Elena Taylor's "The Haunting of Emily Grace"

Elena Taylor is the author of the Sheriff Bet Rivers Mysteries, dark and atmospheric police procedurals set in a small, rural mountain town in Washington State. As Elena Hartwell, she writes the Eddie Shoes Mysteries, about a quirky mother/daughter crime fighting duo.

Taylor is also a developmental editor with Allegory Editing, where she works one-on-one with writers to shape and polish their manuscripts. She also writes the Wait, Wait, Don't Query (Yet!) series of books on the writer's craft.

Her favorite place to be is home at Paradise, near Spokane, Washington. She lives with her hubby, their equines, dogs, and cats. Taylor holds degrees from the University of San Diego, the University of Washington, and the University of Georgia.

Here she dreamcasts an adaptation of her new novel, The Haunting of Emily Grace:

The Haunting of Emily Grace would make a great movie. I also think it would be very effective in one of those mini series we see on Netflix and Amazon Prime, with half a dozen episodes to binge all at once. Set in an isolated, unfinished mansion on a tiny island in the middle of a dark sea makes for the perfect imagery. With the rugged coastline of the San Juan Island chain up here in the Pacific Northwest as the backdrop, and the sweet, small town vibe in contrast to the cold, modern house, would give a director a location to love as much as the story and the characters. The directors of Harlan Coben's many streaming series or the series Justified would make excellent choices, as they all make location add to suspense.

Emily Grace should be played by an actress that can feel fragile, but also show a spine of steel when called upon. She has to come across as practical most of the time and have the physical strength to be a carpenter. Lili Taylor from her Mystic Pizza days is the first actress that comes to mind, but Jennifer Lawrence would definitely be able to play all those facets as well. Zendaya would be an interesting choice. She has such beautiful, delicate features, but can be stronger than she looks. Sandra Oh would be amazing as well. I would totally believe her capable of anything, but also able to show vulnerability and fear.

The wealthy but troubled owner of the mansion immediately makes me think of Nathan Fillion. He's an actor that can play serious, funny, and powerful—all at the same time. If he combined his roles from Serenity, Castle, and The Rookie, it would make the perfect Cameron Lang. Idris Elba is another actor that would be perfect for the part. He's handsome, but can also play the sensitive side that comes out as Cameron tries to navigate his challenging adult daughter Chloe.

Chloe might be the funnest role to cast. Manipulative, mercurial, charming. Christina Ricci would be perfect in that part. Sophie Nélisse from Yellowjackets would also be a lot of fun.

Now if only Hollywood would come knocking on my door!

Visit Elena Taylor's website.

Q&A with Elena Taylor.

The Page 69 Test: A Cold, Cold World.

My Book, The Movie: A Cold, Cold World.

Writers Read: Elena Taylor.

--Marshal Zeringue

Cara Black's "Huguette"

Cara Black is the author of twenty-one books in the New York Times bestselling Aimée Leduc series as well as the WWII thrillers Three Hours in Paris and Night Flight to Paris. She has won the Médaille de la Ville de Paris and the Médaille d’Or du Rayonnement Culturel and received multiple nominations for the Anthony and Macavity Awards; her books have been translated into German, Norwegian, Japanese, French, Spanish, Italian, and Hebrew.

Here Black shares some thoughts on who might direct and play the lead in an adaptation of her new novel, Huguette:

As I wrote Huguette I had no specific actress in mind. In thinking about this now, I'd want an actress who has frizzy hair she's constantly trying to tame, as Huguette does. An actress who can completely change her look, as Huguette does and probably all actresses can do with different make up and wardrobe. And an innocent face.

Director wise I'd like Martin Scorsese to direct Huguette. Granted he's more mob centric but he's also done unusual films like Kundun and The Last Temptation of Christ. Music threads through his films and I definitely feel 40's music would evoke Huguette's era like he's used it so effectively in Casino with 70's music. Of course, Marty, if I can call him that, only directs films he's passionate about and if he read Huguette, became impassioned to tell her story I'd love it. There's also lots of bad guys in the book, GI deserters, Paris black market gangs and collaborators in hiding so he could, if any director could, get into that!

