Albertine Clarke's "The Body Builders"

Albertine Clarke received an MFA in fiction from the University of Florida and studied English Literature at the University of Edinburgh where she won the Lewis Edwards Memorial prize for creative writing. Raised in London, she now lives in Brooklyn, NY.

Here Clarke dreamcasts an adaptation of The Body Builders, her debut novel:

The Body Builders follows an alienated young woman, Ada, who believes her body has been replaced with an identical synthetic copy. Her relationship with Atticus, an older, married man, and the breakdown of her relationship with her mother, are the triggers which send her spiralling out of reality and into a self-directed dream-space designed especially for her.

I watch a lot of movies, and I wrote the book with cinematography always in the back of my mind. Even before I started writing I knew who I would want to direct it: Yorgos Lanthimos, with his uncanny ability to walk the line between tragedy and farce. Yorgos, if you’re reading, I’m waiting for you.

So, if Yorgos is our director, who would play Ada? Emma Stone, Yorgos’s longtime collaborator, wouldn’t be quite right. Ada is cold and detached, tormented by her feelings of unreality, the lack of connection between her and the world around her. I imagine somebody somewhat stormy and androgynous. Emma D’Arcy, who I recently saw in Alexander Zeldin’s play The Other Place, would be ideal.

In the first part of the novel, Ada spends time primarily with her cousin Francesca, and her friend and occasional love interest Patrick. Francesca is manic, performative, sexually chaotic – everything that Ada’s not. Sydney Sweeney, with her talent for playing women who are desperate to be wanted, seems like a good fit, but could she nail the British accent? Patrick is robust, attractive, grounded. He is the connection between Ada and the world around her, even if ultimately he fails to reach her. Leo Woodall has the right type of charisma, or Daniel Kalyuua.

Ada’s mother and father are the other two major characters in the first half. Arnold Schwarzneggar unquestionably is the father, who is a body builder with German heritage (making him Austrian felt too on-the-nose). I watched Pumping Iron more than once while I was writing the novel. Ada’s mother would be played by whoever Yorgos felt was best.

In the second part of the novel, things get weirder. Ada moves from the “real world” to The Facility, a supernatural environment where her thoughts and feelings manifest externally. The Facility is ruled over by Don, an extraterrestrial being wearing the face of a middle-aged man, dressed in a doctor’s white coat. Who walks the line between unsettling and strangely comforting? Tramell Tillman, or Jon Hamm.

Finally, there’s Atticus, charismatic, sensitive, slippery, attractive in a way that is not immediately obvious. He’s also the only American character, heralding from Los Angeles. There are many men who could play this role, but for me, it could only be Al Pacino in his Michael Mann-directed era of Heat or The Insider. Since those days are long past, I would settle for Bradley Cooper or Matthew McConaughey, both icons of American masculinity who both look like they occasionally dip into Russian literature.

Follow Albertine Clarke on Instagram.

Q&A with Albertine Clarke.

--Marshal Zeringue

Megan Jauregui Eccles's "Sing the Night"

Megan Jauregui Eccles lives in the foothills of San Diego and is a writer, poet, and professor at John Paul the Great Catholic University. Her gothic fantasy novel, Sing the Night, explores the ambition and grief of being an artist. When she’s not writing or rehoming rattlesnakes, she plays Dungeons and Dragons with her husband and six kids. She holds an MFA in Fiction from UCR—Palm Desert.

Here Eccles shares some thoughts on the artist who may be best suited to adapt her new novel for the big screen:

Since Sing the Night is a Phantom of the Opera inspired gothic fantasy, the obvious choice, the only choice is the great Guillermo del Toro. He is the king of atmosphere, of gothic symbolism, of nuance. I have been inspired by his use of color for metaphor and have integrated that into my own work. I also find his casting to be thoughtful and would defer to him on all of that, hoping that he would highlight lesser-known actors and actresses.

One aspect of Sing the Night that makes it interesting for adaptation is the music. I have some of the motifs for magic in my mind but would not want to stand in the way of a composer with a vision. I love adaptation that captures the spirit of the work, not necessarily relying on direct source material. I am a firm believer that for the literature, the book will always be the same and a great screenwriter and director can transport an adaptation into a new and engaging form of art.

Guillermo del Toro, call me.

Visit Megan Jauregui Eccles's website.

