Friday, September 19, 2014

Mark Powell's "The Sheltering"

Mark Powell's novels include Prodigals (nominated for the Cabell First Novelist Award), Blood Kin (winner of the Peter Taylor Prize for the Novel), and The Dark Corner. He has received fellowships from the National Endowment for the Arts and the Breadloaf Writers' Conference. In 2009 he received the Chaffin Award for contributions to Appalachian literature. Powell holds degrees from Yale Divinity School, the University of South Carolina, and the Citadel. He is an associate professor of English at Stetson University in DeLand, Florida, and for three years taught a fiction workshop at Lawtey Correctional Institute, a level II prison in Raiford, Florida.

Here Powell dreamcasts an adaptation of his new novel, The Sheltering:
Few things expose one’s utter ignorance of pop culture like being asked who might play the movie roles from your novel, in my case, The Sheltering. The good news, for me, at least, is that the novel is sprawling, with a large cast of characters so perhaps any mistakes in casting can be overcome with sheer volume. The novel follows two plot lines that slowly intersect until each can only be understood in the light of the other. In the first, Luther Redding flies a drone over Afghanistan from deep within a Tampa Air Force Base. When he dies in a sudden flash of light, erased as quickly and irrevocably as any target, his wife Pamela and daughters Lucy and Katie are left to deal with the aftershocks. In the second plot line, two brothers, Bobby and Donny Rosen, set off on a nihilistic road trip, eight kilos of coke in tow.

At least casting Luther’s part allows me another opportunity to lament the passing of Philip Seymour Hoffman, without question, at least to my mind, the finest actor of his generation. But with Hoffman out of the question, I think I’ll turn to Russell Crowe, he of doughy face and unkempt hair. What other actor can simultaneously appear as exhausted, bedraggled, and put-upon, yet still in control? For his wife Pamela I would conjure the Kate Winslet of Little Children, sexy, bored, somehow abundant in a way I can’t quite explain. As for their daughters, here I intended to defer to the wisdom of my teenage nieces, Emily and Alison. Alas, they didn’t answer my oh-so-not-desperate texts so I’m winging this one. For Katie, the younger sister, described in the novel as “Goth Barbie” an evocative term I heard once in a bar and have been carrying around ever since, I summon Ashley Benson. I had to look her up, yes, but I remember her from Spring Breakers, a woefully underestimated film that struck me as Gatsby in the trailer-park south and most others as underwhelming episode of Girls Gone Wild. But I digress. For her sister, I need an actress who looks less like some doll I would discourage my daughter from buying and more like an actual real teenager. Is there someone like this somewhere out there? Shall we do a casting call? Obviously shooting can’t go forward without her. So calling all late teen slash early twenty-somethings who look like people look: come have an onscreen spiritual transformation! come make-out at an evangelical theme park! come conjure your father’s ghost! (This is what they call one of those ‘offers you can’t refuse.’)

For Bobby and Donny Rosen, I need two actors with that lean, hungry look; I need men wolfish, I need outliers. For Donny, his wounds as fatal as they are self-inflicted, give me the Christian Bale of The Fighter: winnowed to the bone by drugs yet still meaner than any snake. For Bobby, I want the Josh Brolin of No Country for Old Men vintage, but realize that’s too obvious a steal. How about then, the Stalker from Tarkovsky’s green-hued fever dream? Is he even still alive? He’s perfect, but we need bigger name recognition, we need a name at the bottom of the poster. How about Henry Cavill of Superman fame? I confess that I haven’t seen the movie; but I follow the cultish Gym Jones gym online (“You say cult like it’s a bad thing”) and I know they trained Cavill for the role. Good enough for Gym Jones, good enough for me, I say!

So there we have it—star power, big names, explosive rolls just bubbling with Oscar-worthy moments! The only thing missing is that massive royalty check. Ahem…it’s coming, right? You over there so carefully avoiding eye contact, yes, you! Check’s in the mail, right?
Learn more about The Sheltering at the University of South Carolina Press website.

The Page 69 Test: The Sheltering.

--Marshal Zeringue

Thursday, September 18, 2014

Michelle Gagnon's "Don't Let Go"

Michelle Gagnon has been a modern dancer, a dog walker, a bartender, a freelance journalist, a personal trainer, and a model. Her bestselling thrillers for adults have been published in numerous countries and include The Tunnels, Boneyard, The Gatekeeper, and Kidnap & Ransom. Don't Turn Around and Don't Look Now are her first two novels for young adults.