Visit Cara Black's website and follow her on Instagram and Threads.

The Page 69 Test: Murder at the Lanterne Rouge.

My Book, the Movie: Murder at the Lanterne Rouge.

The Page 69 Test: Murder below Montparnasse.

The Page 69 Test: Murder in Pigalle.

My Book, The Movie: Murder in Pigalle.

My Book, The Movie: Murder on the Champ de Mars.

The Page 69 Test: Three Hours in Paris.

The Page 69 Test: Night Flight to Paris.

Writers Read: Cara Black (March 2023).

Writers Read: Cara Black (March 2024).

The Page 69 Test: Murder at la Villette.

--Marshal Zeringue

Paula Munier's "The Snow Lies Deep"

Paula Munier is the USA TODAY bestselling author of the Mercy Carr mysteries. A Borrowing of Bones, the first in the series, was nominated for the Mary Higgins Clark Award  and named the Dogwise Book of the Year. Blind Search also won a Dogwise Award. The Hiding Place and The Wedding Plot both appeared on several “Best Of” lists. Home at Night, the fifth book in the series, was inspired by her volunteer work as a Natural Resources Steward of New Hampshire.

Along with her love of nature, Munier credits the hero dogs of Mission K9 Rescue, her own rescue dogs, and a deep affection for New England as her series’ major influences.

A literary agent by day, she’s also written three popular books on writing: Plot Perfect, The Writer’s Guide to Beginnings, and Writing with Quiet Hands, as well as Happier Every Day and the memoir Fixing Freddie: The True Story of a Boy, a Mom, and a Very, Very Bad Beagle.

Here Munier shares some thoughts about the director for an adaptation of her new Mercy Carr mystery, The Snow Lies Deep:

The Snow Lies Deep, the seventh book in my Mercy Carr mystery series from Minotaur, takes place during the countdown to Christmas in the picture-perfect Vermont village of Northshire. Everyone is in the holiday spirit—local artisans and shopkeepers, kids and parents and grandparents, church choral singers and Druid drummers alike. But when the town Santa is found murdered, it’s up to Mercy and her husband Troy and their smart-as-heck working dogs to find the Yuletide Killer before he kills again—and ruins Christmas in Northshire forever.

So we’re talking Love Actually meets Die Hard, in New England. I think it would be great to have famed Barbie director Greta Gerwig write the screenplay and direct because, well, Barbie! Mercy is the anti-Barbie, and it would be fun to see Gerwig tackle that kind of character. We know she can do Christmas (she directed Little Women) and we know she could give all those male action-movie directors a run for their money. Move over, John McTiernan and James Cameron and John Woo, here comes Greta! She’s probably already signed on to do the next Wonder Woman movie (or whatever), but Mercy Carr is a wonder woman, too. I’m just saying.

Think about it, Greta. Seriously. Meanwhile, a girl can dream….

Visit Paula Munier's website.

Coffee with a Canine: Paula Munier & Bear.

My Book, The Movie: A Borrowing of Bones.

The Page 69 Test: A Borrowing of Bones.

Writers Read: Paula Munier (October 2019).

My Book, The Movie: Blind Search.

The Page 69 Test: Blind Search.

My Book, The Movie: The Hiding Place.

The Page 69 Test: The Hiding Place.

Q&A with Paula Munier.

My Book, The Movie: The Wedding Plot.

The Page 69 Test: The Wedding Plot.

Writers Read: Paula Munier (July 2022).

Writers Read: Paula Munier (October 2023).

My Book, The Movie: Home at Night.

The Page 69 Test: Home at Night.

My Book, The Movie: The Night Woods.

The Page 69 Test: The Night Woods.

Writers Read: Paula Munier (October 2024).

--Marshal Zeringue

P.J. Nelson's "All My Bones"

P.J. Nelson is the pseudonym of an award-winning actor, dramatist, professor, and novelist (among other many other professions) who has done just about everything except run a bookstore. He lives in Decatur, Georgia.