--Marshal Zeringue

Willie Edward Taylor Carver, Jr.'s "Tore All to Pieces"

Willie Edward Taylor Carver, Jr. is an advocate, educator, author, and Kentucky Teacher of the Year. His work is focused on advocating for LGBTQ+ rights and creating inclusive spaces for students, especially within the context of Appalachia. He is the author of Tore All to Pieces, a fragmented novel about a small town in Appalachia and the interconnectedness of our identities, as well as Gay Poems for Red States, a bestselling collection of narrative poetry about his childhood growing up queer in Appalachia.

Here Carver dreamcasts an adaptation of Tore All to Pieces:

Tore All to Pieces is a fragmented novel set in the imaginary town of Mosely, Kentucky. It has no single main character. And I’ll be damned if the first name out of my mouth for the film adaptation isn’t a sophisticated French twink: Timothée Chalamet.

My first casting thought goes to Patrick, and it’s obvious to me I’d choose that Call Me by Your Name pretty boy. Patrick is young, queer, opening up, full of vibrato and hope. He thinks he’s beautiful, despite being conditioned to believe otherwise, and finally realizes he is worth something. Chalamet shows us passion for life in Call Me by Your Name, and he most recently proved to us all in Marty Supreme that he can get into the head of a character and find human DNA in conversational dialogue. I imagine him under a railroad bridge, pulse flying as trains shake the world like thunder. I can see his swaggering, drunken 3:00 a.m. calls for affirmation, swimming nude in a lake surrounded by hills and trees.

There are a lot of older women in Tore All to Pieces because I want to center people whose stories don’t get told. One of my favorites is a lunchroom cook named Wanda. She is no-nonsense, hard-working, and longs to be needed on her terms. Hollywood rarely builds movies around women who look like Wanda—so I went in a different direction from the bespectacled owl of a woman I imagine. I choose Kathy Bates. She isn’t how I picture Wanda, but she has the strength and love for other women this role needs. She can remake Wanda in a new form—with the transformative energy she gave us in Fried Green Tomatoes and the stoic endurance of Dolores Claiborne. Bates will translate the unspoken dignity. She could show you her soul while stirring up gravy.

If we’re honest, I don’t know how many American actors could pull off an eastern Kentucky accent. Luckily, Helena Bonham Carter isn’t American. I’d love to see her play Joyce, the Sunday School teacher. It doesn’t seem obvious, because Joyce would need to be played as earnest, devout, even sanctimonious. But inside is the constant threat of unraveling, one she avoids. Helena Bonham Carter has a gift for portraying women who are composed on the surface and volcanic underneath. She brought such tension to Princess Margaret in The Crown, and such frothing madness to so many other roles. She could find the unarticulated, but ever-present tick inside Joyce—in small glances, in airy movements, in muscles tightening.

The last one would be the most fun. I’d have to get Walton Goggins to play Jamie, my hair-brushing, drug-dealing character who is a savior of sorts. Jamie is a country femme and rolls hard, and Goggins could do that with his eyes closed. I mean, Vice Principals? The Righteous Gemstones? This is his bread and butter. He knows these men and he plays them with a flamboyant dignity. On top of the fun, he’s deadly serious when he needs to be. He just has this way of making you love every character even at their worst. Jamie is, at times, at his worst. But he deserves love, too.

The only hiccup is that we’d need to see Jamie played as a teenager, too. Whether they use computers, makeup, or get a teenage actor is something I won’t sweat. I wrote the book—my work is done. I’ll leave the aging tricks to the director. I just want Goggins in the role—and whatever they decide, he’s going to make it sing. In the right accent.

Visit Willie Edward Taylor Carver, Jr.'s website.

Q&A with Willie Edward Taylor Carver, Jr.

--Marshal Zeringue

Jennifer Murphy's “The Ghost Women”

Jennifer Murphy holds an MFA in painting from the University of Denver and an MFA in creative writing from the University of Washington. She is the recipient of the 2013 Loren D. Milliman Fellowship for creative writing and was a contributor at the Bread Loaf Writers’ Conference from 2008 through 2012. Her first novel, I Love You More, won the Nancy Pearl Award for fiction. Her second novel, Scarlet in Blue, was a Michigan Notable Book.

Her recently released novel, The Ghost Women, follows a series of deaths at a mysterious art academy in the woods, a deck of ancient tarot cards, and a centuries-old secret. On a hot August morning in 1972, the body of Abel Montague, a student at St. Luke’s Institute of the Arts, is found hanging from a tree in the forest. His body has been positioned into the exact pose illustrated on the Hanged Man tarot card found in his pocket. When Detective Lola Germany arrives at St. Luke’s, she believes they are dealing with a ritualistic murder. When more students are found dead, each body arranged like a tarot card, Lola realizes she is trapped in a web of power and ambition that spans centuries.