Here Gagnon dreamcasts an adaptation of Don't Let Go and the other books in the Don't Turn Around series:
NOA: There’s an amazing Australian film called, Tomorrow, When the War Began, (if you haven’t seen it yet, put it on your to-be-watched list immediately!) The lead actress in it was incredible; the whole time I was watching the movie, all I could think was that if you chopped her hair short and dyed it black, she’d be a perfect Noa. Her name is Caitlin Stasey, and I’d be shocked if we didn’t end up seeing a lot more of her in the future.

PETER: I really love Dylan Minnette, the actor who played the son in the (sadly) short-lived series Awake. He didn’t have much of a chance to display humor in that role, but he’s such a talented actor that I believe he’d be a perfect Peter.

AMANDA: AnnaSophia Robb. She’s got the right look, and I think she might manage to make Amanda more sympathetic. I get a lot of emails from Amanda-haters; she’s a tricky character, in that she’s moralizing and judgmental; but a lot of that is a cover for her insecurity and vulnerability. So a really likeable actress like AnnaSophia could help humanize her.

ZEKE: Zeke really needs to be a heartthrob: dark, moody, brooding. Tyler Posey definitely fits that bill, and I love him in Teen Wolf.

I added a bunch of new folks to the cast in Don't Look Now, most notably Teo and Daisy. They’re a bit younger than the others, and rougher around the edges.

TEO: For Teo, I’d love to see Jake Austin (my kid is a huge Wizards of Waverly Place fan!)

DAISY: The actress who plays Daisy really needs to capture that punk-rock look, while still appearing fragile and doll-like (which isn’t easy!) I think Joey King would totally nail it, especially with blue hair.

And finally, for our main baddie. Mason is the trickiest, since he’s supposed to have shark eyes. But if I can really shoot for the stars here, I’m calling in Jonathan Rhys Meyers. He has the chops to be scary and charming simultaneously (and he’d look great in one of Mason’s tailored suits).
Learn more about the book and author at Michelle Gagnon's website.

The Page 69 Test: Don't Turn Around.

My Book, The Movie: Don't Turn Around.

The Page 69 Test: Don't Let Go.

--Marshal Zeringue

Wednesday, September 17, 2014

David Barnett's "Gideon Smith and the Brass Dragon"

David Barnett is an award-winning journalist, currently multimedia content manager of the Telegraph & Argus, cultural reviewer for The Guardian and the Independent on Sunday, and he has done features for The Independent and Wired. He is the author of Angelglass (described by The Guardian as “stunning”), Hinterland, and popCULT!

Here Barnett shares a glimpse of his vision of an adaptation of his new book, Gideon Smith and the Brass Dragon:
It feels a little too much like tempting fate to think too deeply about a movie adaptation of the Gideon Smith series of books, either the first one Gideon Smith and the Mechanical Girl or the current follow-up, Gideon Smith and the Brass Dragon. But what a joy it would be to behold! Hopefully, if it ever happens, money will be no object and no expense will be spared in terms of the casting and the locations and effects. The Gideon Smith series is set in an alternate 1890s, where London is a huge city of towering spires and ziggurats (following a brief architectural flirtation with South American design), where airships ply the skies and the perpetual fogs are fed by the hunger for steam-driven technology.

I tend to picture, in my idle moments, a trailer rather than a whole movie. It would open with a panoramic shot of Gideon’s London, dirigibles nosing through the smog, our hero gazing in wonder at the marvels of the capital, on his first visit from the tiny fishing village in the far north where he has spent all his life. Who would play Gideon? A newcomer, hopefully, one with an athletic build and curly dark hair falling over his collars. A young Johnny Depp, or someone with that air.

“Gideon Smith,” the voice-over would intone. “The boy from nowhere on whose shoulders might rest the fate of the very Empire...”

“It is a world of marvels...”

We see Maria, the mechanical girl of the first book, a clockwork automaton hidden away in a tumbledown house, given liberty by Gideon.

“A world of wonders...”

Rowena Fanshawe, the fearless airship pilot, struggles with the controls of her dirigible as it is dwarfed in Mediterranean skies by the larger ship belonging to the sky-pirate Louis Cockayne.
“...and of terrors.”

We see Gideon’s father on his fishing boat in a sea-mist dawn, suddenly overcome by black, slimy shapes leaping out of the water.

“Gideon Smith will have to travel to the ends of the earth...”