Here he dreamcasts an adaptation of his new novel, All My Bones:

In All My Bones, the second of the Old Juniper Bookshop mystery series, we find Madeline Brimley, owner of the bookshop, and Gloria Coleman, an Episcopal priest and one of Madeline’s best friends, trying to plant azaleas in the shop’s front yard. Their efforts are hindered by rock-hard red Georgia clay and, they soon discover, human bones. The bones turn out to belong to Beatrice Glassie, one of two Glassie sisters, the richest women in the tiny town of Enigma, Georgia. It isn’t long before Bea’s sister Idell accuses Gloria of murdering Bea. Apparently, Bea and Gloria were constantly at odds over church business. Not to mention the fact that the Glassie sisters didn’t cotton to the idea of a female priest at all. And since Idell has lots of money, she also wields an unhealthy degree of influence, which she uses to pressure the local GBI to arrest Gloria for Bea’s murder. Madeline knows Gloria is innocent and sets out to prove it. She soon discovers that nearly everyone in Enigma had some sort of grudge against Beatrice Glassie. The plethora of suspects includes a local handyman whom Beatrice owed money and the owner of the town diner whom Bea tried to force out of business. But nearly everyone in town seems happy that Beatrice is dead. Madeline’s investigations even lead her to an allegedly haunted opera house in Hawkinsville, Georgia, and to wealthy Kelly Brady, Bea’s on-again-off-again beau who worked with Bea to restore the old opera house. Too many suspects and not enough time roil Madeline’s efforts to save her friend Gloria before it’s too late.

Thinking about what actors might play some of these characters is loads of fun. For Madeline Brimley, I like Holly Hunter around the age she was after she made Raising Arizona. Her understanding of southern idiomatic speech would be invaluable, and her demeanor of dogged determination seems just right for Madeline. As to Gloria Coleman, who is described in the books as being built more like a stevedore than a priest, I find the idea of casting Ronda Rousey, the mixed martial arts artist and actor, extremely amusing. I heard her say once that she only wanted to play herself in films because that way no one could tell her what she would or wouldn’t say in any given situation. And that’s exactly that the character of Gloria Coleman would think. And what if Sissy Spacek played Idell Glassie? Once again, Spacek’s understanding of “south-speak” would make her perfect for the role. I’m especially thinking of her dead-pan voiceover in Badlands, but also, of course, her understanding of Loretta Lynn in Coal Miner’s Daughter. And wouldn’t it be great if the film could be directed by the Coen Brothers? I love their sense of humor, the subtlety of their irony, and, again, their understanding of Southern culture in general. Finally, let’s get in touch with Randy Newman to score the film, and see if Rhiannon Giddens could be convinced to write a couple of songs—or ten.

Read more about All My Bones at the publisher's website.

--Marshal Zeringue

Brionni Nwosu's "The Wondrous Life and Loves of Nella Carter"

Brionni Nwosu is a writer, educator, and joyful creative based in the vibrant city of Nashville, where she lives with her husband and their three children. After more than a decade teaching students and mentoring teachers, she shifted her storytelling craft from a side passion to center stage. A 2021 We Need Diverse Books mentee under Rajani LaRocca, Nwosu writes bold, heartfelt fiction that explores connection, purpose, and what it means to live a life well.

Here she dreamcasts an adaptation of her debut novel, The Wondrous Lives and Loves of Nella Carter:

If The Wondrous Life and Loves of Nella Carter were ever adapted for the screen, I would love to see Laura Harrier play Nella. When I was drafting the book, I came across an image of her that immediately clicked for me — something about her poise, the directness of her gaze, and the period nature of her clothes that just felt like Nella. I kept that image nearby as I wrote, especially during the scenes where Nella steps into new eras and new identities.

The novel follows Nella, a woman who should have died young but instead gains immortality after making a bargain with Death, if she can continue to believe that life is worth saving. She moves through cities and centuries — from New Orleans to London to Paris — collecting evidence and writing stories to prove it, with Death testing her throughout time. Along the way, she finds love, community, and moments of wonder that she never imagined she would get to experience. Because the story spans so many eras and emotional tones, I think it would need a lead actress who can play both the grounded, everyday moments and the sweeping, epic ones. Harrier strikes that balance beautifully.

