Rosanne Limoncelli's "The Spiral"

Rosanne Limoncelli is a writer and filmmaker living in Brooklyn. Her short fiction has appeared in Alfred Hitchcock’s Mystery Magazine, Suspense Magazine, and Noir Nation, and her short films have been screened in festivals around the world. Limoncelli also writes plays, screenplays, poetry, games, mysteries, and science fiction and has taught writing and filmmaking for more than three decades at New York University’s Tisch School of the Arts.

Here the author dreamcasts an adaptation of The Spiral, her new thriller set in 1979 New York City:

I will admit that I pictured this book as a movie as I wrote it from the start. Nina’s paranoid world of fear, built from her past traumas and the crime ridden setting of New York City in 1979, was vivid in my head with intense close-ups, skewed wide angles, and pounding music. Due to the fact that I lived some of this story in that place and time, I visualized it as I wrote it. I’ve often thought about which actors would play the lead roles and in the last few years some interesting possibilities have come to light.

I could easily see Mikey Madison (Anora, The Social Reckoning) playing Nina. She has the look, petite with dark hair and eyes, and I can see her playing the vulnerability as well as the inner strength that the character requires.

For Nina’s love interest, the lead detective Frankie Lopez, I picture Diego Tinoco (On My Block, Knights of the Zodiac) I can see him carrying himself like a cop, but also play the sweet and understanding nature that Frankie has.

The third main character is Nina’s quirky bartender friend Benny. Older than Nina, he has a tough guy personality, bigger than life and physically strong, but also a bit nerdy. Someone like Alan Ritchson (Reacher, Ordinary Angels) would be wonderful in that part. He has the strong hero’s physique, and the emotional range that the part demands. He would be a captivating version of the character.

Visit Rosanne Limoncelli's website.

My Book, The Movie: The Four Queens of Crime.

The Page 69 Test: The Four Queens of Crime.

Q&A with Rosanne Limoncelli.

Writers Read: Rosanne Limoncelli (July 2026).

--Marshal Zeringue

Elizabeth Noel's "Beneath the Edelweiss"

Elizabeth Noel has called many places home, including the United Kingdom, the United Arab Emirates, Singapore, Australia, and New Zealand. She holds an MEd from the University of Exeter and an MLitt from the University of Saint Andrews and has taught at various universities in the UAE. Long-listed for both the Katherine Mansfield Sparkling Prose Competition and the Anthology Short Story Competition, Noel has published various short works. She lives in Sydney, Australia, with her husband and two daughters, on the land of the Gayemagal people within the Eora Nation.

As a child, Noel made regular visits to see her Austrian grandmother, or Omi, who encouraged her to chew on fennel seeds, sip herbal teas, and rub strange-smelling creams onto her skin. The city of Vienna, Melk Abbey, and the mountains and glass-topped lakes of Carinthia captured her heart. Her new novel, Beneath the Edelweiss, is the result of years of questioning what happened to her grandparents and great-grandparents, piecing together a narrative of Carinthia’s complex and tragic past.

Here Noel dreamcasts an adaptation of Beneath the Edelweiss:

If Beneath the Edelweiss became a movie, new ground in disability representation would be broken. Hurray! The main protagonist, Mitzi Hausler, is an alpine herbalist in training. She is short-statured and this is viewed by her superstitious community as an impediment to her ability to heal the sick with herbs. Oma says, Mitzi is beautiful, but no one will marry her. She gives Mitzi the herbs because she believes Mitzi will have nothing else. As Oma ages and war creeps closer she seems to realize she is wrong when she tells Mitzi, “We’re all made in the image of God. Jesus bled. His body leaked just like mine and yours. You must rise above flesh like everyone else. Do you understand?”

Mitzi does rise above other people’s attitudes, becoming an herbalist in her own right. However, she comes of age during Austria’s annexation to Nazi Germany, and as the veil of Nazism is pulled back, Mitzi must make life changing choices about herself and the people under her care.

My first casting would be Hollis Jane Andrews, an L.A. actress who I came across early in my research when reading about her experiences dancing for Miley Cirus. Hollis is short-statured, talented, and beautiful. She would make a perfect Mitzi. Other castings could include Elisabeth Moss for Maud, Jon Bernthal for Anton, and I imagine Cvetka, as she is so young, would be a new discovery.

Visit Elizabeth Noel's website.

Q&A with Elizabeth Noel.

Writers Read: Elizabeth Noel.

The Page 69 Test: Beneath the Edelweiss.

--Marshal Zeringue

Monona Wali's “Sutra Americana”

Monona Wali is an award-winning novelist, short story writer and filmmaker. Her debut novel, My Blue Skin Lover, won the 2015 Independent Book Publishers Gold Award for Multicultural Fiction. Many of her stories and essays have been published in literary journals including Air/Light, Folio Literary Journal, Juked, The Los Angeles Review of Books, and the Santa Monica Review. One received Special Mention in the 2025 Pushcart Prize Anthology.

Wali's new novel is Sutra Americana.

Here the author shares a suggestion for a writer-director to adapt the novel for a streaming series:

If Sutra Americana were to be made into a movie, or preferably a television series, I would love to have the very talented Shuchi Talati write and direct it. She directed Girls Will Be Girls (2023) a moving film about a mother-daughter relationship set in modern-day India. She is able to capture intimate relationships between characters with real subtlety and power. Because my novel is so much about the dynamics of family members, moments of conflict as well as of love, I think Talati would be the perfect director for this material. The novel also has the social backdrop of America as it goes through the upheavals of the civil rights movement, the Vietnam war, and the women’s right movement. I believe Talati would be able to bring all this out cinematically, just as she brought out the social dynamics of an Indian boarding school in Girls Will Be Girls. I was honored that she chose to adapt a chapter of Sutra Americana into a short film for a Japanese film production company. They required the film to be shot in Japan and she translated the chapter in a way that stayed true to the original material but added her own spin on the story. I trust that Sutra Americana would be in good hands with her.

Visit Monona Wali's website.

Q&A with Monona Wali.

The Page 69 Test: Sutra Americana.

Writers Read: Monona Wali.

--Marshal Zeringue

Laura Jensen Walker's "The Pilgrimage of Primrose Honeychurch"

Laura Jensen Walker is the award-winning author of several books, including The Alphabet Sleuths, the Lefty-nominated Death of a Flying Nightingale, and the Amazon bestselling, Agatha-nominated Murder Most Sweet.

Growing up in Racine, Wisconsin, a young Walker dreamed of seeing the world and becoming a writer. She enlisted in the US Air Force after high school and flew a typewriter across Europe as a clerk typist. While in the UK, she fell head over heels for all things English and became a confirmed tea-drinking Anglophile.

At age forty, cancer compelled Walker to finally publish her first book. Then, in her sixties, she discovered she was neurodivergent, spurring her to write a novel about a book-loving, neurodivergent senior with unusual quirks and sensory issues: The Pilgrimage of Primrose Honeychurch.

These days, Walker lives in Northern California with her Renaissance-man husband and two rescue terriers, sipping tea (Yorkshire Gold) and dreaming of visiting Hay-on-Wye one day.

Here Walker dreamcasts an adaptation of The Pilgrimage of Primrose Honeychurch:

If I were to cast my book as a movie, who would I like to see play the lead roles? First, let me tell you a bit about the main characters.