Here Murphy dreamcasts an adaptation of The Ghost Women:

I often consider directors while I’m writing a novel. For me, the director shapes a movie’s entire ambiance and tone. In contrast, I rarely dreamcast characters. I have a picture of each character in my mind before I start writing. I suppose you could say that I write a novel inside out. I know the characters, the setting and the general story itself before I create the actual plot. In this way, the characters I’ve imagined walk into a place that is fully formed and, in this story at least, feels like it has been there for centuries. So for this exercise, I specifically considered directors that could build an eerie, dark, and forested landscape, complete with rituals and magic, that includes a secret art academy located in an ancient monastery and centers on a series of student murders. And I searched for actors that fit the images of the characters I imagined in my mind.

Director

Given the current caliber of TV mini-series, I considered how The Ghost Women might be adapted into either a movie or a mini-series. If a movie, Guillermo del Toro, is the perfect fit for director. Known for his mastery of dark, atmospheric Gothic fairy tales, del Toro would excel at creating a deep, scary, emotional, and mystical world while also capturing a sense of fairy tale magic. His ability to blend beauty with decay fits the story’s ghostly ambiance. Additionally, del Toro has a personal history with tarot cards, having learned to read them from his mother as a child. He uses tarot symbolism to inform the visual design and narrative structure of his films. He also authored the forward and oversaw design of his own tarot deck called Tarot del Toro.

While I believe del Toro could also direct a fine mini-series, there are a few other directors whose artistic approaches I admire and believe could capture TGW’s world.

These include Cary Joji Fukunaga (True Detective Season 1), Karyn Kusama (Yellowjackets), and Ryan Murphy (American Horror Story: Coven)

Actors

These actors come closest to matching the look, feel, and attitude of the characters I created in my mind:

Lola Germany (Waverly Island’s lead detective, previously danced for the New York City Ballet) – Elisabeth Moss

The Weird Sisters (a group of students that engage in witchery):

Pearl Calhoun – Emma Laird

Karla Gardyn – Anya Taylor-Joy

Esme Li – Lana Condor

Hazel Donovan – Sadie Sink

Abel Montague (the first victim, but present through flashbacks) – Harris Dickinson

Colin (Lola’s sidekick) – George MacKay

Alice Landry (the art academy dean) – Ana de Armas

Monty Montague (Abel’s father and the school founder) – Cillian Murphy

Visit Jennifer Murphy's website.

Q&A with Jennifer Murphy.

--Marshal Zeringue

Lyla Lane's "The Best Little Motel in Texas"

Sonia Hartl (AKA Lyla Lane) is the author of YA, romance, and cozy mysteries. Her books have received starred reviews from BookPage and Booklist, and earned nominations for the Georgia Peach Book Award, YALSA’s Quick Picks for Reluctant Readers, Bank Street College of Education’s Best Children’s Books of the Year, ALA’s Rise: A Feminist Book Project List, and ALA’s Rainbow Booklist, and was named an Amazon Editors’ Pick for Best Young Adult. When she’s not writing she enjoys board games with her family, attempting to keep her garden alive, or looking up craft projects she’ll never get around to completing on Pinterest.

Here Hartl/Lane dreamcasts an adaptation of her new novel, The Best Little Motel in Texas:

Since I got the inspiration for The Best Little Motel in Texas from the Dolly Parton/Burt Reynolds movie The Best Little Whorehouse in Texas, I would absolutely want Colin Higgins to direct if he were still alive. He was bold and unafraid of taking chances, and I think my book would be the right kind of bonkers to appeal to him.

Since my book is about a reserved 30-year-old librarian inheriting a brothel for senior sex workers and trying to solve a murder that happened at her place of business, I’d want to cast someone known for more prim and proper roles for my main character, Cordelia. Probably Emily Blunt because I think she plays that role so well.

For the chicks, the 60-year-old sex workers, I’d cast Dolly Parton (obviously) as Daisy for her sweet and bubbly personality. Jennifer Coolidge as Arline, the quiet one who knows the floor plans of buildings she absolutely shouldn’t have access to and who drops killer one-liners, because she would nail the comedic timing. And if she were still alive, I’d want Bea Arthur as my resident dominatrix, Belinda Sue, because who else could pull off that kind of a role better?