One thing I love about the idea of adapting this story is that Nella has several different loves over the course of her very long life, each in a different era and cultural context. It isn’t a single-love-story arc — it’s an entire rainbow. Because of that, the film or series would offer a great opportunity for multiple actors to shine. There’s her first love, who appears early in the book, but as she moves through time, we see relationships that reflect different backgrounds, identities, and emotional tones. Each love teaches her something new about herself and the world she’s walking through. I think that range would not only enrich the adaptation, but also create space for emerging actors — or established ones looking for something fresh — to step into these roles and really make them their own.

As far as directors, Ava DuVernay is at the top of my list. She brings such care and intention to stories about Black history, identity, and possibility. I can imagine her capturing the visual beauty of the book — the candlelit soirées, the Parisian streets, the quiet moments between characters — while also holding the emotional weight of Nella’s journey. I could also see the story finding a home as a Shondaland project. Shonda Rhimes has a way of creating character-driven dramas that feel both intimate and big, and the success of Bridgerton shows how well her team handles sweeping period pieces with modern flair, bringing them to a wider audience.

In my mind, the best adaptation would be one that blends romance, history, fantasy, and emotional depth — something lush and human and full of feeling. Whoever ends up involved (in my imaginary version of this!), I hope they’d honor what the book is really about and bring Nella and all her loves to the rest of the world.

Visit Brionni Nwosu's website.

Writers Read: Brionni Nwosu.

The Page 69 Test: The Wondrous Life and Loves of Nella Carter.

--Marshal Zeringue

Cindy Jiban's "The Probable Son"

Cindy Jiban lives in Minnesota, where she was awarded a 2023 emerging fiction writer fellowship through the Loft Literary Center. Jiban holds a Ph.D. in educational psychology; before writing novels, she was an educator and researcher who published frequently, particularly focusing on how students learn to read.

Like the main character in her debut novel The Probable Son, Jiban has taught in middle schools and is raising two sons. She was born and raised in the Seattle area but has now lived with her family in St. Paul for over twenty years.

Here Jiban dreamcasts an adaptation of The Probable Son:

Teacher Elsa Vargas has always suspected that the boy she is raising is the wrong child, accidentally switched at birth. But because of her deep love for Bird, Elsa has planned to keep her doubts buried forever.

Then one day, a student named Thomas in her middle school classroom is uncannily familiar. When she learns that he shares a birthday with Bird, she realizes: Thomas is probably her son.

If she’s right, what will that mean for Bird?

Here’s my dream cast for The Probable Son:

Elsa, the mother

Casting Elsa well is critical. She is a warm and inherently funny mother and teacher who has to navigate the possibility of terrible loss. Still, her sometimes-clumsy search for the truth becomes a bit cringeworthy, at turns. Her yearning drives her forward, but her penchant for rattling the school parent community fills her path with obstacles.

I need an actress who can portray a layered Elsa: hilarious eyerolls but also escaped tears; clever planning but also moments of love-fueled but unhinged judgment.

 To give us a complex and lovable Elsa we can’t look away from, I trust Emily Blunt.

Bird and Thomas, the possibly-switched sons

The son Elsa has been mothering, Bird, is a quiet and serious optimist within a family of extroverted skeptics. Meanwhile, Thomas is a charismatic questioner of the world, someone much more like the rest of Elsa’s family. Both are eighth graders who turn fourteen years old in front of us, a fleeting and awkward in-between time where boys grow wide shoulders to go with their still-soft faces.

Casting a young fourteen-year-old requires magic, perhaps freezing time. Instead, I’ll point to magic moments from the past.

 As sweet and endangered Bird, I cast River Phoenix in the year of Stand by Me.

 As magnetic and eager Thomas, I cast a young Tom Holland, perhaps one year before his Peter Parker was first bitten by that spider.

More roles

If money is no object, then let’s pack this cast.

 As Elsa’s lovable and effortfully resilient husband: Jake Gyllenhaal.

 As the hot, single-mom president of the PTA, exasperated by Elsa: Reese Witherspoon.