Primrose Honeychurch is a solitary, sharp-tongued recluse with sensory issues who prefers books to people. Accustomed to maintaining a set routine in her cookie-cutter Las Vegas suburb, when the seventy-year-old receives life-altering news, she sets off on an unexpected, life-altering pilgrimage to the UK.

During her journey, Primrose meets a tattooed, blue-haired American singer and lesbian named Riley, and gets to know her twenty-year-old Cornish great-niece, the neurodivergent Clover, who becomes a kindred spirit. Primrose also reconnects with her sixty-something cousin Daisy, Clover’s grandmother.

While writing the curmudgeonly, set-in-her-ways Primrose, I found myself thinking of Frances McDormand, who did such a wonderful job playing the strict, outspoken Olive in the TV miniseries Olive Kitteridge. Frances McDormand would make a great Primrose. At least, that’s what I thought until I saw Sally Field’s brilliant performance as Tova in Remarkably Bright Creatures. Now Sally and Frances are neck-in-neck for the role of Primrose.

Kristen Stewart who shot to fame in Twilight and has since gone on to distinguish herself in films like The Runaways where she played rocker Joan Jett and Spencer, where she played Princess Diana would be perfect as the gay, free-spirited American singer Riley.

For young artist Clover, I envision Ella Bruccoleri who I first fell in love with in Call the Midwife as young Sister Frances. This delightful English actress with the guileless, innocent face solidified that love as captivating odd duck Mary Bennett in The Other Bennett Sister. I adore her.

For Primrose’s sixty-something Cornish cousin and Clover’s grandmother Daisy, I see Kristin Scott Thomas born in Cornwall who shot to fame in The English Patient. She was excellent in Gosford Park and Darkest Hour where she played Winston Churchill’s wife Clemmie.

Visit Laura Jensen Walker's website.

My Book, The Movie: The Alphabet Sleuths.

Q&A with Laura Jensen Walker.

The Page 69 Test: The Alphabet Sleuths.

Writers Read: Laura Jensen Walker (February 2026).

My Book, The Movie: The Postmistress of Puddlington.

The Page 69 Test: The Postmistress of Puddlington.

--Marshal Zeringue

KC Jones's "House Haunters"

KC Jones is a screenwriter-turned-novelist currently living in western Washington. When not writing, he can be found watching movies, playing video and board games, or enjoying nature—whenever it isn’t raining.

He graduated from the University of Nevada-Las Vegas with a degree in film production. His first published novel, Black Tide, was a finalist for the Bram Stoker Award for Superior Achievement in a first novel.

Here Jones dreamcasts an adaptation of his new novel, House Haunters:

House Haunters centers on the relationship between Grace Wonderly, a very talented but very burnt-out reality TV producer who needs a hit concept to revive not just her career, but the joy she once found in it, and Frank Pendleton, a gruff and misanthropic home inspector who moonlights as a paranormal investigator and generally prefers the company of the dead to that of the living.

Joel Edgerton and Pedro Pascal were in my head a lot while writing Frank, particularly their turns in Dark Matter and The Last of Us respectively. I think either would bring the perfect blend of vulnerability and deadpan honesty to Frank.

Grace has always been a bit more elusive in my mind, but Sharon Horgan would kill it as a takes-no-BS character on the verge of a midlife crisis. Linda Cardellini would be great as Grace’s confidently chaotic realtor BFF Vanessa, with Randall Park rounding out the core group as Vanessa’s ghost-averse husband Dustin. I have a hard time casting Chris, Grace’s frustrating, myopic, AI-subservient boss. Maybe I’m just too close to the source material.

Mike Flanagan would be a dream to helm this movie; Doctor Sleep is one of my all-time favorite horror films, and I still think about Midnight Mass. As a series, though, I think I'd take the team behind Widow's Bay. Their ability to blend humor and horror and heart was a wonder and joy to behold.

Visit KC Jones's website.

The Page 69 Test: White Line Fever.

Q&A with KC Jones.

Writers Read: KC Jones.

The Page 69 Test: House Haunters.

--Marshal Zeringue

Elizabeth Crane's "That May Not Mean What You Think"

Elizabeth Crane is the author of several collections of short stories, including Turf, When the Messenger is Hot, All this Heavenly Glory, and You Must Be This Happy to Enter, a memoir, This Story Will Change, as well as two novels, We Only Know So Much and The History of Great Things.

Here Crane dreamcasts adapations for a couple of selections from her latest story collection, That May Not Mean What You Think:

For the story "Nepo Babies, An Extinction Story," set in a bizarro apocalyptic future where there is no longer anyone alive who isn't a descendant of a nepo baby, I would cast only nepo baby actors. So I think Dakota Johnson would be great as the character of the white feminist's grandchild (the characters don't have actual proper names in the story), and Billie Lourd would be great as the shady tech heiress, Patrick Schwarzenegger as the grandson of the muckety-muck, and perhaps Kiefer Sutherland and Gwyneth Paltrow as Harvard Rubble Guy and Harvard Rubble Guy's Wife.

And for the story "Senior Living For the Unknowables," set in a retirement home for aging reality TV stars: I like to call this story my Vanderpump Rules Fan Fiction, and so I'd like to see this story cast with the actual cast members of Vanderpump playing the fictional very old versions of themselves, which would necessitate a phenomenally talented makeup artist to age them.

Visit Elizabeth Crane's website.

Writers Read: Elizabeth Crane (April 2008).

The Page 69 Test: We Only Know So Much.

My Book, The Movie: We Only Know So Much.

Coffee with a Canine: Elizabeth Crane & Percy.

Q&A with Elizabeth Crane.

Writers Read: Elizabeth Crane.

The Page 69 Test: That May Not Mean What You Think.

--Marshal Zeringue

Tessa Wegert’s “The River Runs Black”

Tessa Wegert is the critically acclaimed author of the Shana Merchant mysteries, as well as the North Country series, beginning with In the Bones. Her books have received numerous starred reviews and have been featured on PBS and NPR Radio. A former journalist and copywriter, Wegert grew up in Quebec and now lives in Connecticut, where she co-founded Sisters in Crime CT and serves on the board of International Thriller Writers (ITW).

Here she dreamcasts an adaptation of her new novel, The River Runs Black.

The River Runs Black is the second book in my North Country thriller series—following In the Bones—and it’s a spinoff of my previous Shana Merchant series. As such, I already had actors in mind for the key roles of Tim Wellington (Adam Driver), Shana Merchant (Emma Stone), Maureen “Mac” McIntyre (Jane Lynch). This book also introduces three new points of view, though, so I had some fun imagining who might be the best fit for those roles.

Bobby Ott: I’d love to see Catherine "Katie" Laga'aia take on the role of sixteen-year-old Bobby, daughter of French Polynesia-born New York State Police Investigator Valerie Ott (who’d ideally be portrayed by Courtney Eaton, in case you were wondering). Playing a small-town teenager abducted during a cross-border drug investigation would be a far cry from portraying Disney’s Moana, but while Bobby is pushing hard to grow up, she’s still a kid who watches Gilmore Girls and is excited about Halloween, and Laga'aia would capture that nuance beautifully.

Phoebe Reed: Since part of The River Runs Black takes place in Ontario, Canada and I’m Canadian myself, it would be great to see a Canadian actor in one of the roles. Abby Ross immediately comes to mind. Known for Riverdale and Once Upon a Time, Ross would bring both innocence and inner strength to this young, motherless heiress in possession of information that could cost Phoebe her life.