Visit Lyla Lane's website.

--Marshal Zeringue

Isabel Booth's "Then He Was Gone"

Isabel Booth is the pen name of Karen Jewell, a former trial attorney and now a writer. She holds an undergraduate degree in English, a Master’s in Business Administration, and a Juris Doctorate degree. When she’s not writing she loves to read, travel, and cook dinner for friends. She lives in Houston, Texas, with her husband.

Here Booth dreamcasts an adaptation of her new novel, Then He Was Gone:

In Then He Was Gone, six-year-old Henry English goes missing at the end of a family hike in Rocky Mountain National Park. Park ranger Hollis Monroe, a well-worn, gritty, former Montana sheriff, leads the search for Henry and teams up with a local detective to investigate the possibility that he was kidnapped. Monroe is the only character in the book for which I had an actor in mind while writing it: Robert Taylor, who played the role of Walt Longmire, sheriff of Absaroka County, Wyoming, in the series Longmire. He was brilliant in the show: an old-time lawman in the present day, good at his job, and wise in his ways. He would be my first choice for Monroe.

I would love to see Kate Winslet in the role of Elizabeth English, Henry’s mom. There were so many layers to her performance as small-town cop Mare Sheehan in Mare of Easttown. It would be wonderful to see what she would do with Elizabeth’s relentless focus on finding her son and the grief of losing him.

Alexis LaDay is Elizabeth’s best friend and Henry’s godmother – a hard-driving corporate lawyer, cigarette-smoking former beauty queen, going through life with a swagger and a deep love for the English family. Kelly Reilly would be perfect. She was masterful as Beth Dutton in Yellowstone.

Eddie Marsh is an odious ex-con, obsessed with Elizabeth English for her part in sending him to prison, and relishing her pain in the disappearance of her son. I would pick Gary Oldman for that role. As Jackson Lamb in Slow Horses, he looks like Eddie Marsh to me.

Paul English, Henry’s dad, is complicated. He’s a poet, a loving father, but a bit of a jerk. I’d like to see Sebastian Stan as Paul.

I leave it to the director to round out my dream cast with adorable, precocious boys to play Henry and his older brother Nick.

Visit Isabel Booth's website.

--Marshal Zeringue

Ahmad Saber's "Ramin Abbas Has MAJOR Questions"

Ahmad Saber is a young adult author who grew up on an all-girls college campus next to a massive fort in Pakistan. He now lives in Canada, and loves Broadway (favorite show = Phantom), travel (favorite place = 4-way tie between NYC, Seoul, Paris, and Melbourne), and Taylor Swift (favorite album = folklore) He's also a self-professed Chocolate Chip Cookie Connoisseur and has crowned New York's Culture Espresso’s as the best in the world.

Ramin Abbas has MAJOR Questions is his debut novel and is based in part on his own lived experience, exploring the inherent challenges of being queer and Muslim, and the struggle to reconcile faith with sexuality.

Saber is also a medical doctor specializing in rheumatology.

Here he dreamcasts an adaptation of Ramin Abbas has MAJOR Questions:

This is an incredibly fun exercise! I haven’t thought about my book as a movie before this, so I didn’t have any particular actors and actresses in mind when writing the story. Secondly, my book’s character cast is mostly male and basically all South Asian/Desi, so this exercise is a bit tougher due to the relative paucity of brown people of color in Hollywood. Add to that the challenge of casting teenagers, and you have a mammoth task ahead.

That being said, I do have a few names in mind as below.

But first, a quick synopsis of the book for context: Ramin Abbas Has MAJOR Questions tells the story of Ramin Abbas, a closeted gay senior at Hikma High, an all-Muslim school in Toronto. All he wants to do is be a devout Muslim and delay the “gay problem” until he makes it to college in New York City. But when it’s discovered that his grad portfolio is missing mandatory physical activity hours, the principal decides there’s only one solution: Ramin must join the soccer team. Except there’s a problem. Fahad, the captain of the soccer team, is way too hot and Ramin’s crush on him refuses to die. Which is just about the worst thing that could’ve happened because Ramin really does not want to enter a love triangle with Allah and a boy. Leaving Ramin with one of many major questions that may be impossible to answer: stay loyal to Allah, or take a shot at first love?

Okay, now to the dream cast!

Director: Kabir Akhtar. As the key director on Never Have I Ever, and as a person of color himself, Kabir would likely capture the heart and the humor of the story the best.