 As the quiet mother raising Thomas instead of Bird: a mousey Carey Mulligan.

 As the perceptive teacher friend, one classroom over: Quinta Brunson.

 As Elsa’s snarkily over-honest sister: Anna Kendrick.

 And as the best friend, whose best might not be good enough: Ali Wong.

Meanwhile…

The film is… held up, currently. But the book comes out December 2nd . Given these facts, it seems fair to say: The book is better.

Visit Cindy Jiban's website.

--Marshal Zeringue

Marshall Fine's "Hemlock Lane"

Minneapolis native Marshall Fine’s career as an award-winning journalist, critic, and filmmaker has spanned fifty years. Before his bestselling 2024 fiction debut, The Autumn of Ruth Winters, Fine wrote biographies of filmmakers John Cassavetes and Sam Peckinpah, directed documentaries about film critic Rex Reed and comedian Robert Klein, conducted the Playboy interview with Howard Stern, and chaired the New York Film Critics Circle four times.

Here Fine dreamcasts an adaptation of his new novel, Hemlock Lane:

Hemlock Lane is a family drama that takes place over the course of four days, with each day told from the viewpoint of one of the four central characters—the perfect structure for a limited series on a streaming service, in case you’re a producer seeking a project.

The story is about a flashpoint weekend in the life of a suburban family in the summer of 1967. Secrets are both kept and revealed, building to a family showdown between a domineering mother and an independent- minded daughter, who is about to start a professional life that will put her beyond her mother’s reach.

The mother, Lillian—haughty, sharp-tongued, full of secret fears—would be perfect for an actress who can shift from warm to glacial with barely a movement of her eyebrow. I’d love to see someone like Cate Blanchett or Patricia Clarkson, actresses who combine steeliness with vulnerability.

The father, Sol, is a successful businessman whose secret shame is his inability to stand up to his wife to defend his daughters from her withering abuse. I see him as a likable, salt-of-the-earth type whose bluff good nature hides his fear of his spouse. Someone like Paul Giamatti or David Harbour would be perfect.

The daughter, Nora, is a blossoming second-wave feminist, fresh out of graduate school, who has always resisted her mother’s authority without openly defying it—until now. Her lively wit and sharp intellect would be perfect for an actress like Margaret Qualley or Saoirse Ronan.

Clara, the family housekeeper, is the story’s wild card. She’s someone who has figured prominently in the life of each family member in different ways for more than 25 years—and she’s the one who sees them all clearly, while maintaining an emotional agenda of her own. I would love to see an actress like Sarah Paulson or Judy Greer disappear into that role.

And for director? That poet of emotional repression, Ang Lee. Who better to illuminate the undercurrents of fear and insecurity that lurk just beneath the surface of the action?

Visit Marshall Fine's website, and follow him on Facebook and Instagram.

My Book, The Movie: The Autumn of Ruth Winters.

Q&A with Marshall Fine.

The Page 69 Test: Hemlock Lane.

--Marshal Zeringue

Jacinda Townsend's "Trigger Warning"

Jacinda Townsend is the author of Mother Country, winner of the Ernest Gaines Award for Literary Excellence, and Saint Monkey, winner of the Janet Heidinger Kafka Prize and the James Fenimore Cooper Prize. She teaches at Brown University.

Here Townsend dreamcasts an adaptation of her latest novel, Trigger Warning:

Trigger Warning’s protagonist, Ruth, is a middle-aged woman who is revisiting the trauma of her father’s murder after the passage of two decades. Ruth would be so well-acted by Jurnee Smollett, who was one of my favorite actresses as a kid. Jurnee is a brunette as an adult, but she still brings that fierce redhead energy to her roles, albeit in the same muted, smoldering aura that Ruth has settled into at the time of my novel’s opening. In attempting to navigate her previously disavowed grief, Ruth absconds with her trans kid, Enix, on a cross-country trip from Louisville to a fictional town in Northern California, and Enix must navigate their mother’s middle-aged attempt at magmic transformation at the same time they themselves are handling gender fluidity and plain old adolescence. I’d cast Storm Reid as Enix: Storm did such a great job on Euphoria, capturing a character’s struggle with a close family member’s dysfunction. The other major character in my novel is Ruth’s soon-to-be-ex-husband Myron, who is bombarded throughout the novel with explosive discoveries about his wife. Ruth has filed for divorce at the opening of the novel, but it is Myron who does the shattering: for Myron’s character, I’d cast Harold Perrineau, who plays earnest yet flawed characters. Harold is a bit dorky and comedic without trying to hard, and exudes a lovably awkward inner strength, just as Myron does.