Raymond Stoll: State Trooper Raymond Stoll might be one of my most surprising characters; without giving anything away, he stunned me on several occasions while I was writing the book—particularly in the final chapter, which I hope will reframe the reader’s perspective and leave jaws on the floor. Based on his role in the MacGyver reboot, I think Lucas Till would bring the energy that’s inherent in Raymond’s scenes, and also nail the trooper’s insecurities and all- consuming desire to become a detective himself.

Visit Tessa Wegert's website.

My Book, The Movie: The Dead Season.

The Page 69 Test: The Dead Season.

Q&A with Tessa Wegert.

The Page 69 Test: Dead Wind.

Writers Read: Tessa Wegert (April 2022).

Writers Read: Tessa Wegert (December 2022).

The Page 69 Test: Devils at the Door.

The Page 69 Test: The Coldest Case.

Writers Read: Tessa Wegert (November 2025).

--Marshal Zeringue

Humphrey Hawksley's "Operation Icebreaker"

Humphrey Hawksley has reported on key trends, events and conflicts from all over the world.

His work as a BBC foreign correspondent has taken him to crises on every continent.

Here Hawksley dreamcasts an adaptation of his new Rake Ozenna thriller, Operation Icebreaker:

The key for an Operation Icebreaker movie is casting a compelling lead character whose script demands he is economical with words yet has a vivid screen presence that will hold a movie theatre. He should also be an Alaskan native. I’m looking for a modern-day blend of Charles Bronson in Chato’s Land, Clint Eastwood in Where Eagles Dare and Yul Brunner in The Magnificent Seven. Martin Sensemeier would work well playing Red Harvest the Comanche Warriot in the 2016 Magnificent Seven remake. Kiowa Gordon, who plays Jim Chee, the tribal police officer in Dark Winds would be great, and he’s mid-thirties, Rake’s age. Asivak Koostachin could also work well. He was in Red Snow, about an Inuit soldier captured by the Taliban in Afghanistan who draws on his Indigenous heritage to survive. Another idea would be to screen test unknown actors in Alaska itself and surround the lead with famous names.

Kelly Reilly from Yellowstone could play Rake’s on-off girlfriend, Carrie Walker, emotionally complex but highly skilled at her work as a trauma surgeon. Michelle Dockery, Lady Mary from Downton Abbey, would be superb as Stephanie Lucas, projecting authority and warmth. Rufus Sewell from his roles in The Diplomat and Man in the High Castle is exactly the Harry Lucas character. Mark Strong could portray Brett Laine’s emotional coldness and contradictions that allow him to morally justify evil.

The idea directors would be Taylor Sheridan (Wind River, Yellowstone) brilliant at capturing American wilderness and culture clashes; Paul Greengass (the Bourne series, United 93) is really good at tension and pace; and Katherine Bigelow (The Hurt Locker, Zero Dark Thirty, A House of Dynamite) completely understands building tension and how political big pictures impact individuals.

Visit Humphrey Hawksley's website.

The Page 69 Test: The History Book.

My Book, The Movie: Security Breach.

My Book, The Movie: Man on Ice.

Writers Read: Humphrey Hawksley (May 2018).

The Page 69 Test: Man on Ice.

The Page 69 Test: Man on Fire.

Writers Read: Humphrey Hawksley.

--Marshal Zeringue

W. Jason Miller's "Don't Let Me Be Misunderstood"

W. Jason Miller is a Distinguished Professor and public scholar who acts as a cultural detective, unearthing the hidden connections that reshape American history. From discovering a lost recording of MLK’s first "I Have a Dream" speech to his latest revelation of the secret mentorship between Langston Hughes and Nina Simone, Miller bridges the gap between rigorous archival research and compelling public narrative.

Here the author dreamcasts an adaptation of his new book, Don't Let Me Be Misunderstood: Nina Simone, Langston Hughes, and the Birth of Black Power:

Audra McDonald would portray Nina Simone— her singing in the movie even more powerful than her roles as Aretha Franklin or Billie Holiday. I can hear Audra’s voice now— capturing the power of “Mississippi Goddam,” the fire of “Sinnerman,” and the quiet elegance of “Don’t Let Me Be Misunderstood.” While I’m dream casting— she would also stun with Nina’s iconic upbeat celebration that is “Feeling Good.”

Giancarlo Esposito’s role as Gus Fring in Breaking Bad convinced me he has the look, magnetism, and gravitas to play poet Langston Hughes— Nina Simone’s dear friend, co-author, and mentor from 1960-67.

I’m already picturing these two backstage at the 1960 Newport Jazz Festival (or watching Little Richard perform together after midnight at Charles Mingus’ Rebel Festival just across town at the Cliff Walk Manor.)

Their most intimate scene might be based on a photograph I uncovered of Nina and Langston huddled side-by-side after her iconic 1964 performance at Carnegie Hall. They are standing together at the after party at New York’s Sheraton Hotel. Hughes sips a glass of Seagram’s gin. Nina is whispering something in his ear. Director Coleman Domingo refers Audra and Giancarlo to page 115 of my book, saying, “according to W. Jason Miller, Hughes has a cigarette in his left hand, and Nina seems to be telling him the full back story to how she wrote the song ‘Mississippi Goddam’ ... ACTION!”

Visit W. Jason Miller's website.

The Page 99 Test: Don't Let Me Be Misunderstood.

--Marshal Zeringue

Ryan Douglass's "Night of Madness"

Ryan Douglass is the author of young adult horror novel The Taking of Jake Livingston, a New York Times bestseller and an ALA Rainbow Book List Pick; The Great Disillusionment of Nick and Jay, a reimagining of The Great Gatsby set in 1920s Harlem; and Night of Madness, a collaboration with the company behind Clown in a Cornfield. His work explores the ways young people fight to survive in hostile worlds. He lives in Atlanta with his dog and spends his free time baking ambitious desserts and scoping out true crime documentaries.

Here Douglass dreamcasts an adaptation of Night of Madness:

What would happen if you took a group of social media influencers, dropped them inside an abandoned asylum full of real dangers, offered them $100,000 to survive the night?

Night of Madness is a book that is made for adaptation. If they make the book into a film, I would probably want to cast mostly unknown actors. The characters are eighteen or nineteen, and I love the idea of giving young performers the opportunity to breakout. So, these choices are less a literal wish list and more a way of showing you the people I pictured while writing.

Mara Jacobs — Anais Lee

Mara is the protagonist of the story—sharp, cynical, and obsessed with horror. She has the quiet confidence of someone who thinks she knows exactly what she's gotten herself into, until she doesn't. Anais has the kind of presence I imagine Mara having: understated, intelligent, and intense when she needs to be.

Storm Connors — Blake Cameron James

I first noticed Blake Cameron James in IT: Welcome to Derry, where he plays Will Hanlon. Storm is loyal, funny, and on trend, but with real softness and vulnerability underneath. He’s someone you want to spend time with. I think Blake could bring that combination of warmth, humor, and fear to Storm without making him feel like a stereotype.

Tanner Hoang — William Gao

Tanner is confident, competitive, and very aware of how he presents himself. William Gao has the kind of coolness I associate with him, along with the necessary sensitivity. Tanner spends a lot of the story taking the lead. I'd want an actor who could make that confidence compelling before slowly letting the audience see what it looks like when it cracks.

Victoria Welch — Isabela Merced

Victoria is beautiful, socially perceptive, and very image-conscious. She has an energy that feels light, but she can immediately understand the power dynamics in any room. Isabela Merced has the combination of glamour and emotional intelligence I'd want for Victoria. I think she'd be able to capture the version of Victoria who always knows a bit more than she's letting on.

