

Learn more about the book and author at Timothy Hallinan's website and blog.

The Page 69 Test: Crashed.

--Marshal Zeringue

Karen Engelmann's "The Stockholm Octavo"

In Karen Engelmann's The Stockholm Octavo, Emil Larsson is a self-satisfied bureaucrat in the Office of Customs and Excise in 1791 Stockholm. He is a true man of the Town—a drinker, card player, and contented bachelor—until one evening when Mrs. Sofia Sparrow, a fortune-teller and proprietor of an exclusive gaming parlor, shares with him a vision she has had: a golden path that will lead him to love and connection. Set against the luminous backdrop of late eighteenth-century Stockholm, as the winds of revolution rage through the great capitals of Europe, the novel brings together a collection of characters, both fictional and historical, whose lives tangle in political conspiracy, love, and magic.

Here Engelmann shares some suggestions for casting an adaptation of the novel:

Here’s the weird thing: a few weeks ago I actually had a phone conversation with a producer interested in optioning the book. “What actress do you think should play Mrs. Sparrow?” he asked.

It took me a few seconds to reply, surprised he wanted my opinion. “Well, I always imagined Kristin Scott Thomas. She’s a fabulous actress, the perfect age, looks Swedish and speaks French.”

“She is fabulous,” the producer noted. “I just did a movie with her. Ryan Gosling played her son.”

“Ryan Gosling!!!???” I squealed, serious novelist dissolving into tabloid junkie. “Ryan Gosling can have any part he wants…”

That ended the discussion, and rightfully so. I love going to the movies, but otherwise have a ridiculously limited and naive view of the film business. Let the professionals do their job! However, this does not mean that I cannot create my fantasy cast from the daydreaming comfort of my sofa, bowl of popcorn at hand. Here is my Seeker, the Eight from his Octavo, and several other key roles.

Emil Larsson — narrator, customs officer and man of the Town: Ryan Gosling, of course!

Mrs. Sofia Sparrow — card shark and cartomancer: Kristin Scott Thomas.

The Uzanne — Baroness and villainess: Laura Linney.

Johanna Bloom — runaway apothecaire: Emma Watson.

Anna Maria Plomgren — tempestuous army widow: Noomi Rapace.

King Gustav III — monarch of Sweden: Stellan Skarsgård.

Duke Karl — the king’s younger brother and rival: Michael Nyqvist.

Master Fredrik Lind — calligrapher and social climber: James Callis.

Captain Hinken — smuggler: Peter Stormare.

Christian Nordén — fan maker, refugee from the French Revolution: Simon Baker.

Margot Nordén — Christian’s French wife: Marion Cotillard.

Lars Nordén — Christian’s younger brother: Alexander Skarsgård.

Mrs. Murbeck — Emil’s landlady: Lena Olin.

Old Cook: Beryl Patmore, of course.

I cannot wait to get their autographs!

Learn more about the book and author at Karen Engelmann's website.

Writers Read: Karen Engelmann.

The Page 69 Test: The Stockholm Octavo.

--Marshal Zeringue

Derek Haas's "The Right Hand"

Derek Haas is the co-writer of the films The Double, Wanted, and 3:10 to Yuma, and author of The Assassin Trilogy: The Silver Bear, Columbus and Dark Men.

Here he dreamcasts an adaptation of his new novel, The Right Hand:

Since I've already sold the rights to Universal and producer Scott Stuber, this is an intriguing question. My book centers on a middle-aged spy trying to get a nineteen-year-old Russian girl out of her country and out of harm's way. I'd love to see someone like Bradley Cooper, who has yet to really conquer an action movie tackle the role… and I'd pair him up with a beautiful, young talent such as Jennifer Lawrence. As far as directors go, I'd like someone who has proven as adept at handling character as he has action with a real visual style, like Rian Johnson or Chris McQuarrie. Give us a year and we'll see who rises to the challenge!

Learn more about the book and author at Derek Haas's website.

Writers Read: Derek Haas.

The Page 69 Test: The Right Hand.

--Marshal Zeringue

Stacey Madden's "Poison Shy"

Stacey Madden holds a BA from the University of Toronto and an MFA in creative writing from the University of Guelph. He lives in Toronto.

