Here the authors share the transcript from their (dream) pitch meeting with United Artists about adapting their latest novel, the third in the series, Lone Wolf, for the big screen:
Imagine: United Artists and us.Visit Michael Gregorio's website and blog.
UA: These stories haven’t been adapted for the big screen?
US: Unbelievable, isn’t it? A mystery on every page, a dead body in every chapter, a climax that will blast the viewer out of his seat…
UA: His seat? Don’t tell me this is a guy film.
US: No, no, it’s got everything. Violence, sure, but love, devotion to duty, animals…
UA: No dogs die, do they? No horses? Nothing like that?
US: Only the thugs die. Quite a lot of them, actually. But it’s all good fun, plenty of action with a capital A and a serious investment in top quality tomato sauce.
UA: Now that is a good sponsor angle. Yeah, show the can… the can of sauce, I mean, in all the kitchen scenes.
US: We use Mutti Polpa at home and recommend it highly. Five stars, big lumps, great splatter…
UA: Mutti, Parma… you don’t say? (He’s making a note of the name). I’ll check it out. Now, tell me this. How do you see this movie playing out? Gimme a sketch.
US: Well, there’ll be trees, lots of trees, ’cause the hero is a park ranger. Oh yeah, and mountains, too, ’cause it’s set in Umbria…
UA: What’s Umbria?
US: It’s a place in Italy. It’s full of mountains, forests, full of wolves. That’s what the park ranger does, he protects the wolves…
UA: The wolves don’t die, do they? We have this thing with Animal Protection.
US: No, no, the wolves don’t die. The wolves are just an allegory…
UA: Allegheny? I thought you said Italy?
US: The wolves are a symbol. They’re cruel, but, well, that’s Nature, isn’t it? It’s the two-legged wolves we’re interested in…
UA: Wolves with two legs? You mean like walking wolves? Werewolves?
US: We mean criminals, people who behave like wolves, worse than wolves…
UA: Okay, so we got wolves and criminals, a dumb park ranger. What else?
US: There’s London, too, the seamy Soho underworld…
UA: We can film those scenes right here in New York, cut back on costs.
US: And there’s the ’Ndrangheta…
UA: The what?
US: The mafia from Calabria, the most dangerous criminal organisation in the world.
UA: Winslow’s already worked that angle. Slaughter on every page.
US: Our slaughter starts on page three…
UA: And the first two pages?
US: Magic, witchcraft, a pinch of historical backstory.
UA: What about a director? You got any thoughts on that?
US: Well, our vote goes to Mel. He’s been through this kind of thing before – oceans of blood, nastiness unchained, and a wild natural setting with eclipses of the sun and sudden downpours – we’ve seen Apocalypto twenty or thirty times, it’s one of our favourite movies.
UA: We’re talking big money here. So, what about the stars?
US: Well, there are two lead women…
UA: Two? That’s throwing money away. Could we cut it back to one? We got Scarlett, Cameron, Ashley, take your pick. Male leads are two a penny, so let’s play safe with Leonardo. Di Caprio. Italian-sounding, right? He should know how to handle this ’Ndrangheta angle… Okay, time’s up. I’ll get back to you on this. Have a great day!
As you may have realised, films and filmstars are not our thing. So, we’ll just have to wait for a producer with his cheque book and chosen camera buff to come along and finally do what Justice demands: make Lone Wolf into the blockbuster movie it deserves to be!
The Page 69 Test: Lone Wolf.
--Marshal Zeringue