Sydney Rollins — Mia Talerico

Sydney comes across as someone who is harmless and keeps to herself, but may be a bit standoffish, in a weird way. I like Mia Talerico for her because she still has a youthful quality that would keep Sydney from feeling like a twenty-five-year-old pretending to be a teenager. More than anything, I'd want Sydney's casting to make the audience underestimate her and who she might become.

That said, I think the most exciting version of a Night of Madness movie would really lean into its conceit as a spin on Willy Wonka: five teenagers invited into an outrageous, seemingly impossible experience, only to discover that the person who created it has something much darker in mind. I’d want the movie to feel like we discovered five teenagers who somehow walked straight out of someone’s wacky imagination and then dropped them into a nightmare.

Follow Ryan Douglass on Instagram and Threads.

Q&A with Ryan Douglass.

The Page 69 Test: Night of Madness.

--Marshal Zeringue

Erin Cotter's "A Dangerous Bargain"

Erin Cotter writes young adult fiction. Originally from Buffalo, New York, she currently calls Austin home. When not writing she spends time with her partner and pets, eating tacos, and searching for Golden-cheeked Warblers in the Texas Hill Country.

Here Cotter dreamcasts an adaptation of her new novel, A Dangerous Bargain:

My story is about an artist who has bargained away most of his life for divine inspiration pairing up with fellow apprentice Leonardo da Vinci to infiltrate the Medici family and find out the truth about his missing brother. It’s a mystery set in Renaissance, Florence but there’s also a heavy romantic element as well. Because of Renaissance element, I’d love to see a director with a great style for atmospheric, historical settings take the lead—maybe someone like Ridley Scott! But I’ll be honest, I don’t think Ridley Scott has the chops to pull off the romantic plotline in the story, so be better call in Jacob Tierney as well.

Now that I’ve mentioned Jacob Tierney, I’m having a hard time not thinking about Heated Rivalry, which means I’m having a hard time not thinking about Hudson Williams and Connor Storrie, and I think they’d be great leads for these films. Having seen them pull off enemies to lovers already, I would die to see them cast in a historical piece together. Hudson Williams has perfected the soulful, broody glare that my protagonist Virgil wears for most of the book, and—weirdly enough!—the way I’ve written Leonardo da Vinci as a cocky, teasing flirt actually has a lot in common with Connor Storrie’s Ilya Rosanov already? I promise this was not on purpose. I had turned in the first draft of this book before Heated Rivalry came out. But after seeing how well Williams and Storrie play off each other on a hockey rink, I think we deserve to see them body-checking each other out of the way of the best easel space next.

Ridey and Jacob, Storrie and Williams, whenever y’all are feeling ready to get this started, call me!

Visit Erin Cotter's website.

Writers Read: Erin Cotter.

The Page 69 Test: A Dangerous Bargain.

--Marshal Zeringue

Jason Allison's "The Killing Yards"

Jason Allison is a writer and former detective who spent twenty years with the NYPD. His award winning fiction and has appeared in journals and anthologies. The Killing Yards is his first novel. Bronx born and raised, he now lives in Massachusetts with his wife and their judgmental Golden Retriever.

Here Allison dreamcasts an adaptation of The Killing Yards:

It’s been said—though I can’t find the quote—that after Alec Guinness played George Smiley in the 1979 BBC adaptation of Tinker, Tailor, Solider, Spy, John Le Carré could no longer envision his version of the character. Smiley became Sir Alec, and vice versa. This isn’t uncommon with screen adaptations of novels. In On Writing, Stephen King explains how he limits physical details in his character descriptions. That way, each reader can create their own version in their own head. To use James Ellroy as a reference, my Pete Bondurant is probably different from your Pete Bondurant, but Bud White will always be Russell Crowe.

I will now violate my essay’s opening paragraph by casting my debut novel, The Killing Yards. As a huge cinephile, it’s surprising that I haven’t already. Yards is a crime noir set in the early 1990s NYC nightclub scene, and its four main characters—Jimmy and Michelle Lettner, GM and owner of Abattoir; Serge Thanakis, Jimmy’s only friend; and Ben Hopkins, striving NYPD rookie—have existed only in my brain space. Until now.

Every great project starts with a script. Assuming Tony Gilroy has adapted my novel, let’s move to the director. Two names jump out straight away, but for different reasons. In a series of gritty, NYC-set crime dramas, James Gray has crafted brilliant character portraits of the city’s felonious demographic. His work is emotionally searing, if not quieter and more intimate than Michael Mann’s epics, which often depict driven men (usually criminals or cops) doing their jobs with monomaniacal precision. He’s all about depicting process cinematically; think Heat’s bank robbery shootout, or Collateral’s frenetic Koreatown nightclub assassination. Given The Killing Yards orbits Manhattan’s hottest nightspot, Mann’s flair for shooting packed dance floors soundtracked by thumping EDM gives him the lead.

Here’s where things get tricky. Casting the right actor elevates the entire project, like how Inde Navarette absolutely owned Obsession. Jimmy Lettner, recovering addict and Abattoir’s ex-con general manager, is physically unassuming and emotionally dishonest. He screams for Jeremy Strong, whose Kendall Roy epitomized misguided ambition. For his wife Michelle, who believes power moves quietly (and wears a D&G sweater), I’m torn between Rebecca Hall and Claire Danes. Hall crushed her role in The Town, and recently chewed all the scenery in Onslaught, but I’ve always thought Danes is tremendous, going all the way back to My So Called Life. This one’s a tie.

The only character I had an actor in mind for when I wrote him is Serge Thanakis, Jimmy’s right hand, a former (maybe?) narcotics trafficker, and Abattoir’s true protector. And that actor is Jude Law. Unfortunately, Jude is 53 now. Enter Theo James, who pairs style with menace in The Gentlemen. He brings a subtle physicality and looks great holding a gun.

Last we’ve got Ben Hopkins, the insecure, careerist NYPD undercover desperate to make a case (he’s got Daddy issues). I discovered Dominic Sessa in The Holdovers, but he really came into his own playing a young Anthony Bourdain as a lying, insecure jerk in this summer’s Tony. Sessa brings the right amount of arrogance and attitude, eyeing the camera sideways, wondering if you’ve figured him out yet.

There it is, my dream director and cast for The Killing Yards.

All I need now is $35-40 million, and we’re golden.

Visit Jason Allison's website.

--Marshal Zeringue

Beck Kubrick's "Dead Girls"

Beck Kubrick is an award-winning writer and cartoonist living in Manchester, UK. They like stories about terrible girls and thinking about the apocalypse. They have worked with Cartoon Network, Mad Cave Studios, Oni Press, and more.

Here Kubrick dreamcasts an adaptation of Dead Girls, their debut graphic novel as author-illustrator:

Dead Girls is a comedy-horror that plays with tropes and conventions and is obviously, very inspired by teen screams, slashers and the rise of good-for-her and coming of rage films. There are so many directors and filmmakers who inspire my work; I love any story that plays with the mundane, hyperreality and genre.

In anything and everything I make, I just want to put David Lynch, Bong Joon Ho, Katie Dippold, John Carpenter and Diablo Cody in a blender. Add a dash of Sofia Coppola, just for the scene in The Virgin Suicides (1999) in which Hanna Hall’s character says ‘Obviously, Doctor, you've never been a thirteen-year-old girl.’. Add a healthy dose of The Simpsons (1989), too. Also I want a Wilhelm scream, that’s non-negotiable.