Here he shares some ideas for casting a big screen adaptation of Poison Shy, his first novel:

Poison Shy is full of unattractive characters, so any actors I mention here would have to ugly themselves up a bit for their roles in the film.

I think Poison Shy would make a great low-budget, grindhouse-type movie. It’s full of sex, violence, and people doing horrible things to each other, and what better way to emphasize the book’s gritty nature than by adapting it into a deliberately grainy film with dim lighting and poor sound quality.

For the role of Brandon Galloway, my hapless narrator who works in pest control, I would cast Joshua Jackson, of Dawson’s Creek fame, and ask him to come to the set each day on three-or-fewer hours’ sleep. Brandon’s a hard-on-his-luck kind of guy, and I think Josh Jackson would do a good job portraying Brandon’s pessimism and paranoia.

The real star of the show, however, is Melanie Blaxley, Brandon’s femme fatale paramour. Melanie, a pale and freckled redhead, is described in the book as “beautiful in a trashy kind of way”, causing Brandon to suspect that she could be “the surprisingly attractive offspring from an incestuous marriage” – a character description I’m sure is every young actress’s dream to be told they’re perfect for.

In any case, there is no shortage of flame-haired beauties who, with the help of trick camera work and a talented costume designer, could summon just enough of their inner-bitch to tackle the role of Melanie. The first one who comes to mind is British starlet Natalie Press, who is best known for her role as Mona opposite Emily Blunt in the 2004 film My Summer of Love. Other options are: the raspy-voiced Emma Stone, the doll-like Lily Cole, and short-lived pop star Lena Katina, who was the redheaded half of the fake lesbian duo t.A.T.u.

If none of the aforementioned beauties want to stoop to play the likes of Melanie, there’s always Lindsay Lohan.

As for the supporting roles, I would love to see the man with the best name in Hollywood, Christopher Mintz-Plasse, in the role of Darcy Sands, Melanie’s vile roommate whose unwashed hair smells like gravy. I think playing a scumbag like Darcy would help Mr. Mintz-Plasse to break free from being typecast as a “nerd”. Other options for Darcy are Seth Green, Shawn Ashmore, and Dominic Moynihan. (Sorry guys.)

For the role of Bill Barber, Brandon’s overweight and gassy co-worker, there’s really no other option besides superstar John Goodman.

Brandon’s schizophrenic mother, Eileen, is a difficult role to cast, but I think Diane Wiest, who is probably best-known for her role as the cosmetic saleswoman Peg who ventures into Vincent Price’s castle in Edward Scissorhands, could pull it off.

For the role of Detective Basil Darvish, who is probably the noblest character in the book, I would cast Brian George, who most people would recognize as the finger-waggling Babu Bhatt from Seinfeld. All he needs is a trench coat.

Ewan Bremner, who played Spud in Trainspotting, would be perfect in the role as Viktor Lozowsky, the skeezy bar owner who wears thick-rimmed coke-bottle glasses and shaves his head with razor blades.

Finally, in the roles of Brandon’s dead (and deadbeat) father, Jack, who we see only in flashbacks, and his wrong-side-of-the-tracks mistress Gloria, I can see nobody else but Nick Nolte, circa his mug shot days of 2002, and a haggard-looking Kim Basinger.

My sincerest apologies to any of the aforementioned celebrities who stumble upon this post.

Learn more about the book and author at the publisher's website and Stacey Madden's Twitter perch.

The Page 69 Test: Poison Shy.

--Marshal Zeringue

R. Kent Newmyer's "The Treason Trial of Aaron Burr"

Kent Newmyer is Professor of Law and History at the University of Connecticut School of Law. His books include The Supreme Court Under Marshall and Taney, John Marshall & the Heroic Age of the Supreme Court, and Supreme Court Justice Joseph Story: Statesman of the Old Republic.

