Here Lazaridis dreamcasts an adaptation of Last Days in Plaka:
My new novel Last Days in Plaka takes place in contemporary Athens, and follows the unlikely friendship between Irini, an elderly Greek widow and Anna, a young Greek-American. Irini is a Proust-reading, once-well-to-do woman now living on the charity of her local priest who has given her an apartment in Plaka, the ancient (and touristy) heart of Athens. Anna has come to her parents’ native Greece from Astoria, NY, where she grew up, and works in an art gallery while she attempts to make art of her own. Each woman is searching for meaning in her life–Irini, to reconcile what’s past, and Anna, to deepen what’s to come. When their priest introduces them, they connect–despite Irini’s initial resistance. They are soon spending time together, attending a French film series and chatting in cafes as Irini regales Anna with tales of her long-ago elegant life. As Anna drifts away from her peers and further into fascination with Irini, the entanglement of the two women’s lives comes at a larger and larger cost.Visit Henriette Lazaridis's website.
Of course the woman I have in mind to play Irini is the late Olympia Dukakis. She would have been perfect in this role. Being Greek-American, she would have had a sense for the posture, the gestures, the facial expressions, that form a huge part of Irini’s character. Irini stands up straight at 82, she still wears heels, she doesn’t tolerate silliness, and she has a quiet elegance despite her diminished financial circumstances. Anna could be played by Zoe Kazan, another actor of Greek descent. Though Kazan is 40 to Anna’s 26, she has a look of wide-eyed innocence that can convey Anna’s naivete. At the same time, Kazan has a set to her jaw that she often uses to express determination, which is one of Anna’s traits as she makes plans for an art project or drives her motorbike through Athens traffic.
Other important characters are Father Emmanouil and Oumer and Tamrat, two Ethiopian transplants who are part of the church’s tiny congregation. Father Emmanouil is a “hip” priest who plays pick-up soccer and stays in shape. I see him as a slightly less handsome Jamie Dornan. In fact, let’s go with Dornan, and, to the thick beard he sports in The Tourist, we’ll add a priest’s center-parted long hair in a bun, which he can wear in a pony-tail when he’s playing soccer. He’s skilled at conveying a sort of quiet worry–which is a large element in Father Emmanouil’s character.
Oumer is a parkour free-runner who works at a cafe, with plans to open a cafe serving Ethiopian coffee in Ethiopian style. He is generally friendly and tolerant of Anna’s enthusiasms and her eagerness to show him she is liberal. Because of the ready smile and good nature he portrayed as Sam Obisanya on Ted Lasso, I’d pick Toheeb Jimoh (who is not Ethiopian), for Oumer. Tamrat is Oumer’s more cynical compatriot. A journalist who has left Ethiopia for political reasons and who works in Athens as a freelancer, Tamrat is reserved and guarded, more circumspect about people’s behavior, and far less optimistic than Oumer. Chiwetel Ejiofor (also not Ethiopian) would be perfect to convey Tamrat’s wisdom and seriousness of purpose.
The Athens of the novel is a city of tumble-down buildings covered with graffiti, a rooftop cinema with a view of the Parthenon, design-forward restaurants, neo-classical apartment buildings, and the incense-dim interior of a small church. The music is new, international, the pop of the moment, and the strains of Miles Davis and Mozart and the ballads of Charles Aznavour. All of it should come together to create the feel of a small group of people striving to make meaningful lives in the chaos of a shifting city.
Coffee with a Canine: Henriette Lazaridis Power & Finn.
The Page 69 Test: The Clover House.
Q&A with Henriette Lazaridis.
--Marshal Zeringue