Wendy Ruderman & Barbara Laker's "Busted"

Wendy Ruderman has a master's degree from the Columbia University Graduate School of Journalism. Before joining the Philadelphia Daily News in 2007, she worked at several media outlets, including the Philadelphia Inquirer, WHYY-TV and WHYY-FM, the Trenton Times, the Associated Press, and the Bergen Record.

Barbara Laker graduated from the University of Missouri Journalism School and worked for several newspapers, including the Atlanta Journal-Constitution, the Dallas Times Herald, and the Seattle Post-Intelligencer. She began working at the Philadelphia Daily News in 1993 and has been a general assignment reporter, an assistant city editor, and an investigative reporter.

Ruderman and Laker won the 2010 Pulitzer Prize for investigative reporting.

Here Ruderman dreamcasts an adaptation of their new book, Busted: A Tale of Corruption and Betrayal in the City of Brotherly Love:

In my dreams, a Hollywood producer makes a movie out of Busted: A Tale of Corruption and Betrayal in the City of Brotherly Love, the book I co-authored with Philadelphia Daily News colleague Barbara Laker. In my nightmares, the director picks Zelda Rubinstein, the 4'3'' actress from the 1982 film Poltergeist, to play me in the movie ("Go into the light, Carol Ann!"). Then I wake up and realize: a) Zelda Rubinstein is way too old to play me and b) the 76-year-old actress died in 2010.

A gal can dream, however, and Barbara and I, along with our friends and family and what seems like the entire Daily News staff, spend time fantasizing about one day seeing Busted on the big screen, or even a little one as a television crime drama.

And why not? Although Busted is nonfiction, those who've read the book say they can visualize a movie or HBO series about two dogged journalists, both suburban moms, who find themselves plunged into a world of unsavory drug informants, violent drug dealers, thieving narcotics officers, pimps and prostitutes - all set against the backdrop of a flailing and bankrupt city newspaper. As author and columnist Lisa Scottoline put it, Busted reads like a turbocharged thriller, all the more compelling because it's true." And Edna Buchanan, a journalistic legend, said in a message that she left on my home answering machine, "It reads wonderfully and it will probably make a wonderful movie."

So, we dream. In our book, written together, literally side-by-side, but in my voice, Barbara is described as "oblivious to her ability to make men's heads turn." She has "long, wavy highlighted blond hair and a tangerine slice of a nose. Her big green eyes, flecked with caramel, reminded me of top-of-the-line granite kitchen counters." (We had some small spats over how to describe Barbara because she does not see herself as beautiful). But, here are the names of actresses who friends and colleagues think of when casting Barbara's character: Charlize Theron, Julia Roberts, Sandra Bullock, Cate Blanchett, Diane Lane and Maria Bello.

And who do I get? Zelda Rubinstein, when my colleagues (ok, just one snarky colleague) are in the mood to rib me. The more charitable responses for who should play me in Busted are: Tina Fey, Ellen Page and Shari Albert, a Philly born and raised actress who wowed audiences in The Brothers McMullen, which won the Sundance Film Festival's Grand Jury Prize in 1995. In the movie, Albert plays the Jewish girlfriend of one of the brothers. I do kind of look like her, only with a big nose. I'm 4'11'' with a cheap, page-boy haircut.

Umm, back to dreaming. Maybe I'll be played by some long-legged bombshell. Angelina Jolie, perhaps? In my dreams....

Learn more about Busted at the official website.

The Page 99 Test: Busted.

--Marshal Zeringue

Bruce DeSilva's "Providence Rag"

Bruce DeSilva grew up in a tiny Massachusetts mill town where the mill closed when he was ten. He had an austere childhood bereft of iPods, X-Boxes, and all the other cool stuff that hadn’t been invented yet. In this parochial little town, metaphors and alliteration were also in short supply. Nevertheless, his crime fiction has won the Edgar and Macavity Awards; has been listed as a finalist for the Shamus, Anthony, and Barry Awards; and has been published in ten foreign languages. His short stories have appeared in Akashic Press's award-winning noir anthologies. He has reviewed books for the New York Times Sunday Book Review and Publishers Weekly, and his reviews for The Associated Press have appeared in hundreds of other publications. Previously, he was a journalist for forty years, most recently as writing coach world-wide for The Associated Press, editing stories that won nearly every major journalism prize including the Pulitzer. He and his wife, the poet Patricia Smith, live in New Jersey with two enormous dogs named Brady and Rondo.