Here Newmyer shares some suggestions for casting an adaptation of his latest book, The Treason Trial of Aaron Burr: Law, Politics, and the Character Wars of the New Nation:

I've been telling friends, jokingly of course, not to buy my book on the treason trial of Aaron Burr until they see the movie. But now the moment of truth has come. The action takes place in the House of Delegates in Richmond, which during the trial looked every bit like a makeshift Elizabethan theater where the lawyers and the parties in the case were almost indistinguishable from the spectators. Former Vice-president Burr is in the dock, accused of treason (without benefit of even a grand jury indictment) by President Jefferson, who undertook to micro-manage the prosecution from the White House--a fact that brought him face-to-face with his old enemy Chief Justice John Marshall who sat as trial judge. The character of the main players figured largely in the trial, so casting is crucial.

Aaron Burr: short, handsome, piercing dark eyes that captivated the women in (and out of) the courtroom. A Revolutionary war veteran: a gifted New York politician in hostile territory in Jeffersonian Virginia; a brilliant lawyer who directed his own defense; a good play actor, as he confessed, who found it easy to play the innocent victim of a vengeful president (which was easy to do since it was largely true). Burr finds it hard to contain his contempt for Jefferson, the government's lawyers, and their witnesses--and occasionally even John Marshall. Since Richard Burton is no longer with us, nor Paul Newman, and Richard Gere is too old, I would suggest Tom Cruise.

Thomas Jefferson was all over the case, but worked his magic back in Washington, letting his minions in Richmond take the heat. During the trial Jefferson was vindictive, self-righteous, and harshly judgmental. He hated his cousin John Marshall and truly believed that Burr was an enemy of the Republic who had to be eliminated. Jeremy Irons gets the role hands down.

John Marshall, a young-looking 52 at the time of the trial; tall, loose-jointed, and handsome, with dark eyes to rival Burr's. Has to have gravitas without arrogance. The best lawyer in a room full of gifted lawyers. Cool under fire. An aristocratic democrat. Jimmy Stewart would have done brilliantly just playing himself. George Clooney gets the first offer.

The animated lawyers and the extravagant Wilkinson will be cast later, along with Burr's beautiful daughter Theodosia, who also played a part in the melodrama. Finally, the cast of many hundreds who flocked to Richmond to see the action can be recruited as extras from Hollywood's Sunset Boulevard.

Learn more about The Treason Trial of Aaron Burr at the Cambridge University Press website.

The Page 99 Test: The Treason Trial of Aaron Burr.

--Marshal Zeringue

David Carnoy's "The Big Exit"

While David Carnoy lives in New York City with his wife and children, his novels take place in Silicon Valley, where he grew up and went to high school (Palo Alto). His debut novel, Knife Music (2010), was a Top-10 bestseller on the Kindle and also a bestseller on the Nook. More medical thriller than high-tech thriller, to research the novel Carnoy spent a lot of time talking with doctors, visiting trauma centers, and trailed a surgeon at a hospital in Northern California to help create the book's protagonist, Dr. Ted Cogan.

The Big Exit (2012) isn't a sequel to Knife Music per se. However, a few of the characters from Knife Music figure prominently in the story. His second novel has more of a high-tech slant and reflects Carnoy's experiences as an executive editor at CNET.com, where he currently works and is trying resolve his obsession with consumer electronics products.

Here Carnoy dreamcasts an adaptation of The Big Exit:

A blogger recently asked me who I'd cast as my protagonist in the movie version of The Big Exit and I drew a blank. The truth is I didn't really have anybody in mind as I was writing the character of Richie Forman. In my first novel Knife Music, I really saw my lead, the surgeon Ted Cogan, as George Clooney or Bradley Cooper (Cooper would be my first pick today). But Forman was just Forman.

The irony is that when I was creating him I thought some big actor would want to play him, even if I didn't have one in mind. That's because he's a Sinatra impersonator and I suspect that plenty of actors would want to play Sinatra without actually playing him.

So after flailing with that first blogger, I decided to think about it some more. Luckily, of course, there's been a lot of talk about Scorsese doing a Sinatra biopic, and the Web is filled with lists of actors who might play Sinatra in that film if it ever comes to fruition.