There’s so many more filmmakers off the top of my head who I love and was inspired by when creating the book: The Kates, The Daniels, Jonathan Entwistle, Greg Jardin, Bill Watterson (not that one), Bronwen Hughes, Jane Schoenbrun and so many more.

Since I use lots of mediums for the art: ink, pencil, oil paint etc. so I think there’d have to be some animation. Pendleton Ward and Joe Bennet make great, animated shows. I’d also love for the fursuits to be done by the team behind Don’t Hug Me I’m Scared (2014) as they’d be perfectly unsettling.

For actors, I generally like the Heartstopper (2022) approach of casting real teens and relative unknowns but I don’t know many unknowns…because they’re unknown.

Ash, my protagonist, is grunge-y with bleached, fried hair she cut in herself. She’s angsty and a fighter but is hurting deep down and trapped in other people’s expectations; so someone who can play a detached, cool girl like Sophie Thatcher (Yellowjackets) or Lizzie Broadway (Gen V). Maybe even a Lachlan Watson (Chuckie) or Jack Haven (I saw the TV Glow) for the way they play with expectations and identity.

Cassie is Ash’s hyper femme, terminally delightful foster sister. She’s all rainbow and fairies but will save the day with a mascara wand and a dream, like Elle Woods. Amy Lou Wood (White Lotus) would be great.

Jamie, Ash’s best friend is Korean-American and has hypermobile Ehlers-Danlos syndrome (like me!). I’m not sure of many actresses with the condition, but I think Aubrey Anderson- Emmons (Modern Family) or Ella Jay Baso (Bird of Prey) would do a great job with Jamie’s usually dry, sarcastic wit and delivery.

Ernie, Ash’s-inherited-from-her-mum-friend/ surrogate-uncle, falls somewhere between Harvey Guillén and Colman Domino. Does such a man exist?

Amandla Stenberg would be perfect as Heather, the girl Ash is sort-of seeing, who is sort-of missing. Pariah Ferguson would be great as Naomi, super smart, but socially oblivious, true crime streamer investigating the murders who’s willing to do whatever it takes to get the truth.

I don’t have specific actors in mind, but Ash’s Filipino foster (grand)parents have the energy of Jeff Goldblum and Dale Dickey. Helen, Heather’s mum who hates Ash, would be played perfectly by Kate O'Flynn or Tilda Swinton. Mostly, because I want to see Tilda Swinton in a brown, bob wig.

Follow Beck Kubrick on Instagram.

--Marshal Zeringue

Suzanne Redfearn's "The Wonder of One"

Suzanne Redfearn is the #1 Amazon and USA Today bestselling author of nine novels: The Wonder of One, Call of the Camino, Two Good Men, Where Butterflies Wander, Moment In Time, Hadley & Grace, In an Instant, No Ordinary Life, and Hush Little Baby. Her books have been translated into twenty-seven languages and have been recognized by RT Reviews, Target Recommends, Goodreads, Publisher’s Marketplace, and Kirkus Reviews. She has been awarded Best New Fiction from Best Book Awards and has been a Goodreads Choice Awards Finalist.

Born and raised on the east coast, Redfearn moved to California when she was fifteen. Currently, she lives in Laguna Beach with her husband where they own Lumberyard Restaurant. In addition to being an author, Redfearn is an architect specializing in residential and commercial design. When not writing, she enjoys doing anything and everything with her family—skiing, golf, tennis, pickleball, hiking, board games, and watching reality TV. She is an avid baseball fan. Her team is the Angels.

Here Redfearn dreamcasts an adaptation of The Wonder of One:

If they make The Wonder of One into a movie, here’s who I imagine playing the roles:

For Vivien, the main protagonist of the story, when she's little (the story begins when she is six), I think an actress like Abigail Breslin when she acted in Signs would work well. She’s small, cute, and wise beyond her years. Adult Vivien (the story spans twenty-two years, ending when Vivien is twenty-eight) should be played by someone like Emilia Clarke (Daenerys in Game of Thrones), a diminutive spark plug, who is tough, determined, brilliant, and who possesses a radiant smile capable of melting hearts.

For the sheriff, who is the second primary character, I envision a young Shaun Johnston, (Jack from the series Heartland)—earnest, tough, and no-nonsense. I’ve always loved him, the guy who always makes the right choice even if it’s not the easy one.

Visit Suzanne Redfearn's website, and follow her on Facebook, Instagram, and Threads.

Coffee with a Canine: Suzanne Redfearn and Cooper.

My Book, The Movie: Hush Little Baby.

The Page 69 Test: Hush Little Baby.

The Page 69 Test: No Ordinary Life.

Writers Read: Suzanne Redfearn (February 2016).

My Book, The Movie: No Ordinary Life.

My Book, The Movie: In an Instant.

The Page 69 Test: In an Instant.

Q&A with Suzanne Redfearn.

My Book, The Movie: Hadley and Grace.

The Page 69 Test: Hadley & Grace.

Writers Read: Suzanne Redfearn (March 2022).

The Page 69 Test: Moment in Time.

My Book, The Movie: Moment in Time.

Writers Read: Suzanne Redfearn (February 2024).

Writers Read: S. E. Redfearn (October 2024).

The Page 69 Test: Two Good Men.

Writers Read: Suzanne Redfearn (October 2025).

My Book, The Movie: Call of the Camino.

The Page 69 Test: Call of the Camino.

--Marshal Zeringue

Vikki VanSickle's "The Mystic and the Missing Girl"

Vikki VanSickle has worked as a bookseller, a menstrual health educator, a creative writing instructor and publishing professional with Penguin Random House Canada. Currently, she lives and writes in Toronto and hosts a book segment on CTV Your Morning.

Here VanSickle dreamcasts an adaptation of her new novel, The Mystic and the Missing Girl:

The Mystic and the Missing Girl takes place in a small, lakeside town that seems charming on the surface, but is hiding some murky secrets—including the truth about seventeen-year-old Ginny Evans, who went missing in 1998. This is an ensemble piece that plays with small town stereotypes, dabbles in the supernatural, and offers numerous opportunities for character actors to shine. Think a cozy mystery in the hands of a screenwriter like Diablo Cody. Here are some of the main players:

Our hero is Drew Benson— a reluctant psychic and tarot reader turned sleuth. A former teenage Goth, Drew is a little messy with a quick wit and a vulnerable side. She is unsure of her path or where she belongs. I would cast a quirky, fast-talking brunette like Cristin Miliotti or Kat Dennings in the role.

Nick Campbell is Drew’s high school nemesis—top of the class, valedictorian, he is what Drew calls a ‘type A Virgo.’ These days he’s had quite the glow-up, transitioning from nerd to sexy nerd thanks to a careful diet and cross fit. Described as a dead ringer for Clark Kent (but blond!) I think Wentworth Miller could pull off slightly prim, beefy nerd very well.

Gloria “Gigi” Gong is not just a sidekick. She is a sarcastic, whip-smart Scorpio who runs the local pub and used to front an all-girl punk band called The Poor Clares. Drew describes her vibe as “hot, grumpy, Asian witch.” This is a role I could see Greta Lee absolutely killing.

Foster Banks is Drew’s “most handsome and least favorite mistake.” Tall, lanky, and dark-haired, he has the sleazy appeal of a bass player in a Brit pop band, even when all cleaned up for his job as a lawyer. He is the kind of man who smirks instead of smiles and can make any comment seem suggestive. This is a role the charismatic Francois Arnaud was born to play.