We see Gideon and his crew standing before a pyramid in the Egyptian sands.

“...and to the limits of his bravery...”

In the crushing darkness beneath the pyramid, Gideon panics as frog-faced monsters attack.
“...to find love and save the day.”

A kiss, snatched in the interior of the pyramid, between Gideon and Maria. Then we cut to the sands above as Apep, the Brass Dragon of book two, erupts from the remains of the shattered pyramid while Aloysius Bent, the foul-mouthed Fleet Street journalist who has hooked up with Gideon, opens his mouth to let loose a stream of expletives... which are mercifully drowned out by an explosion of fireballs from the Brass Dragon’s mouth which engulf the screen.

Roll Titles. Gideon Smith. Coming soon to theatres.

Cut to final scene: Rowena Fanshawe, Gideon Smith and Louis Cockayne on the bridge of an airship, the brass dragon disappearing into the distance before them.

Rowena: “What is this, some kind of heroes’ club?”

Ends.
Visit David Barnett's website.

The Page 69 Test: Gideon Smith and the Brass Dragon.

Writers Read: David Barnett.

--Marshal Zeringue

Tuesday, September 16, 2014

Jennifer Brown's "Life on Mars"

Jennifer Brown is the author of the young adult novels, Hate List, Bitter End, Perfect Escape, Thousand Words, and Torn Away.

Here she dreamcasts an adaptation of her first middle grade novel, Life on Mars:
My superstitious side rarely lets me indulge in if-my-book-was-made-into-a-movie fantasies, but I will admit that Life on Mars was such fun for me to write, and came to life so vividly for me, I might have occasionally thought about what it would look like on the big screen.

In my mind, Life on Mars, the movie, is something along the lines of The Goonies meets Holes meets Stand By Me, three of my favorite kid movies that all have a few things in common: an unlikely combination of comedy, gravity, quirk, and believability, with characters who are lovable and fun, and whose goals are adventurous and maybe even a bit fantastic, all woven together with an underlying thread of delicious storytelling.

Arty would need to be played by someone who can pull off smart and quirky with just a hint of rebellion hiding somewhere deep within. I imagine Sean Giambrone (The Goldbergs) or maybe Atticus Shaffer (The Middle) as Arty. Tripp really has only one job—be adorable—and I think he’s a perfect fit for future Jack Gore (The Michael J. Fox Show). Bring in Cecilia Bagalot, who was adorably spunky in Desperate Housewives, as Priya, and you’ve got what I think is a perfect Life on Mars best friend trio.

As for Cash Maddux, the movie needs someone tough and grizzled. Someone cranky and loud about it. But also someone with that little melty heart that he shows when he has to, even if he doesn’t like it. Someone that a boy could look up to, and also be afraid of. This is a role that calls for ... Ed Asner, hands-down.

And, of course, Life on Mars, the movie, would have to be a summer release, so we can all go outside afterward and pick out the constellations, and maybe even find Betelgeuse, the “armpit” star.

While I don’t spend a lot of time thinking about my books as movies, I have to admit ... scuffed Keds in summer grass, fart scenes and dog-peeing scenes, tears and sleeping bags and stars ... I suppose that’s a book-to-movie fantasy I could get into. Where’s the popcorn?
Learn more about the book and author at Jennifer Brown's website.

Read: Coffee with a Canine: Jennifer Brown & Ursula and Aragorn.

--Marshal Zeringue

Monday, September 15, 2014

Kathryn Erskine's "The Badger Knight"

Kathryn Erskine is the acclaimed author of many distinguished novels for young readers, including Mockingbird, winner of the National Book Award; The Absolute Value of Mike, an Amazon Best Book and ALA Notable Book; and Quaking, an ALA Top Ten Quick Pick for Reluctant Readers.

Here Erskine dreamcasts an adaatation of her new novel, The Badger Knight:
Here's the cast of (main) characters -- this is always such fun to do!

Adrian (the Badger): Dusty Burwell
Adrian is young (just turning 13). He's very small for his age and has albinism so the actor, if one with albinism couldn't be found, would need to be pale and quite young like Dusty. Part of why I made him have albinism is that so often in literature and film the character with albinism is the bad guy or the weird guy. In this story, Adrian is the hero.

Hugh (Adrian's best friend): Dakota Goyo

Bess (Adrian's cousin, Hugh's love interest): Kiernan Shipka

Donald (Scottish soldier whom Adrian and Hugh protect, against all social norms): Robbie Coltrane (naturally!)