I'm a big fan of Leonardo DiCaprio, the guy who tops most Scorsese Sinatra lists. But I think Matt Damon might be better for the role of Richie Forman. That's because Forman, who's fresh out a prison in the book (he did time for vehicular manslaughter), is a former dot-comer, and Damon probably fits the bill a little better as a Silicon Valley guy. Of course, it's unclear whether Damon can sing (DiCaprio has apparently been taking lessons). I also think Jake Gyllenhaal would probably work, but he doesn't have blue eyes. Bring on the contacts.

As for the secondary roles. I like Kevin Spacey for Detective Madden, who's also in my first book. Madden is an older detective who has a drop foot (from a bout of polio as a kid) and walks with a limp. As we know, Spacey does a mean limp. Earlier this year I saw on stage in Richard III and who can forget him as "Verbal" Kint/Keyser Soze in The Usual Suspects.

My lead female character is Carolyn Dupuy, a troubled lawyer "coping with an off-and-on doctor boyfriend and a ticking biological clock," according to Kirkus Reviews. She's on a cycle of IVF while helping to solve the murder and I think Jennifer Aniston would be good in the role. Dupuy's sexy, tough, vulnerable, manic, and a bit comedic at times. She's got more of a Mediterranean complexion, so Aniston would have to go with dark hair (she does come from partial Greek/Italian lineage).

I also have Richie's ex-fiancee, Beth (that image on the cover of the book is supposed to represent her). I see her as a younger version of Madeleine Stowe. Maybe Jennifer Garner?

Who knows. My agents are trying to sell the Fi/TV rights now. We'll see if anything pans out. I'm pessimistically optimistic.

Learn more about the book and author at David Carnoy's website.

The Page 69 Test: The Big Exit.

--Marshal Zeringue

Courtney Miller Santo's "The Roots of the Olive Tree"

Courtney Miller Santo grasped the importance of stories from listening to her great-grandmother. She learned to write stories in the journalism program at Washington and Lee University and then discovered the limits of true stories working as a reporter in Virginia. She teaches creative writing at the University of Memphis, where she earned her MFA. Her work has appeared or is forthcoming in The Los Angeles Review, Irreantum, Sunstone, and Segullah.

Here the author shares her ideas for director and cast of an adaptation of her latest novel, The Roots of the Olive Tree:

I’ve heard it said there are no good parts for women over the age of forty, but Roots of the Olive Tree has four parts. Each of the Keller women has complexities and secrets that would be rich material for some of the great actresses. The women I’ve met in bookclubs are clamoring for their favorite actresses to play the Keller Women. So I’ve taken their thoughts into consideration in selecting the perfect cast.

Director: Nancy Meyers would be perfect. She did such wonderful work with Meryl Streep in It’s Complicated. I’d love to see her take on the challenge of directing this ensemble. She understands the complexities of older women and how to bring them to a compelling way to film.

Anna: Vanessa Redgrave has the stubborn but humorous presence needed to bring the role of Anna, the 112-year-old Keller matriarch, to life on the screen. Vanessa knows how to breathe full-throated life into a character whether it is Clarissa Dalloway or Edith in If These Walls Could Talk.

Bets is the most crucial member of the cast. She ties so many of the stories of the women together and she has such important interactions with each of the women; Helen Mirren would bring the grace and resignation needed to adequately convey the situation Bets finds herself in.

Cybill Shepherd would be brilliant as Callie. She has exactly the sort of older woman sex appeal that is needed for the part and she knows how to be laughed at, which is crucial for this role. I love Cybil because she is from Memphis and because she’s never been shy about her life. I also know she’d bring exactly the right sort of vulnerability and anger that Callie has over the injury from her plane crash.

Deb made a terrible mistake of passion and of anger when she was young. I’d like to see someone with the range and sympathy needed to play this part. Beth Grant, a wonderful character actress comes to mind. Her work in so many roles—especially Little Miss Sunshine is terrific. She inhabits a role so exactly that she disappears into it and you don’t remember what a terrific actress she is until you see her in something else.

Erin, at twenty-five, is the youngest of the Keller women, but she has a wise soul. Ginnifer Goodwin is exactly the sort of old soul, young actress to play the role. Her work on television is extraordinary and she always manages to fill the screen with life—the sort of rosy presence needed to contrast against the age of the rest of the Keller women. I love how she plays a mother to someone nearly her own age on Once Upon A Time and manages to make it exactly believable.

