Marshall Fine’s "The Autumn of Ruth Winters"

Minneapolis native Marshall Fine’s career as an award-winning journalist, critic, and filmmaker has spanned fifty years. He has written biographies of filmmakers John Cassavetes and Sam Peckinpah, directed documentaries about film critic Rex Reed and comedian Robert Klein, conducted the Playboy interview with Howard Stern, and chaired the New York Film Critics Circle four times. The author currently lives in Ossining, New York.

Here Fine dreamcasts an adaptation of The Autumn of Ruth Winters, his first published novel:

The Autumn of Ruth Winters focuses on three central characters. Ruth is 68-year-old widow who has lived an unfulfilling life, punctuated by her fractious relationship with her younger sister Veronica. But Ruth is forced to re-engage with her sister when Veronica suffers a health crisis—at the same time that Ruth is corresponding with a high-school classmate and crush, Martin, who is coming to town for their fiftieth high school reunion.

Ruth is someone who deals with her constant social anxiety by being stand-offish and even snappish, while Veronica is someone who has always been able to ask for just what she wants in life, and usually got it. Martin is a bit of a dark horse, someone remembered fondly in flashback who turns out to be even better in person, even after fifty years.

If you’re casting any movie about a woman of a certain age like Ruth, the first choice is always going to be Meryl Streep, who I believe would be lovely as this lonely, repressed character. But I could just as easily see Mary Steenburgen, Alison Janney, Jean Smart, Sigourney Weaver or Catherine Keener.

I really only have two choices to play Veronica: Patricia Clarkson or Michelle Pfeiffer. Both of them have the ability to play the kind of self-centered sass that makes Veronica an interesting character.

As for Martin, I have a number of ideas, starting with Michael Keaton and including Ted Danson, Jeff Bridges, Jeff Daniels and Tim Robbins. They all have both the requisite warmth and that edge of mischief to them.

Re directors: I would want someone who could find the humor in the drama, who is able to shift tones easily and credibly, preferably someone like Nicole Holofcener, Tom McCarthy, Greta Gerwig or Greg Berlanti.

Learn more about The Autumn of Ruth Winters, and follow Marshall Fine on Facebook.

--Marshal Zeringue