The soundtrack of Trigger Warning the movie is mostly the soundtrack to Ruth and Enix’s roadtrip. It’s deliciously old school for Ruth’s benefit — there’s the Soft Cell song "Tainted Love" and Van Halen’s Greatest Hits — but Enix is listening to Melanie Martinez and Lil’ Peep. The mood of the soundtrack is everywhere, really, but what all the songs have in common is that they are deeply emotional for all of these characters, all of whom are undergoing their own intense and painful transformations.

Though the novel concerns about three decades’ worth of time, the actual road trip that forms the backbone of the novel takes only the better part of a week. That road trip spans the long stretch of America from Louisville to Northern California, with its terminus point being the fictional town of Rosalind, about twenty minutes south of Sacramento. The American Southwest, of course, is its own dream set; it needs no filtering, and it needs no CGI. I’d love for Trigger Warning the movie to be filmed on location, with the backdrop of wise mountains, and the quietude that allows Ruth to narrate her mind through so much of the novel. Tesla charging stations provide pivotal plot points in the movie, as Ruth picks up a hitchhiker, watches a man freebase in the Tesla next to hers, and meets the stranger who tries to teach Ruth a lasting lesson about love. I’ve never seen a movie filmed at a series of Tesla charging stations: it’d be neat if Trigger Warning the movie was the first!

Visit Jacinda Townsend's website.

My Book, The Movie: Mother Country.

--Marshal Zeringue

Brittany Amara's "The Bleeding Woods"

Brittany Amara is an author, screenwriter, actress, and model with a passion for science fiction and fantasy that ventures beyond space and time. She loves writing about curious aliens, morally gray protagonists, other dimensions, rifts in reality, and all things playfully wicked. When she’s not working on something new, Amara can be found stargazing, collecting stuffed animals, and baking pumpkin bread. She grew up in Bronx, New York, and graduated summa cum laude from SUNY New Paltz in 2021 with a degree in digital media production, creative writing, and theater arts. In 2024 she furthered her storytelling journey at Queen’s University Belfast. Since then, her work in various genres has been recognized by film festivals and writing competitions across the globe.

Here Amara dreamcasts an adaptation of her new novel, The Bleeding Woods:

The Bleeding Woods is part-botanical horror, part-speculative fiction, part-dark romance. Set within the eerie stretches of forestry in upstate New York, it pulls inspiration from the drives I’d take to visit my family when I was a little girl. They always seemed endless, and no matter what I did, I couldn’t shake the feeling that something was… watching me. Something was studying me just as closely as I was studying it. As I grew, a fuller story took shape. Then, it served as a conduit through which I was able to turn horror into healing. Clara Lovecroft is a monster who craves to be human caught between two warring forces: a human family urging her toward complacency, and a monster so equally matched, it feels like fate.

Every time I write a novel, I can’t help but envision it for the screen. Alongside writing, I am deeply passionate about acting and filmmaking. I’ve seen magic happen when the three fall into perfect synergy. Crafting a story is delightfully solitary, but bringing that story to life on film is all about collaborative creative flow and connection. I like to believe that, should The Bleeding Woods find its way to the screen, I’ve been in connection with those destined to work on it from the start.

This novel did so much to help me alchemize struggles that I hadn’t found the bravery to say aloud at the time. When I dare to dream of a team who will lift it from its pages, I dream of people who need it now as much as I needed it then. I dream of an actress who might find a deeper sense of self-love through playing Clara and an actor who might learn to face his own demons by playing Jasper. I dream of a director who will see into the heart of the story, and consequently, into how my heart ached as I wrote it. Together, we’d create a piece as gory and horrifying as it is heartfelt and healing.