Here he shares some ideas for the screen adaptation of his series of crime novels featuring Liam Mulligan, an investigative reporter at a dying Providence, R.I., newspaper:

I think my first two novels, Rogue Island and Cliff Walk, would work best as the inspiration for a television series. Most Hollywood crime movies are filled with car chases, prolonged gun-battles, and explosions; and those two books are bereft of them. But the best TV crime dramas—shows like HBO’s True Detective and FX’s Justified—place a premium on character development and sense of place. However, my third novel, Providence Rag, with its menacing villain, chilling murder scenes, and violent mass protests, is made to order for the movies. Back when I began work on my first novel, Dennis Lehane, one of our finest crime novelists, advised me against envisioning any actor in the lead role. If you do, he said, it will unduly influence your character development—and not for the better. So I resisted. But when I finished that book, I couldn’t help but picture Dennis Leary, the Boston-born the actor/director who created Rescue Me for the FX television network, playing Mulligan. Leary has the perfect build and embodies my protagonist’s wise-guy attitude and dislike of authority. He’s a dozen years older than Mulligan, but I think he can play younger. And with his native Boston accent, he’s a good bet to master the Rhode Island accent, a quirky blend of Boston and Long Island. Liev Schreiber, the San Francisco-born actor whose varied career has seen him play the lead in Hamlet to rave reviews and star in the movie Defiance alongside Daniel Craig, is the right age and also has that look. And his mastery of the working class Boston accent in his current role on Showtime’s Ray Donovan offers hope that he could learn to talk like a Providence native, too. On the other hand, the movie would make more money if Brad Pitt or Matt Damon, another Boston native, could be sweet-talked into it. The noir mood Clint Eastwood gave his best film, The Unforgiven, is what I envision for Providence Rag; so, Clint, I’m waiting for your call.

Learn more about the book and author at Bruce DeSilva's website and blog.

The Page 69 Test: Rogue Island.

Coffee with a Canine: Bruce DeSilva and Brady.

The Page 69 Test: Cliff Walk.

Coffee with a Canine: Bruce DeSilva & Rondo and Brady.

Writers Read: Bruce DeSilva.

--Marshal Zeringue

Cara Black's "Murder in Pigalle"

Cara Black is the New York Times and USA Today bestselling author of 14 books in the Private Investigator Aimée Leduc series, which is set in Paris. Murder in Pigalle is the latest installment. Black has received multiple nominations for the Anthony and Macavity Awards, a Washington Post Book World Book of the Year citation, the Médaille de la Ville de Paris—the Paris City Medal, which is awarded in recognition of contribution to international culture—and invitations to be the Guest of Honor at conferences such as the Paris Polar Crime Festival and Left Coast Crime. With more than 400,000 books in print, the Aimée Leduc series has been translated into German, Norwegian, Japanese, French, Spanish, Italian, and Hebrew.

Here Black dreamcasts an adaptation of Murder in Pigalle:

Hmmm... great question. I always picture the actor Philippe Noiret, who’s sadly passed away, as Commisaire Morbier - Aimée Leduc’s godfather. His basset hound eyes, grease stain on his tie, slipping some Franc notes to his informers, an old school ‘flic’ that Noiret, an actor played in a classic buddy cop film Ripoux. Noiret played many varied roles but I always see him in this one when I write his character. To get Morbier and Aimée in scene I sit them in a cafe, bistro and voilà they just start talking. You know food and the French.

Learn more about the book and author at Cara Black's website.

The Page 69 Test: Murder at the Lanterne Rouge.

My Book, the Movie: Murder at the Lanterne Rouge.