Nigel (young monk who befriends Adrian): Jack Kaeding
Learn more about the book and author at Kathryn Erskine's website.

Coffee with a Canine: Kathryn Erskine & Fletcher.

The Page 69 Test: The Badger Knight.

Writers Read: Kathryn Erskine.

--Marshal Zeringue

Saturday, September 13, 2014

Natalie Haynes's "The Furies"

Natalie Haynes is a graduate of Cambridge University and an award-winning comedian, journalist, and broadcaster. She judged the Man Booker Prize in 2013 and was a judge for the final Orange Prize in 2012. Natalie is a regular panelist on BBC2’s Newsnight Review, Radio 4’s Saturday Review, and the long-running arts show, Front Row. She is a guest columnist for The Independent and The Guardian.

Here Haynes dreamcasts an adaptation of The Furies, her first novel:
The lead character in The Furies is Alex: a woman in her mid-twenties, who has suffered a terrible loss, and is about to embark on a course of action that will indirectly cause another. She’s from London, England, and is working in Edinburgh, in Scotland. I have always thought she should be played by Anna Maxwell Martin, who you probably last saw as Philomena’s daughter (who pesters Steve Coogan into investigating her mother’s case, in Philomena). I think she is slightly older than Alex, but it couldn’t matter less, because she is a) a brilliant actor, and b) has the saddest face I’ve ever seen on the big or small screen. There is something compelling about her eyes: they seem to be on the verge of tears at all times. I can’t think of anyone who could better capture Alex’s grief and anger.

I don’t think I was thinking about her when I started writing Furies, but whenever anyone asks who would play Alex in a movie, I always say it would be her: she looks like Alex (or maybe it’s the other way round). And it is a pretty tough role. At the beginning of the book, Alex is numb with grief, but she gradually thaws out as she starts teaching a difficult group of students. So Alex needs to be charismatic, too: the audience would have to believe this woman could control a room of aggressive kids.

But here’s the thing. Last year, my boyfriend was in a movie with Anna Maxwell Martin, and he came back from a week of filming saying she is the quickest person to laugh in any room (and he’s pretty quick to laugh himself). And for a moment, when he told me that, I thought I’d made the wrong choice in my fantasy-film-casting daydreams. Then I realised this actually made her even better casting.

Alex is not an intrinsically miserable character. She’s a smart, funny person, to whom something truly awful has happened. The whole time I was writing her, I wanted those two levels to be readable: she is wretchedly unhappy, but beneath that, she’s someone you would want to hang out with. She isn’t a gag-a-minute, or anything, but if you were having a beer with her, she would listen to you and she would make you laugh.

Having said all that, I think there is a possibility that if Furies was made into a film, it would be relocated to America. And in that case, I would pick Elizabeth Olsen to play Alex: she has the same qualities of intense emotion and cleverness which Alex has. And she has an extraordinary capacity to show vulnerability and toughness at once. I’m not picky: I’d be overjoyed with either of them.

Who would direct it? Why, Joss Whedon, of course. I’m not an idiot.
Visit Natalie Haynes's website.

The Page 69 Test: The Furies.

--Marshal Zeringue

Thursday, September 11, 2014

Elizabeth Little's "Dear Daughter"

Elizabeth Little was born and raised in St. Louis and graduated from Harvard University. She has written two works of nonfiction: Biting the Wax Tadpole: Confessions of a Language Fanatic and Trip of the Tongue: Cross-Country Travels in Search of America's Languages.

Here Little dreamcasts an adaptation of Dear Daughter, her debut novel:
Dear Daughter is the story of Jane Jenkins, an ex-Hollywood It Girl who was convicted of killing her mother. Ten years later, released on a technicality, she adopts a new identity, gives the media the slip, and heads to a tiny town in South Dakota to try to uncover the truth about what really happened the night of her mother’s murder.

In many ways, Dear Daughter is a riff on a classic noir setup—that of The Wrong Man—so instead of casting the roles with modern actors I thought I’d look instead to the greatest actors of the golden age of Hollywood noir.