Amanda MacKinnon is the haunted best friend of the missing Ginny Evans. She hides away, working in a crusty old hair salon, unable to leave town because of her heavy memories of Ginny. Despite her work as a hair stylist, her own look is a little off the mark, stuck in the early 2000s with chipped burgundy nails and matching dye job. This is a perfect role for a millennial icon like Julia Stiles or Clea Duvall.

Charlene Wilson is a twice divorced career waitress who has seen it all and doesn’t suffer fools gladly. She has the raspy voice of a lifelong smoker and despite a wary, world-weary demeanor, knows how to land a joke. I would love to see formidable character actress Dale Dickey in this role.

Visit Vikki VanSickle's website.

Writers Read: Vikki VanSickle.

--Marshal Zeringue

Linda Kass's "World News from Waverley High"

Linda Kass began her career as a magazine journalist and correspondent for regional and national publications. Along with her forthcoming novel, World News from Waverley High (September 2026), she is the author of three previous works of historical fiction: Tasa’s Song (2016), A Ritchie Boy (2020), and Bessie (2023). A longtime civic leader, she is the founder and owner of Gramercy Books, an independent bookstore in Central Ohio. Kass lives in Columbus with her husband, Frank; they have four children, six grandchildren, and a labradoodle named Wally.

The set-up for World News from Waverley High:

1969. Lena Rosen is an intelligent, observant teenager torn between spontaneity and self-consciousness. During her junior year, she becomes attuned to the pulse of her times in her first-period Current History class, where rebellion, social change, and musical innovation of the 1960s dominate discussion. When Lena becomes the associate editor of the school newspaper The Beacon, she is drawn into the swirling discourse surrounding the Vietnam War, civil rights, environmental disasters, and campus protests—while also grappling with her growing attraction to Jack Stone, the paper’s editor.

Here Kass dreamcasts an adaptation:

Here are some age-appropriate-looking, older-teen-playing actors and actresses who are commonly cast as 16- or 17-year-olds, including performers who may be a bit older but still pass convincingly:

For Rita Fields: Maddie Ziegler — good for the popular girl, social media girl, or slightly aloof “everyone knows her” type; often cast in teen roles and can read as 16–17.

For Caroline Brown: Chloe Coleman — works well as the smart, cool, socially aware popular girl; has a strong “older teen” look on screen.

For Lena Rosen: Sunny Sandler — can fit the bubbly popular girl or well-liked campus-cool character; can read as a 16–17-year-old with the right styling.

For Abby Hackman: Mia Talerico — better for sweet, recognizable, younger-looking popular teen roles; still reads very young but can fit younger teen roles; or Julia Butters — youthful but can plausibly play slightly older teens.

For Rich Kohn: Mason Thames — very strong for the popular boy, athlete, or romantic lead type; very strong fit for 16–17 roles.

For Jack Stone: Jacob Tremblay — can work as the sensitive popular guy or the unexpectedly central friend; often casts well into teen parts despite a youthful look, could be popular boy/heartthrob.

For Kerry Ross: Walker Scobell — can play younger or older teen depending on styling.

For Mike Jones: Caleb McLaughlin, Jaden Smith, or Michael Rainey.

For Derek Wright, Stephen Long: Marcus Scirbner or Miles Brown.

Directors who fit 1969 high school:

Richard Linklater – He’s masterful with period detail and ensemble young casts, and he has already done late‑60s/70s milieu in films like Dazed and Confused and Everybody Wants Some!!, both praised for their lived‑in authenticity rather than nostalgia gloss. He’d be ideal if you want the feel of students’ everyday lives, hanging out in corridors and parking lots, with history simmering in the background rather than front and center.

Kelly Fremon Craig – Her films, The Edge of Seventeen and Are You There God? It’s Me, Margaret, show a keen ear for adolescent dialogue and inner life, plus an ability to adapt period material (the latter is set in the 1970s) without making it feel like a dress‑up exercise. She’d be a strong choice if you want a deeply character‑driven, intimate story about one or two students navigating 1969’s social shifts.

Greta Gerwig – With Lady Bird and Little Women, she’s shown she can blend coming‑of‑age, social context, and a precise sense of time and place, and she’s very attuned to young women’s interiority. If your story centers on a girl or a group of girls in 1969, especially with an undercurrent of feminist awakening, her sensibility could suit it beautifully.

Jeff Nichols – He often works in specific American historical moments with a quiet, observant tone, and his work with teens in Mud shows he can capture young characters against a larger cultural backdrop. He’d tilt the project toward an understated, mood‑driven Southern/Midwestern Americana feel.

A practical example: if your novel’s tonal center is something like The Learning Tree or Kes—grounded, observant portraits of young people with social tensions in the background—a Linklater or Nichols type makes sense. If you’re closer to a Judy Blume–meets‑political‑awakening story in a Midwest or Northeastern high school, someone in the Gerwig/Fremon Craig vein is closer to the bull’s‑eye.

Visit Linda Kass's website.

Writers Read: Linda Kass (June 2026).

Writers Read: Linda Kass (July 2026).

Writers Read: Linda Kass (August 2026).

--Marshal Zeringue

Sara Cooper's "Ravenous"

Sara Cooper is a novelist and an award-winning playwright-lyricist. She lives in New York with her husband John and their son Theo. Major awards include Richard Rodgers Award, American Academy of Arts and Letters (2022); ASCAP Foundation Lucille and Jack Yellen Award (2021); Grand Jury Prize, Barnstorm Media (2020); Jonathan Larson Grant, American Theatre Wing (2014).

Ravenous, her debut novel, was a Finalist for the 2025 Tucson Festival of Books Literary Awards.

Here Cooper dreamcasts the lead for an adaptation of Ravenous:

Okay, so, as a playwright, I love dreamcasting. I hadn't actually thought about who would play Breigh in a movie, but I got super excited when I saw this prompt.

Quick summary of the book: Ravenous is about a pregnant influencer who specializes in unboxing and takes things way, way too far. It's very stream-of-consciousness and is kind of a super intense feminist horror anticapitalist fever dream.

First of all, if I was casting for a theatre piece (which I feel I must include here, because, like I said, I'm also a playwright!), I'd cast Sherz Aletaha. She's a brilliant actress and plays comedy and tragedy with insane nuance. She's also incredibly smart, and I think she would do amazing things in this role because she would really dig into the big philosophical and sociopolitical questions asked by the book. I've been very fortunate to have worked with Sherz on a few projects and she is an absolute genius. I think she'd be the perfect Breigh Marie because she'd be hilarious but she'd also play her with compassion, which is important to me.

I also would cast Sherz in the movie, but, since she mostly does theatre, I'm going to dreamcast a film-specific actor, too. Stephanie Beatriz would be amazing as Breigh. She is so incredibly funny and also brilliant at playing intense and smart, and she's got such great charisma and on-screen presence that you love her even when a character acts badly (which Breigh definitely does).

Visit Sara Cooper's website.

--Marshal Zeringue

E. J. Copperman's "Where There’s Smoke…"

E.J. Copperman is the nom de plume for Jeff Cohen, writer of intentionally funny murder mysteries. As E.J., he is the author of the Haunted Guest house series, the Agent to the Paws series and the Jersey Girl Legal mysteries, as well as the Fran and Ken Stein mysteries. As Jeff, he is the author of the Double Feature and Aaron Tucker series; and he collaborates with himself on the Samuel Hoenig Asperger's mysteries.