If I had to dreamcast and select a dream director, if only to help readers get a sense of how I see, hear and feel this world, I’m definitely happy to give it a shot!

In terms of directing, I deeply admire Guillermo Del Toro’s handling of horror. He is able to imbue even the goriest and most visceral scenes with such poetry. I recently watched his take on Mary Shelley’s Frankenstein, and I was blown away by how uniquely gothic and vibrantly alive the world felt. I am also a big fan of Pan’s Labyrinth, The Shape of Water, and Pacific Rim. Each deals with monsters of profound complexity, and without fail, I end up caring about them. I’d like people to empathize with Clara and Jasper the same way.

In the role of Clara, I’ve always seen someone disarmingly dainty, someone the world might make the mistake of underestimating. The beautiful and bewitching Isabela Merced and Inde Navarette have always been inspirations to me. Also, as a young Hispanic woman learning to step into my own power, it would be incredible to work with women who so gracefully wield their own.

Jasper is meant to be unnervingly, hypnotically handsome in a way that seems impossible, a way that seems designed. Everything about him in his human form is meant to destroy Clara’s defenses, handsomeness woven with sinister intent. I think it would be lovely to have someone like Jacob Elordi or Bill Skarsgârd in the role. They know how to breathe life into monstrous characters in a way that helps us feel their human hearts.

As I said, no matter who finds their way to this story, and no matter who helps it come alive on screen, my only hope is that it brings as much healing to them as it’s brought me. To my future dream team, I am already endlessly grateful for you.

Visit Brittany Amara's website.

--Marshal Zeringue

Elle Marr's "The Lie She Wears"

Elle Marr is the #1 Amazon Charts bestselling author of Your Dark Secrets, The Alone Time, The Family Bones, Strangers We Know, Lies We Bury, and The Missing Sister. Originally from Sacramento, Marr graduated from UC San Diego before moving to France, where she earned a master’s degree from the Sorbonne University in Paris. She now lives and writes in Oregon with her family.

Here Marr dreamcasts an adaptation of her new novel, The Lie She Wears:

Set in Portland, Oregon, The Lie She Wears begins with museum curator and Asian-American Pearl receiving a letter from her recently deceased mother—confessing to murder. Pearl thinks she’s uncovered her mother’s darkest secret. But, when more letters surface, and new victims appear, Pearl realizes she’s caught in a deadly game of cat and mouse.

While I’m writing, I never think of what actor or filmmaker would be a fit for a screen adaptation of my book. However, it would be my dream to see this story brought to life by today’s talented variety of Asian-American creatives out there. First, and most importantly, I’d dreamcast Lana Condor as Pearl, as I think she’d bring the angsty innocence that Pearl exhibits through most of the book, and she’d also bring to life the heartbreak that characterizes Pearl at the beginning of the story.

As Pearl’s mother, and a deceased character at the outset of my book, Sally’s casting requires an actress who can exude exhaustion and disdain through the text of the hidden letters, as well as the deep-abiding love for her daughter that underlines each biting retort. Lucy Liu would be a fantastic Sally.

Liam, Pearl’s father and a man living with debilitating multiple sclerosis, needs an actor who can demonstrate the love and affection for Pearl that Sally was always unable to muster, while believably presenting the same strength and fierceness that protected Pearl when she was a child. Randall Park would be a great choice.

Finally, Sally’s in-home nurse and caregiver, Zelda should be brought to life by an actress who can bring the levity to the screen that Zelda provides on paper. Her life experiences contrast the Davis family’s, but also complements them due to her complicated history growing up in the foster system. Chloe Bennet could demonstrate that depth in a way that would round out my dream cast.

As for directors? I’m dreaming here, so let me say Olivia Munn, simply because I love her. She could make her directorial debut, and she’d get the inherent dark comedy to this story, as well as the cultural themes that The Lie She Wears highlights and explores. Olivia, slide into my DM’s and let’s figure this out together!

Visit Elle Marr's website.

The Page 69 Test: The Missing Sister.

The Page 69 Test: Lies We Bury.

--Marshal Zeringue