The Page 69 Test: Murder below Montparnasse.

Writers Read: Cara Black.

The Page 69 Test: Murder in Pigalle.

--Marshal Zeringue

Rachel Weil's "A Plague of Informers"

Rachel Weil is professor of history at Cornell University. She lives in Seneca Falls, NY.

Here she dreamcasts an adaptation of her latest book, A Plague of Informers: Conspiracy and Political Trust in William III's England:

I will resurrect Robert Altman to direct my movie because his films gave viewers exactly the sensation that historians get working with documents. You hear snatches of conversation that you don't quite understand, and only with time in patience can you fit (some of) the parts together. That is especially true if your subjects, like mine, are spies, informers, and political spin-meisters.

A Plague of Informers is a set of linked stories rather than a grand narrative, and like many Altman films it could have a cast of hundreds. The episode I'll cast here concerns Matthew Smith, who joined a Jacobite conspiracy in 1696 to overthrow the English government (Jacobites were rebels who wanted to put King James II, who had been deposed in 1688, back on the throne of England). Then Smith changed sides and tried to reveal the conspiracy to the Duke of Shrewsbury, the "secretary of state" responsible for national security. Of course Smith asked Shrewsbury for money so that he could keep pretending to be a conspirator -- he needed to buy a horse, armor, and drinks for his Jacobite companions, he said, so that the conspirators would trust him and spill their secrets. Shrewsbury, deciding that Smith was a fraud, refused to pay him. Unfortunately for Shrewsbury, it turned out that there really was a plot against the government. Now Smith could accuse Shrewsbury of willfully ignoring him to cover up the plot and indeed of being a Jacobite plotter himself. The job of defending Shrewsbury fell to James Vernon, Shrewsbury's immediate subordinate. Deploying bribery, subterfuge, and the services of the unsavory spy and propaganda-writer named Richard Kingston, Vernon struggled valiantly to discredit and silence Matthew Smith. To know if he succeeded you will have to see the movie (or read my book!).

Jim Carrey would get the manic side of Matthew Smith, a swash-buckling enthusiast who probably believes his own fantasies. Richard Kingston is also a spinner of fantasies, but is harder to love or laugh at; his lifetime experience dealing with lies and liars has left an almost palpable oily sheen. You would not have bought a used car from this man. I would not have bought a used car from William Macy in Fargo, so I'll cast him as Kingston.

James Vernon has layers of complexity. He is openly disgusted not just with Smith but with his (temporary) ally Kingston, whom he employs to write propaganda against Smith even though he thinks Kingston is a creep. But perhaps he also resents working so hard to protect his boss Shrewsbury, who has has thrown up his hands in dismay and retired to the country. I want someone a little older, a little run down, who conveys intelligence and repressed anger. Tom Wilkinson? As for Shrewsbury, he reminds me of Jude Law's character in The Talented Mr. Ripley -- great-looking nice guy, unaware of how much resentment his privilege could provoke.

Where are the women? There is one bit part for a female actor that really encapsulates the criss-crossing resentments infusing this story. Shrewsbury's colleague in office, William Trumbull, disliked Shrewsbury and Vernon so much that he was ready to believe Matthew Smith. The wives got into it too. In 1695 James Vernon's wife Mary, learning that Trumbull's wife Catherine had felt slighted by her, wrote to Catherine to apologize. Catherine replied that Mary need not have taken the trouble to write, as “you have so much better acquaintance that you can never miss that of myself.” Judi Dench could say that line really well.

Learn more about A Plague of Informers at the Yale University Press website.

The Page 99 Test: A Plague of Informers.

--Marshal Zeringue

Megan Hustad's "More Than Conquerors"

Megan Hustad has written articles, essays, and commentary for the New York Times, New York Post, Salon, Slate, The Big Money, The Daily Beast, The Awl, and American Public Media’s Marketplace, and is the author of How to Be Useful. She has lived in Minneapolis, London, the Caribbean, and Amsterdam, and currently lives and works in New York City.