Production Studio: Without a doubt, See-Saw films (with the wisdom of Euros Lyn shared with Kabir!) I loved what they did with Season 1 of Heartstopper.

Ramin Abbas (titular protagonist): I couldn’t come up with anyone existing - I really think this one would have to be an open casting call! (And I know our Ramin would just walk in one day)

Fahad Khan (“Captain Handsome” from the soccer team): Anirudh Pisharody (“Des” in Never Have I Ever) - he captures the “dreamy Desi jock” look immaculately

Ramin’s Mom: Zarna Garg (A Nice Indian Boy) - she could bring the clueless Desi parent vibe in a humorous way

Mr. Jamal (Hikma High Principal): Raymond Ablack - I think he would capture the sarcastic side of the character very well

Layla Luscious (Muslim drag queen): The one and only, Priyanka! (Mark Suknanan)

Zayn (Ramin’s little brother): Moosa Mostafa (“Eugene” in Wednesday)

Omar Saleh (Ramin’s soccer friend): Zac Kara (Doin’ It, Grand Army)

Assim Qureshi (Le Méchant): Karan Soni (A Nice Indian Boy, Deadpool) - this one is purely out of fun because I’d love to see Karan Soni in a villainous role! I know he has the bad guy side hidden in there somewhere. Can’t be all innocence.

Visit Ahmad Saber's website.

The Page 69 Test: Ramin Abbas Has MAJOR Questions.

--Marshal Zeringue

Caitlin Rother's "Hooked"

Caitlin Rother has written or co-authored 16 books, ranging from true crime to thrillers and memoir. A New York Times-bestselling author and investigative journalist, Rother worked nearly 20 years for daily newspapers. Writing books full-time since 2006, she draws from decades of watchdog reporting on topics from addiction to suicide, mental illness, murder, government, political corruption and the criminal justice system. A popular speaker, she has appeared more than 250 times on TV, radio, and podcasts as a crime expert. After teaching writing workshops for more than 10 years, she now coaches a limited number of authors. In her spare time, she enjoys ocean swimming, and sings and plays keyboards with In the Lounge, a jazzy, bluesy trio.

Here Rother dreamcasts an adaptation of her new novel, Hooked:

I started writing Hooked almost 20 years ago, when I was younger, and so were the actors and actresses that could be cast to play my two lead characters--investigative reporter Katrina Chopin and surfing homicide detective Ken Goode.

The book opens with the two characters meeting at a bar in La Jolla, being immediately drawn to each other not just because they are both attractive, but because they start talking about trauma and tragedy they both share from their past. Goode gets called away to respond to a death scene before Katrina gets a chance to tell him she's a reporter, so when he sees her again the next morning after the news conference, he is disappointed to find out that she is a reporter covering his suspicious death case, because now it means they can't date. It also means that they will be competing professionally to solve the case from either side of a very bright line that separates reporters and their sources. So when I write my first drafts of this book, I would have cast Ryan Gosling as Ken Goode, because he's good at playing smart and sarcastic, and he's tall and athletic, and he was even cast as Ken in Barbie many years after I thought about him for this part in my movie. So apparently others saw him that way too. However, I think he's a bit too old now to play this character, who is 37, so the closest I could come is Glen Powell, for all the same reasons. Although he usually stars in rom-coms, and doesn't play brooding characters, perhaps he could stretch a little. If not, I'm open to suggestions. Bottom line, he's got to be smart and witty and sexy.

I would also suggest Natalie Portman to play Katrina Chopin, because she, too, is good at playing smart, tough, and sarcastic, because I think she's probably both of those in real life. Plus, she's very pretty. She's been cast as a reporter in several roles already, so again, Hollywood agrees with me. On a side note, I see myself in some of her characters, so I actually had suggested casting her to play me recently when we were discussing a dramatized limited series based on another one of my books, Death on Ocean Boulevard (which was optioned by Untitled Entertainment at the time), in which I would have possibly appeared as a character.

Visit Caitlin Rother's website.

--Marshal Zeringue

Marina Evans's "The Cheerleader"

Marina Evans is a former Dallas Cowboys Cheerleader who graduated from Southern Methodist University with degrees in English Literature and Creative Writing. During her time with the Cowboys, she cheered under her maiden name/nickname, Rena Morelli. She lives in Arizona now but thinks about her days in short-shorts often. Death of a Cheerleader (UK title) and The Cheerleader (U.S. title) is her debut thriller.