Here Copperman shares some notes for the casting agent on an adaptation of his new novel, Where There’s Smoke…:

The fact is, I don’t know what my characters look like.

That’s been true in every novel I’ve written (and there have been a bunch). I don’t picture the character beyond a very general type unless their appearance will be important to the story, and it almost never is.

So trying to (mentally) cast a movie of Where There’s Smoke… the second Haunted Paint Store mystery, I have to go with attitude rather than resemblance. I believe the reader will form a mental picture of the character and no matter what they imagine, they’ll be right. So no physical descriptions for me.

Laura Meehan, is a woman knocking on the door of middle age, but not walking over the threshold yet. She make self-deprecating comments about the way she looks, but I don’t think those are to be taken seriously. Certainly her husband Roy doesn’t think she’s lacking in any department. She’s not a girl-next-door type, but probably a girl-two-doors down woman.

Her deceased father, Amos Meehan, is an ex-police detective and ex-owner of the paint store Laura now owns and operates. He has a wry outlook, likes to prod people just a bit, and thinks all of his opinions are indisputable facts. He’s going to be in his late sixties or early seventies forever, and luckily he can’t see himself in a mirror. When I’m writing Roy I’m probably thinking about my own dad, but more assertive. And I don’t think he looks like my father at all: Amos isn’t nearly Jewish enough for my dad.

Roy isn’t the most handsome man in New Jersey, but he’s no slouch, and that’s all I know about what he looks like. He’s a computer whiz but not the stereotypical geek/immature adolescent you might be used to. He’s very good at his job and he can be an enormous help to Laura when she’s investigating a crime. As all paint store owners do. He has a sense of humor that isn’t New Jersey-bred but he still communicates perfectly with his Jersey girl wife. But he worries more about her poking into things outside her own realm than Laura does.

If you’re a producer and want to turn Where There’s Smoke… into a movie, television series or YouTube sensation, feel free to cast whomever you like. Just email and I’ll give you my agent’s contact information.

Visit E. J. Copperman's website and Facebook page.

My Book, The Movie: The Thrill of the Haunt.

Writers Read: E. J. Copperman (November 2013).

The Page 69 Test: The Thrill of the Haunt.

My Book, The Movie: Ukulele of Death.

The Page 69 Test: Ukulele of Death.

Q&A with E. J. Copperman.

The Page 69 Test: Same Difference.

Writers Read: E. J. Copperman (February 2025).

The Page 69 Test: Where There's Smoke....

--Marshal Zeringue

Barbara O’Neal's "A Thousand Painted Hours"

Barbara O’Neal is the author of more than a dozen award-winning, bestselling novels, including the runaway bestseller, When We Believed in Mermaids, which has been published in 21 countries and spent many months on both the most sold and most read Amazon Charts, as well as the Wall Street Journal, USA Today, and Washington Post bestseller lists. O’Neal is an avid traveler and passionate cook, and discovered the Oregon coast on a pandemic-era trip with her husband. She now lives on that rocky, moody coast in a quirky beach house and writes her books from a room overlooking the sea. She lives with her British husband, who has promised to never lose his accent, and their cats and dogs.

Here O’Neal dreamcasts an adaptation of her new novel, A Thousand Painted Hours:

I would so dearly love to see this as a movie! It would be the kind of movie I'd watch ten times. It is a love story at its most elemental level, an epic story told over several decades about Elsie Turner, the daughter of an British civil servant in Nainital, India, and Elsie's friend Tanveer Singh, the son of a local Maharajah. It begins with the Blitz in London, a subject I never quite get enough of, and flashes back to the friendship, then love story of the two over time, and follows the pair as they fight for their ideals, not always in harmony, and for the lives they each wish to have. Tanveer is devoted to Indian Independence, while Elsie is trying to find her voice as an artist, and as they come together and are torn apart many times, they each have to grapple with the times and their class, and the very real, sustained connection they've found with each other.

Honestly, there are any number of actors who would play Tanveer beautifully. I love Riz Ahmed's soulful face. I also love Himesh Patel, and the wildly talented Dev Patel. Lately, I have been smitten by the Punjabi singer Diljit Dosanjh and he's done so much for the visibility of Sikhs that he'd be utterly perfect.

For Elsie, I imagined Rachel Weisz--she has the intelligence I'd like to see for this character.

As for directors, my dream person would be Mira Nair, but I would also be delighted with Sofia Coppola. I mean, why not dream big?

Visit Barbara O'Neal's website.

--Marshal Zeringue

Laura Jensen Walker's "The Postmistress of Puddlington"

Bestselling, award-winning author Laura Jensen Walker is the Agatha and Lefty-nominated author of more than 20 books including Murder Most Sweet, Hope, Faith & a Corpse, and Death of a Flying Nightingale.

A rabid Anglophile since being stationed at an RAF base with the USAF in her twenties, Walker lives in Northern California with her Renaissance-man husband and two rescue terriers, where she drinks tea and dreams of England.

Her new novel is The Postmistress of Puddlington.

Here Walker dreamcasts an adaptation of the new novel:

I’m a big movie buff, so when I began writing The Postmistress of Puddlington during lockdown, I cast the film in my head.

Middle-aged spinster postmistress Hester Smith who loves Dickens and Jane Eyre is a toss-up between Olivia Colman and Kate Winslet—without makeup. Both are excellent actresses and Kate has proven she can do plain as shown in Mare of Easttown. (Plus, her hair color is the same as Hester’s.) But. . . there’s something about Olivia Colman that gives her a slight edge.

For Minerva Winterbottom, the bohemian, aging lady of the manor who likes to jitterbug, I envisioned two of my favorite actresses, and found it impossible to choose between them. Sadly, since then Dame Judi Dench has gone blind and at ninety, has aged out of the sixty-something role of Minerva. Therefore, (drumroll) the only woman to play Lady Winterbottom is Dame Emma Thompson. Emma epitomizes bohemian and is a phenomenal actress. (That scene in Love, Actually where she realizes her husband—played by Alan Rickman—cheated on her, is a masterclass in acting.) Also, the divine Emma is absolutely hilarious and wrote the Academy Award-winning screenplay for Sense and Sensibility.) Enough said.

Then there’s Mary Robins, vicar’s wife and president of the local W.I. (Women’s Institute.) Initially, I thought of Rachel Weisz or perhaps Emily Blunt. Lately though I’ve been leaning toward Anna Madeley who does such a lovely job playing Mrs. Hall, the housekeeper, in All Creatures Great and Small.

For Mary’s pretty daughter Violet, I kept seeing Anne Hathaway in my head as I wrote. In my opinion, Anne is one of the most beautiful, talented actresses in Hollywood. And she’s proven she can do an English accent. Unfortunately, she’s now in her forties, while Violet is eighteen at the start of the war and twenty-four when Puddlington ends in 1945. I racked my brain trying to think of beautiful, dark-haired young actresses and came up with Selena Gomez—though I don’t know if she can do a British accent. If not, then Rachel Shenton who plays James Herriott’s wife Helen in All Creatures Great and Small, would be perfect.

Nora Clarke, the final character in my quintet of English women was the easiest to cast. Violet’s best friend Nora moved to the U.S. at thirteen when her American dad had to return home to care for his parents. She returns to England at nineteen to do her bit by enlisting in the Royal Navy as a “Wren” in 1939. Emma Watson (Hermione from the Harry Potter movies) was hands down Nora from the get-go.