Here Hustad dreamcasts an adaptation of her latest book, More Than Conquerors: A Memoir of Lost Arguments:

I am tempted to joke that Keira Knightley should play everyone—my sister, my mother, me, my father, grandmother, great grandmother, etc. All non-family members, male and female, would be played by either Peter Sarsgaard or Bobby Cannavale and we'd arrive at some Charlie Kaufman-esque caper.

The problem is that this memoir spans a lot of time as far as actors' appearances are concerned. You have me at age four and age 27. My mother at 31 and 64. So we'll need to suspend physical law. Picking from actors both quick and dead, too old or not old enough:

Sandy Duncan for my mother. There's the sweet smile. The bob. Duncan has the same perkiness, somewhat undercut by wistfulness, that my mother has. They came of age in the 1950s and something of that era still animates their expressions. I'm thinking of Duncan circa this episode of The Muppet Show. All this said, my mother's a brunette but doesn't sound like one.

In the book I mention that my father was said to look like Marlon Brando when he was younger. But I'd give the role to Mark Ruffalo, who not only has the right look but consistently plays roiling emotions—whether born of confusion or conviction—in a way that reminds me of my father. Dana Stevens of Slate wrote of The Kids Are All Right that "Ruffalo just Ruffaloes it up" in the film. Elsewhere Roger Ebert remarked on "his gentle response to other actors." That captures something of my father, too. Ruffalo could definitely Ruffalo it up in the More Than Conquerors movie.

My sister. Sarah Polley. A taller Naomi Watts with hair straight and short. Anyone who plays fierce pride warring with intense vulnerability well.

Me. Emily Blunt crossed with Allison Williams? I have no idea. I like Blunt's near-perpetual look of cautious defiance. It appears she can't help it, as if her skepticism is congenital somehow. There's a slight chance I'm suggesting Allison Williams only because I associate her face with Greenpoint, Brooklyn apartments like the one I had in 2001.

My grandfather Orville. It's a small role. Herewith we start raising the dead. Paul Newman.

My grandmother Marian. Julie Christie lacks Marian's round cheeks but otherwise, I can see it. The resemblance lies more in her presence, even while puttering around in house dresses, chattering mindlessly.

My grandmother Vivian. Vivian Vance.

Many smaller roles I won't belabor here. Viggo Mortensen would look good striding across the Boone Biblical College campus in a long black coat. Carey Mulligan plus twenty pounds would make a heart-rending young Clara. Lucinda = Gennifer Godwin, by a mile. Stephen Dillane would get one sleepy scene in a posh hotel room.

Visit Megan Hustad's website.

--Marshal Zeringue

J.T. Ellison's "When Shadows Fall"

J.T. Ellison is the New York Times bestselling author of eleven critically acclaimed novels, including The Final Cut with Catherine Coulter, When Shadows Fall, Edge of Black and A Deeper Darkness. Her work has been published in over twenty countries. Her novel The Cold Room won the ITW Thriller Award for Best Paperback Original and Where All The Dead Lie was a RITA® Nominee for Best Romantic Suspense. She lives in Nashville with her husband.

Here Ellison dreamcasts an adaptation of When Shadows Fall:

It’s strange how characters change, come to life, become real people in the writer’s mind as the books take shape. Dr. Samantha Owens is evolving for me. She’s come out of her grief, is looking forward, and that’s changed her whole outlook, and as such, her personality.

I always saw her as a young Natalie Portman, with that presence, that intense gaze, but I’ve come across a new to me actress who would be a great for the role. Her name is Phoebe Tonkin. She looks more like Sam to me now, she’s no less intense, but she’s got a delicacy to her that embodies the vulnerability and strength of the new Sam Owens.

Xander Whitfield was always Josh Hartnett to me, but he too has grown and become his own person. He’s lighter as well now that he has Sam, happier, more content; they’ve healed each other’s wounds. Get that kid to smile, and there’s a keen resemblance between them.

Fletcher has always been Robert Downey Jr., for a variety of reasons – attitude, irreverence, and just plain hotness.