Keeping in mind that I made my choices based on spirit and not physicality, here is my All-Star Dear Daughter Noircast:

Rue, a sharp-eyed and sharp-tongued seventeen-year-old, is beautiful and devious ... but maybe not quite as good at planning as she thinks she is: Lana Turner

Renee, the local shop owner who seems to know everything about everyone—not that she’s telling—is brassy, brainy, boozy, and funny as hell: Myrna Loy

Kelley is a cute, caring bookworm with a backbone, and she may just be Jane’s most important ally: Dorothy Malone

Noah, Jane’s long-sufferingly loyal lawyer, would probably be better at his job if he weren’t far too romantic for his own good: Dana Andrews

Leo, the shady, smart-mouthed police chief, doesn’t know what Jane is up to, but he suspects it’s No Good. He’s simultaneously noble and self-serving—although he’d only admit to the latter: Humphrey Bogart

... and finally Jane, my prickly, haunted heroine: Lauren Bacall, the woman who once said, “There are a lot of people who don’t like me at all, I’m very sure of that. But I wasn’t put on earth to be liked.” Whether people loved her or hated her, though, none of them could take their eyes off her. I hope readers feel the same about Jane.
Visit Elizabeth Little's website.

--Marshal Zeringue

Wednesday, September 10, 2014

Laird Hunt's "Neverhome"

Laird Hunt is the award-winning author of a book of short stories, mock parables and histories, The Paris Stories (2000), and five novels from Coffee House Press: The Impossibly (2001), Indiana, Indiana (2003), The Exquisite (2006) Ray of the Star (2009) and Kind One (2012), which was a finalist for both the 2013 Pen/Faulkner award and the 2013 Pen USA Literary Award in Fiction and the winner of a 2013 Anisfield-Wolf Book Award for Fiction.

Here Hunt dreamcasts an adaptation of his new novel, Neverhome:
Of course as I was writing my novel about a woman who disguises herself as a man and goes to fight for the Union army during the Civil War it was hard, when I was pipe dreaming about filmic adaptation, not to think of Hilary Swank who played “Brandon Teena” so brilliantly in Boys Don’t Cry. My thoughts about how she would play my character, Ash Thompson, were given an extra charge when I spotted her a couple of times last summer when I was doing a writing residency to work on edits to Neverhome in Marfa, Texas. Still, the fact that she has already done it – and with such success – made it hard to imagine it happening again and my mind has turned elsewhere. Recently, watching the final episodes of the most recent season of Game of Thrones, I thought of Rose Leslie, who plays the fierce wildling Ygritte. My character Ash can be pretty ferocious and is good in a fight, to say the least. Leslie plays ferocity with convincing skill and one could well imagine her in disguise as a soldier. She would look great in a kepi! And just last week a friend alerted me to an interview given by the great French actress Marion Cotillard in which she remarks that she would enjoy the challenge of playing a man in a film. I would love to be able to pitch the idea of playing a woman “playing” a man not playing at war 150 years ago to her. I think she just might find the idea intriguing.
Visit Laird Hunt's website, Facebook page, and Twitter perch.

The Page 69 Test: Neverhome.

--Marshal Zeringue

Monday, September 8, 2014

Holly Schindler's "Feral"

Holly Schindler is the author of the critically acclaimed A Blue So Dark (Booklist starred review, ForeWord Reviews Book of the Year silver medal recipient, IPPY Awards gold medal recipient) as well as Playing Hurt (both YAs).

Her debut MG, The Junction of Sunshine and Lucky also released in ’14, and became a favorite of teachers and librarians, who used the book as a read-aloud. Kirkus Reviews called The Junction “...a heartwarming and uplifting story...[that] shines...with vibrant themes of community, self-empowerment and artistic vision delivered with a satisfying verve.”

FeralFeral is Schindler’s third YA and first psychological thriller. Publishers Weekly gave Feral a starred review, stating, “Opening with back-to-back scenes of exquisitely imagined yet very real horror, Schindler’s third YA novel hearkens to the uncompromising demands of her debut, A Blue So Dark… This time, the focus is on women’s voices and the consequences they suffer for speaking… This is a story about reclaiming and healing, a process that is scary, imperfect, and carries no guarantees.”

Here Schindler shares some ideas for a big screen adaptation of Feral:
Okay, I’ll admit it: I’m an enormous vintage movie buff. Can’t get enough of it. Love anything black and white. Also a big fan of Hitchcock (I think Rear Window might actually be my favorite).

My love of vintage movies influenced the writing of Feral, which falls squarely into the realm of the classic psychological thriller. The novel features a Hitchcockian pace and focus on character development (here, we’re exploring the inner workings of the main character, Claire Cain, as she attempts to restart her life following a brutal gang beating).