Here Evans dreamcasts an adaptation of the new novel:

Every author dreams of what a “movie” cast for her book would look like, so this is so much fun! First off, The Cheerleader is a campy, splashy whodunit about fame, ambition, and a gameday murder. We meet Jentry Rae Randall in the prologue—the cheer captain of the Dallas Lonestars who is brutally killed in the locker room moments after she dances on the field. She is blonde, gorgeous, spunky, and positive, and I’m picturing Michelle Randolph of Landman fame for the part.

Then, in the book we have Royce Holt, the upcoming quarterback for the Lonestars. He’s fit, charming, and driven, so I think Austin Butler would be amazing. Then there is Nikki Keegan, an ambitious documentarian who conducts her own under-the-radar investigation of the murder. However, on the side, she is also collecting footage for an unauthorized true crime series. She’s no nonsense, natural, and smart, and I believe Riley Keough would be sensational in this role. Finally, we have our second female protagonist, Shaunette Simmons. She’s a rookie Dallas Lonestars Cheerleader who was best friends with the deceased cheer captain before their horrendous falling out. Jenna Ortega or Rachel Zegler would fit the part perfectly.

As far as a director, I would love to have Greta Gerwig of Barbie fame! She is tuned into the goal of female empowerment, and she’s also an advocate for the struggles of being front-and-center in the digital age. I can always dream!

Visit Marina Evans's website.

--Marshal Zeringue

Verlin Darrow's "The Brighter the Light, the Darker the Shadow"

Verlin Darrow is a psychotherapist who lives with his psychotherapist wife in the woods near the Monterey Bay in northern California. They diagnose each other as necessary. Darrow is a former professional volleyball player (in Italy), unsuccessful country-western singer/songwriter, import store owner, and assistant guru in a small, benign spiritual organization.

Here he dreamcasts an adaptation of his new novel, The Brighter the Light, the Darker the Shadow:

Since the protagonist of The Brighter the Light, the Darker the Shadow—Kade Tobin—is the leader of a spiritual community who may or may not have a sketchy background, casting would be challenging. On the one hand, an actor would need to have enough gravitas to make it believable that seekers would follow him and respect his teachings. On the other hand, he’d need to be able to at least hint that there was more to him than just the beneficent guy he seems to be at first. In other words, the part would call for someone who could project complexity—be a bit of a mystery in and of himself. After all, this is a story of murder, and everyone’s a suspect.

I suppose a classically trained English actor well-versed in an American accent would work. Forgetting ages, I’m thinking of people like Anthony Hopkins, Jeremy Irons, Patrick Stewart, and Peter O’Toole. Each of their voices has a commanding or self- assured element, and I respect their abilities to play diverse roles.

The detective who works with Kade—Bill Cullen—could be played by a number of people, including Walton Goggins, Colin Farrell, Vincent D’Onofrio, or Jon Tenney (he was on The Closer, and usually isn’t the main character in films. I picked him because we grew up four houses apart and he has a generic look to him.) I wouldn’t want the detective role played in a distracting, powerhouse fashion, so the actor would need to rein in his performance. Cullen is a slow and steady guy who’s easy to underestimate.

The prosecutor in the extended trail scenes could be played by Rhea Seehorn. It’s easy to settle on just one choice with this one. She portrayed just the right proportions of competence, vulnerability, and showmanship in Better Call Saul.

I’m not sure about the defense attorney. Like Detective Cullen, he’s not impressive at first, but he turns out to be an excellent trial lawyer. We only know him as a member of Kade’s flock for most of the book, complicating the casting. Who could appear to be both spiritual-minded and good at arguing? Beats me.

In The Brighter the Light, the Darker the Shadow, a lot of quirky community members are questioned as suspects. Some examples: an illegal Basque immigrant, an African-American former Buddhist nun, a fugitive hiding out as the community’s chef, and the prosecutor’s daughter. Of course, the details about these folks aren’t known at the outset. I can picture the faces of various character actors who would be right for many of these characters, but I don’t know their names or how to find out.

Visit Verlin Darrow's website.

Writers Read: Verlin Darrow (May 2023).

My Book, The Movie: Murder for Liar.

The Page 69 Test: Murder for Liar.

The Page 69 Test: The Not Quite Enlightened Sleuth.

Writers Read: Verlin Darrow (April 2024).

My Book, The Movie: The Not Quite Enlightened Sleuth.

--Marshal Zeringue