Channing Tatum would make a good Adrian – he can do that thousand- yard stare, and Jessica Lange would be perfect as Curtis Lott.

So let’s go make this happen, shall we?

Visit J.T. Ellison's website, or follow her on Twitter or Facebook.

The Page 69 Test: Edge of Black.

Writers Read: J. T. Ellison.

The Page 69 Test: When Shadows Fall.

--Marshal Zeringue

Doug Most's "The Race Underground"

Doug Most is the deputy managing editor for features at The Boston Globe. He is the author of Always in Our Hearts: The Story of Amy Grossberg, Brian Peterson, the Pregnancy They Hid and the Child They Killed (St. Martin's True Crime, 2005). He has written for Sports Illustrated, Runner's World and Parents and his stories have appeared in Best American Crime Writing and Best American Sports Writing.

Here Most dreamcasts an adaptation of his new book, The Race Underground: Boston, New York, and the Incredible Rivalry That Built America’s First Subway:

I have thought about the cinematic aspects of this book, because the story has a number of riveting, dramatic scenes and storylines. And certain characters it's quite easy to imagine them being played on screen.

The most obvious is Alfred Ely Beach. He was a skinny, opera-loving inventor, who was in perpetual motion and loved to work with his hands. His stand-off with the 300-pound crime boss, Boss Tweed, is an incredible David-and-Goliath tale. For Beach I could envision Steve Buscemi, who is sort of this wired character, skinny and could really capture the quirks of Beach. For the nemesis, Tweed, that would have been a great role for James Gandolfini, sadly. Instead, John Goodman could be great, his voice booming as the corrupt state senator.

Two other key characters are the Whitney brothers, Henry and William. For Henry Melville Whitney, the older brother, who was short and stocky and had a thick mustache, it feels like a role for Matt Damon to inhabit. Naturally, as a Bostonian, he seems like a logical person who should be involved! And as it so happens, William Whitney was the skinnier, taller, more athletic looking brother, and so naturally that has to be Ben Affleck. As for William Whitney's wife, Flora, the handsome woman who loved to entertain, Frances McDormand is a good fit.

Two of the most important roles are William Barclay Parsons, the famous New York engineer who designed the subway, and William Steinway, the brilliant piano manufacturer and businessman who played a critical part in bringing the subway to reality. Parsons was tall, Lincolnesque in stature, with deep set eyes. Daniel Day Lewis is too obvious, however, so instead I could imagine Hugh Jackman really bringing Parsons to life. And Steinway, a husky man with a deep dark beard, would be played by another Les Miserables cast member, Russell Crowe.

The brilliant engineer Frank Sprague needs an older actor to inhabit him. Harrison Ford, who looked so great with glasses as Branch Rickey, would fill Sprague's role.

Learn more about the book and author at Doug Most's website, Facebook page, and Twitter perch.

--Marshal Zeringue

Justin Gustainis's "Known Devil"

Justin Gustainis is a Professor of Communication at Plattsburgh State University, where he earned the SUNY Chancellor's Award for Excellence in Teaching in 2002. His academic publications include the book American Rhetoric and the Vietnam War, published in 1993. The Hades Project, his first novel, was released to rave reviews in 2003. Other books include the Quincey Morris Supernatural Investigations novels.

Here Gustainis dreamcasts an adaptation of his new novel, Known Devil:

Adapting my “Haunted Scranton” series (Hard Spell, Evil Dark, and Known Devil), or any part thereof, as a movie would present several challenges. The biggest of these would be getting the tone right. Although the books contain moments of humor (at least, I hope they do), the overall tone is deadly serious. In the alternate universe where the series is set, all the monsters from your nightmares are real: vampires, werewolves, witches, demons, ghouls – the whole crew. It’s true, not all of them act like monsters, but the danger is ever-present. Being a cop in a world like that, especially a cop like Stan Markowski, who specializes in supernatural crimes, would be stressful, indeed. Some years back, there was a short-lived TV series called Special Unit 2 that had cops dealing with supernaturals – but it tipped the balance in favor of farce much too often, in my opinion. On the other hand, True Blood mostly gets the attitude right, but it lacks the police procedural element that is central to my books.