Learn more about the book and author at Courtney Miller Santo's website.

The Page 69 Test: The Roots of the Olive Tree.

Writers Read: Courtney Miller Santo.

--Marshal Zeringue

Matthew Costello's "Home"

Matthew Costello is an award-winning novelist, screenwriter and video game writer. His best-selling video games include The 7th Guest, Doom 3 and Pirates of the Caribbean. His horror novel, Beneath Still Waters, was filmed by Lionsgate. He also has written episodes and created TV formats for PBS, Disney, SyFy, and the BBC.

Here he shares some ideas for cast and director of an adaptation of his latest novel, Home:

Actors? There are two key adult roles that I would focus on. About those in a minute.

The kids would require finding a 9/10 year old boy and 13/14 year old girl. The boy, Simon, needs have that mix that boys that age can have -- of being little kids one moment, then turning into totally brash, take-on-the-world brats. One minute you adore them, the next you wish the pirates would come spirit them away.

For the girl, Kate, the actress playing the daughter in Homeland – Morgan Saylor – avoids the Katniss now-stereotype. She has that adolescent ‘edge’, and still conveys the feeling that she can rise to difficult responsibilities…to protect, to love, and to hold a Glock rock steady as the Can Heads come.

For the adults, Kathy Bates really resonates as the family’s early savior, Helen. And for mom…no one person leaps to mind but if you mixed Claire Danes with Weeds’ Mary-Louise Parker, that might be about perfect. Or maybe Parenthood’s Lauren Graham?

Director: Quentin (Please!) Or Robert Rodriguez. Or Sam Raimi, which would get him back to his Evil roots, to be sure.

Learn more about the book and author at Matthew Costello's website.

The Page 69 Test: Home.

Writers Read: Matthew Costello.

--Marshal Zeringue

Antoine Wilson's "Panorama City"

Antoine Wilson is the author of the novels Panorama City and The Interloper. A contributing editor of the literary quarterly A Public Space, he lives and surfs in Los Angeles.

Here he dreamcasts an adaptation of Panorama City:

Oppen Porter, the narrator of Panorama City, is an open-hearted, bicycle-riding, binocular-toting self-described “slow absorber.” After his father's death, he has to leave his idyllic small-town life in Madera, CA to live with his watchful and sharp-tongued Aunt Liz in Panorama City, CA, a suburb of Los Angeles. He's 27 years old, terribly naïve, and functionally illiterate. He believes that this is his opportunity to become a man of the world.

The real question when casting Oppen is who is (or could be) today's Chauncey Gardner (Being There) or Navin R. Johnson (The Jerk). My money's on Jake Gyllenhaal. He's only 6'0” to Oppen's 6'6”, but his acting chops and finely tuned sense of vulnerability win the day.

Oppen's Aunt Liz, brittle yet well-meaning, set in her ways, will be played brilliantly by Laura Linney. I can see her now, driving from one notary public appointment to another, sitting right up against the steering wheel, hands at 11:55 and 12:05. (Okay, she's only 48, but by the time anyone greenlights this thing, she'll be perfect.)

Oppen's bus-ride friend and genius manqué Paul Renfro will be played by a rumpled Philip Seymour Hoffman. A solid 50/50 blend of delusion and brilliance.

At the Lighthouse Christian Fellowship, charismatic leader Scott Valdez will be played by Dwayne “The Rock” Johnson, with Mos Def as the perpetual Prodigal Son, JB. Eva Mendes will play the bewitching Maria, an alluring Psychic occupying the space a few doors down from the Lighthouse.

At the Fast Food Place where Oppen gets a job, Kevin Spacey cameos as mustachioed manager Roger Macarona.

Did I mention that Oppen is on what he believes is his deathbed, recording his adventures onto cassettes for the benefit of his unborn son? By his side in the hospital room, his pregnant girlfriend Carmen, a retired prostitute, will be portrayed by a deglammed Rosario Dawson. That spot of casting against type will be sure to yield her a supporting actress nod or two.

Awesome. But I hear the book is better.

Learn more about the book and author at Antoine Wilson's website and Twitter perch.

--Marshal Zeringue