Lastly, Amos Brown, the hulking, middle-aged gardener who quotes Wordsworth is Ciarán Hinds all the way. I’ve loved the Irish Ciarán since he played Captain Wentworth in Persuasion. I also adored him in Miss Pettigrew Lives for a Day and Belfast (for which he should have won the Oscar, in my opinion.) Runner ups: Colin Firth and Clive Owen, both now in their sixties, which is hard to believe. Colin Firth will always be Mr. Darcy to me.

Visit Laura Jensen Walker's website.

My Book, The Movie: The Alphabet Sleuths.

Q&A with Laura Jensen Walker.

The Page 69 Test: The Alphabet Sleuths.

Writers Read: Laura Jensen Walker (February 2026).

--Marshal Zeringue

Katie Tallo's "Where Her Secrets Lie"

Katie Tallo has more than three decades of experience as an award-winning screenwriter and director. After winning an international novel contest, she began writing mystery thrillers. In 2020, her debut thriller, Dark August, was an instant bestseller, earning acclaim as a New York Times Book Review Editors’ Choice and an Apple Book of the Month. It also made the Globe 100 list. Since then, Tallo has written two more novels in the critically acclaimed Gus Monet trilogy including Poison Lilies and Buried Road. Her first standalone crime thriller, Where Her Secrets Lie, comes out August 2026 and her next thriller, The Last Villa, comes out in June 2027. Tallo lives with her husband in Ottawa where she is currently cooking up her next novel.

Here the author dreamcasts the lead for an adaptation of Where Her Secrets Lie:

If they make my book, Where Her Secrets Lie, into a film, I’d love to see Helen Mirren play the fiesty, wild-haired, beer-drinking protagonist, Lenny Bird. Helen is ten years older than Lenny but she’s got the vibe, the look, the sexy energy and the agency to pull off this edgy grandmother who takes on a ruthless crime boss. Her work in Mobland — hell, all her work — proves she’s got the gritty chops to be the perfect Lenny Bird.

While writing the novel and developing the lead character, I was very much inspired by a photo of Helen taken when she turned 70. It’s a sexy, fierce image of a beautiful older woman in her prime. Every time I looked at the photo, I got a little closer to understanding Lenny. It would be hard to imagine anyone else in the role.

Visit Katie Tallo's website.

The Page 69 Test: Dark August.

Q&A with Katie Tallo.

Writers Read: Katie Tallo (June 2022).

The Page 69 Test: Buried Road.

Writers Read: Katie Tallo (December 2024).

--Marshal Zeringue

Rachel Peterson's "Killing Sadie"

Rachel Peterson graduated from Miami University of Ohio with a degree in English and Creative Writing. After starting her career as a copywriter, she made the shift to the technology space and spent nearly a decade in New York City leading marketing teams for international tech companies before stepping away from the corporate world and focusing full-time on her career as an author. Peterson now splits her time between NYC and the Midwest, where she lives with her husband Ken, their dog Olive, and horse Hope.

Here Peterson dreamcasts an adaptation of her new YA thriller, Killing Sadie:

As a Midwestern kid who spent her early days dreaming of becoming an actor or author, my mind is constantly buzzing with who would play my characters!

We have quite a few characters to cover for Killing Sadie, so let’s focus on our twins, Sadie and Jayne Cooper. Sadie is our Midwestern golden girl with the personality to match, while Jayne is far edgier. But like most twins, they share an unspoken bond and are two sides of the same coin.

My mind jumps instantly to Isabel Gravitt (Tori Cooper in Your Friends and Neighbors), or Sadie Sink to play our twins! These two actresses have range for days, and can flip from polite to sinister in a second. And who are we kidding, every character in Killing Sadie needs to have this attribute! For their parents, Jon Hamm and Reese Witherspoon is a combination the world simply needs more of, full stop.

Putting my producer hat on, the mood for Killing Sadie leans camp and nostalgia, so if we can convince Sabrina Carpenter to return to acting, she might be my top spot for Liz! Or maybe India Lillie Davies from the AGGGTM universe, who played Andie Bell, a perfect comp for our party girl with hidden secrets.

Oh, and Jessica Beal or Simone Ashley as Detective Sloane, anyone? I could just die.

Visit Rachel Peterson's website.

--Marshal Zeringue

D. E. Carr's "When Squirrels Fly"

D. E. Carr has a career that spans the fields of neuropsychology, community health, and recreation management. She has a distance runner’s appreciation for the outdoors and thoroughly enjoys the humor and the brilliance of the residents of her adopted hometown of Ann Arbor, Michigan.

Here she dreamcasts an adaptation of her new novel, When Squirrels Fly:

When Mel Caldwell makes an animated, middle of the night phone call to her niece, Allie, but hangs up before explaining herself, Allie initially shrugs it off. Her aunt has always been a little eccentric. But when Aunt Mel disappears from her home less than 24 hours later, Allie drops everything and travels to Michigan to search for her. Shortly after her arrival in Ann Arbor, Allie meets her aunt’s enigmatic next-door neighbor, George Bennet. She reluctantly accepts help from George unaware he hides a dangerous secret that will complicate the search. The duo becomes a trio when Allie’s affable, but annoyingly irreverent younger brother, Nick, arrives to help. To find Aunt Mel, they’ll need to work together to determine how a neighborhood trellis, virtual reality goggles, migraine research, and an itinerant chihuahua, are all connected to the case.

When Squirrels Fly blends the popular genres of Cozy Mystery and light Science Fiction, both of which transition well to the screen. Although Ann Arbor, Michigan is a bit bigger than the typical small town cozy mystery setting, the action is mostly contained in a two-mile radius encompassing the historic Old West Side. The movie could be filmed on location in Ann Arbor where the somewhat quirky ambience allows the characters an easy backdrop for comic relief. There will be no shortage of extras with a wonderfully diverse population to choose from.

To imagine this cozy mystery-sci fi movie, think Hallmark Mysteries blended with a toned-down version of Everything, Everywhere, All At Once - Mystery 101 meets Something, Somewhere, Once in a While. This will be the vibe of When Squirrels Fly, the movie. I can already picture some entertaining special effects.

True to the cozy mystery genre, Allie Caldwell is an amateur sleuth; also, an accomplished associate professor of neuroscience from Colorado. I see her being played by Jennifer Lawrence whose characters are typically strong, clever, intuitive, witty and a tiny bit clumsy. She also has great chemistry with Bradley Cooper who I see as George Bennet. George is a sympathetic neighbor, but he’s complicated. The banter will flow easily between these two actors, just as it does in the book.

Allie has a playful, chaotic relationship with her younger brother Nick, whose world view is at opposite ends of the spectrum from hers. I think Chris Pratt – the one seen in television’s Parks & Recreation and not the raptor-whispering hero in Jurassic World – has the demeanor, comedic timing, and charisma to be a good Nick.

Mrs. Oakley, the spirited 85-year-old ballet instructor who doesn’t look a day over 65, lives across the street from Mel and knows a lot more than she lets on. I see her being played by Jamie Lee Curtis.

Finally, the floppy-eared, 8-pound, roving Chihuahua, Chidi, can only be played by my dog Cheech. He’ll need to lose a few pounds to fit the role, but he’ll think he owns the set by week two.

In order to maintain production deadlines, the film will need a director that can handle Chihuahua obstinacy. Wes Anderson is my ideal choice.

Visit D. E. Carr's website.

--Marshal Zeringue