And, of course, you’d have to shoot the exteriors in Scranton. The city is as much a character in my books as any of the humans (or non-humans, for that matter).

If some Hollywood producer ever had the good taste to adapt my novels into a series of movies, these are the casting recommendations I’d make:

Stan Markowski -- the late Jack Webb was sort of the inspiration for Stan, but the character of Joe Friday is utterly lacking in both humor and a sense of irony. That’s not Stan. Karl Malden, in his Streets of San Francisco days, would have been pretty good, too. Among working actors, I’d pick James Spader. He would never have seemed right to me for the role until I saw him this season in The Blacklist. The way he approaches the character of “Red” Reddington tells me he’d be great as Stan.

Karl Renfer – casting Stan’s vampire partner (who doesn’t start out the series as undead) is tricky. Fifteen years ago, Christian Slater would have been perfect. Since he’s too old, I’d be inclined to go with a clean shaven Joe Manganiello, who plays Alcide in True Blood.

Christine Markowski – Stan’s vampire daughter is a relatively small, but crucial role. I’d give it to Ellen Page, who received an Academy Award nomination for Juno.

Rachel Procter – the role of the police department’s consulting witch would be well-filled by Kerri Russell. She’s been doing some good work as a Russian undercover operative in The Americans.

Finally, the role of Stan’s hamster, Quincey should be played by my hamster Max.

Learn more the book and author at Justin Gustainis' website.

The Page 69 Test: Known Devil.

--Marshal Zeringue

Michelle Wildgen's "Bread and Butter"

Michelle Wildgen is the author of the novels Bread and Butter, You’re Not You, and But Not For Long. The film adaptation of You’re Not You, a New York Times’ Editor’s Choice and one of People Magazine’s Top Ten Books of 2006, stars Hilary Swank and Emmy Rossum. Wildgen’s work includes fiction, essays, reviews, and food writing. She is a freelance writer, editor, and teacher, and an executive editor at the literary magazine Tin House. She lives in Madison, Wisconsin.

Here Wildgen dreamcasts an adaptation of Bread and Butter:

The first thing that would probably be jettisoned in making Bread and Butter a film would be the family tendency toward red hair. I mean, there are only so many out there. But I can try.

The oldest of the three brothers, Leo, is the sort who might take a few glances to see the attraction: reserved, a little serious, a little hard to know, a little rumpled. Oh, wait--actually, this is easy: Louis CK. He’s brilliant, unpredictable, perfect for Leo, and he and I have been looking for a project to do together. (Note: This last part is not actually true.)

Britt is the handsome, stylish middle brother, one of those annoying people who is always more chic than anyone else even though you can’t put your finger on why. Paul Bettany is cool—literally, I mean, with the pale hair and icy eyes—but also witty and acerbic in a distinctly non-cuddly way. You also get the feeling that man wears the hell out of a good suit.

I picture the youngest brother Harry as tall, rangy, bearded, bespectacled, noticeably intent and intelligent. Ever since I began this book, I’ve had the vague sense that he resembles someone I know in real life, but not till I sat down to write this do I realize who it is: my old friend from Bread Loaf, Austin Bunn, writer of the much-lauded indie film Kill Your Darlings. Austin, I had no idea you’d haunted me this way, but clearly you did, and I hope you’re ready to give acting a try.

The executive chef of Leo and Britt’s restaurant is the formidable Thea: skilled, stern, the epitome of the boss who does. not. fuck. around. She’s usually funny, and I think she’d still have the glimmer of it here, but Frances McDormand would also have the intensity. I could see her rolling out of bed, putting her hair in a bun, and running that line like a beast. Also, she looks like an actual person, and nothing ruins a character like having her played by someone all smoothed out and flat and shiny. I think she could handle the hard work of the kitchen, and plus, I like to cast Frances McDormand in all of my imaginary movies.