Like vintage psychological thrillers, Feral does borrow from other genres: mystery, horror, even paranormal, but the emphasis is on the “psychological” rather than thriller / action. Essentially, every aspect of Feral is used to explore Claire’s inner workings—that includes the wintry Ozarks setting. The water metaphor is employed frequently in psychological thrillers to represent the subconscious, and here is incorporated in the form of a brutal ice storm (that represents Claire’s “frozen” inner state). The attempt to untangle what is real from what is unreal (another frequently-used aspect of the psychological thriller) also begins to highlight the extent to which Claire was hurt in that Chicago alley. Even the explanation of the odd occurrences in the town of Peculiar offers an exploration into and portrait of Claire’s psyche.

Ultimately, Feral is a book about recovering from violence—that’s an inner process, a terrifying process. The classic psychological thriller allowed me to explore that frightening process in detail.

Because of the vintage-movie influence, I’d shoot it exactly like a movie made fifty years ago—black and white, full of shadows. (Actually, the black and white filming would emphasize the stark coldness of certain scenes—especially those that take place in snow-filled woods, those white mounds contrasting with dark, bare tree trunks…) The stars I’d chose would be lookalike throwbacks to yesterday’s stars. Think Tony Perkins, think Troy Donahue, think a really young Janet Leigh. Think Natalie Wood for Serena. And we need to make a movie poster that looks like The Birds, only with plenty of ragged-looking feral cats…

I would absolutely relish seeing Feral come to life on the screen, looking like those vintage psychological thrillers I’ve long loved.
Visit Holly Schindler's website, blog, Facebook page, and Twitter perch.

--Marshal Zeringue

Sunday, September 7, 2014

J. M. Hayes's "The Spirit and the Skull"

J. M. “Mike” Hayes was born and raised on the flat earth of Central Kansas. He studied anthropology at Wichita State University and the University of Arizona and lives in Tucson with his wife and a small herd of German Shepherds.

Here Hayes dreamcasts an adaptation his new novel, The Spirit and the Skull:
Even with the infinite casting ability of someone whose choices are limited only by imagination, this was a tough job for me. The Spirit and the Skull is set 15,000 years ago on the North Alaskan tundra. The main characters are among the earliest immigrants into the New World, on their way to become American Indians. So I think they should look the part. The easiest way to do that is to cast American Indian actors. Since Westerns don't exactly crowd our theaters, TV series, or DVD selections these days, American Indian actors aren't so easy to find. Nevertheless, here goes.

Wes Studi – Raven
Raven is a forty-something Spirit Man and the central character in the novel. Wes Studi is older than that, but Raven would have lived his entire life exposed to wind, sun, weather, heat, and cold. I picture him as still lean and hard, but with a weathered face that's filled with character. Wes Studi has that kind of face, and one many people will recognize, since he's appeared in a lot of films and television. He's probably most famous for playing Tony Hillerman's Joe Leaphorn in Robert Redford's PBS productions of Skinwalkers, Coyote Waits, and A Thief of Time. Studi is Cherokee.

Tantoo Cardinal – Willow/The Mother
Willow was Raven's woman when they were very young, but drowned as they crossed a swift, icy river. Or did she? She's back, claiming to have been restored to her body by The Mother, whose spirit now shares it. And sometimes dominates it. Tantoo Cardinal played in Dances With Wolves with Wes Studi and has a long history in motion pictures and television. She is of Cree and French descent.

Amber Midthunder - Down
Down is a young woman, just coming of age. Amber Midthunder is still quite young, very beautiful, and, with that gleam of intelligence in her eyes, might be ideal for the part. She's had a surprising amount of acting experience. You may have seen her on Longmire. Midthunder is Lakota Sioux, Asian, and European.

Harrison Ford - Ice Eyes
Who else springs to mind when you think of an archaeologist on film? Indiana Jones would add a nice touch to my casting.

Scarlett Johansson – Perfect Woman
“Perfect” pretty much describes Scarlett Johansson. So, since I'm fantasizing, I'll add someone repeatedly listed among the world's most beautiful women, especially since she's also a fine and proven actor.

Given the chance, I might do a walk-on as one of the elders who is no longer considered productive enough to the band's survival—type casting.
Learn more about the book and author at The Words & Worlds of J.M. Hayes website.

The Page 69 Test: The Spirit and the Skull.

Writers Read: J. M. Hayes.

--Marshal Zeringue