Finally, there’s Camille, whom both Harry and Britt pursue at different points. In creating her I had in mind one of Laurie Colwin’s great characters, the sort whose surface is so precise that her messy human vulnerabilities and desires come as a bit of a shock. Rebecca Hall has that sultry low voice and she can seem either statuesque and stunning or very approachable, and part of Camille’s draw is that she’s more perfectly put together than unshakably lovely. Hall’s gorgeous, but she’s also just plain interesting to look at.

Now I’m off to cast parents, pastry chefs, and local restaurateurs….

Learn more about the author and her work at Michelle Wildgen's website.

The Page 69 Test: Bread and Butter.

Writers Read: Michelle Wildgen.

--Marshal Zeringue

Erin Lindsay McCabe's "I Shall Be Near To You"

Erin Lindsay McCabe studied literature and history at University of California, Santa Cruz, earned a teaching credential at California State University, Chico, and taught high school English for seven years before completing her MFA in Creative Writing at St. Mary’s College of California in 2010. A recipient of the 2008 Jim Townsend Scholarship for Excellence in Creative Writing and the 2009 Leonard Michaels Scholarship for Literary Excellence, McCabe has taught Composition at St. Mary’s College of California and Butte College.

A California native, McCabe lives in the Sierra Foothills with her husband, son, and a small menagerie that includes one dog, four cats, two horses, ten chickens, and three goats.

Here she dreamcasts an adaptation of her acclaimed new novel, I Shall Be Near to You:

My Book, The Movie: I Shall Be Near To You, starring Jennifer Lawrence

I still remember watching the movie Winter’s Bone in the only art-house east of Oakland, CA (since demolished). We were barely into the movie when I leaned over to my husband and whispered, “That’s Rosetta.”

I had no idea who the actress was, but I knew almost the instant she appeared on screen that she was perfect to play the part of Rosetta, the feisty, strong-willed young woman who disguises herself as a man and enlists in the Union Army with her new husband in my novel I Shall Be Near To You. After the movie ended, we stayed to watch the credits and find out who that actress was.

“Jennifer Lawrence,” I said when her name rolled up the screen. “She’s my girl.” At the time, I had a draft of my novel finished and I had no idea if my book would be published, let alone if it might ever be made into a movie. And of course, that was before Jennifer Lawrence became Jennifer Lawrence. But I loved how she brought a fierce and quiet determination to the role of Ree Dolly in Winter’s Bone, traits that Rosetta shares, evidenced as she goes against her husband’s wishes to fight on the battlefield. I admired how Jennifer Lawrence could be strong and yet tender and vulnerable, just like Rosetta is as she struggles to find ways to still be a wife even when she’s wearing a soldier’s uniform. Somehow Jennifer Lawrence managed to portray Ree’s love for her family even though she never spoke it. And she never let Ree break down but you could see her holding the pieces together by sheer force of will, just as Rosetta must after the horror of Antietam.

Since then, I’ve watched Jennifer Lawrence bring those same qualities to life in the other characters she’s played. I’ve watched her tackle physically challenging roles, requiring that she shoot guns (and arrows) and throw punches. I’ve laughed as she’s taken on roles that allow for a bit of comedy, convincing me even further that she could bring Rosetta’s sense of humor to the screen. And then too, as J.Law has let more and more of her personality loose on the red carpet and various awards stages, I’ve loved her irreverence, the way she speaks whatever is on her mind, how sometimes she acts with beautiful humanity when you’d least expect it, just as Rosetta does. She seems genuine in a way that reminds me of Rosetta and in a way that must be difficult for someone on such a public stage with an image and a career to protect. It makes me think she would understand Rosetta’s drive to be true to herself at the same time that she’s hiding much of what’s essential about herself, the way there is truth to the part that Rosetta plays, the way a disguise can’t keep everything secret.

And then, of course, J.Law went ahead and chopped all her hair off, just like Rosetta does. If that’s not a sign, I don’t know what is.

Visit Erin Lindsay McCabe's website and Facebook page.

Read--Coffee with a Canine: Erin Lindsay McCabe & Roxy.

--Marshal Zeringue