P.J. Nelson's "All My Bones"

P.J. Nelson is the pseudonym of an award-winning actor, dramatist, professor, and novelist (among other many other professions) who has done just about everything except run a bookstore. He lives in Decatur, Georgia.

Here he dreamcasts an adaptation of his new novel, All My Bones:

In All My Bones, the second of the Old Juniper Bookshop mystery series, we find Madeline Brimley, owner of the bookshop, and Gloria Coleman, an Episcopal priest and one of Madeline’s best friends, trying to plant azaleas in the shop’s front yard. Their efforts are hindered by rock-hard red Georgia clay and, they soon discover, human bones. The bones turn out to belong to Beatrice Glassie, one of two Glassie sisters, the richest women in the tiny town of Enigma, Georgia. It isn’t long before Bea’s sister Idell accuses Gloria of murdering Bea. Apparently, Bea and Gloria were constantly at odds over church business. Not to mention the fact that the Glassie sisters didn’t cotton to the idea of a female priest at all. And since Idell has lots of money, she also wields an unhealthy degree of influence, which she uses to pressure the local GBI to arrest Gloria for Bea’s murder. Madeline knows Gloria is innocent and sets out to prove it. She soon discovers that nearly everyone in Enigma had some sort of grudge against Beatrice Glassie. The plethora of suspects includes a local handyman whom Beatrice owed money and the owner of the town diner whom Bea tried to force out of business. But nearly everyone in town seems happy that Beatrice is dead. Madeline’s investigations even lead her to an allegedly haunted opera house in Hawkinsville, Georgia, and to wealthy Kelly Brady, Bea’s on-again-off-again beau who worked with Bea to restore the old opera house. Too many suspects and not enough time roil Madeline’s efforts to save her friend Gloria before it’s too late.

Thinking about what actors might play some of these characters is loads of fun. For Madeline Brimley, I like Holly Hunter around the age she was after she made Raising Arizona. Her understanding of southern idiomatic speech would be invaluable, and her demeanor of dogged determination seems just right for Madeline. As to Gloria Coleman, who is described in the books as being built more like a stevedore than a priest, I find the idea of casting Ronda Rousey, the mixed martial arts artist and actor, extremely amusing. I heard her say once that she only wanted to play herself in films because that way no one could tell her what she would or wouldn’t say in any given situation. And that’s exactly that the character of Gloria Coleman would think. And what if Sissy Spacek played Idell Glassie? Once again, Spacek’s understanding of “south-speak” would make her perfect for the role. I’m especially thinking of her dead-pan voiceover in Badlands, but also, of course, her understanding of Loretta Lynn in Coal Miner’s Daughter. And wouldn’t it be great if the film could be directed by the Coen Brothers? I love their sense of humor, the subtlety of their irony, and, again, their understanding of Southern culture in general. Finally, let’s get in touch with Randy Newman to score the film, and see if Rhiannon Giddens could be convinced to write a couple of songs—or ten.

Read more about All My Bones at the publisher's website.

--Marshal Zeringue

Brionni Nwosu's "The Wondrous Life and Loves of Nella Carter"

Brionni Nwosu is a writer, educator, and joyful creative based in the vibrant city of Nashville, where she lives with her husband and their three children. After more than a decade teaching students and mentoring teachers, she shifted her storytelling craft from a side passion to center stage. A 2021 We Need Diverse Books mentee under Rajani LaRocca, Nwosu writes bold, heartfelt fiction that explores connection, purpose, and what it means to live a life well.

Here she dreamcasts an adaptation of her debut novel, The Wondrous Lives and Loves of Nella Carter:

If The Wondrous Life and Loves of Nella Carter were ever adapted for the screen, I would love to see Laura Harrier play Nella. When I was drafting the book, I came across an image of her that immediately clicked for me — something about her poise, the directness of her gaze, and the period nature of her clothes that just felt like Nella. I kept that image nearby as I wrote, especially during the scenes where Nella steps into new eras and new identities.

The novel follows Nella, a woman who should have died young but instead gains immortality after making a bargain with Death, if she can continue to believe that life is worth saving. She moves through cities and centuries — from New Orleans to London to Paris — collecting evidence and writing stories to prove it, with Death testing her throughout time. Along the way, she finds love, community, and moments of wonder that she never imagined she would get to experience. Because the story spans so many eras and emotional tones, I think it would need a lead actress who can play both the grounded, everyday moments and the sweeping, epic ones. Harrier strikes that balance beautifully.

One thing I love about the idea of adapting this story is that Nella has several different loves over the course of her very long life, each in a different era and cultural context. It isn’t a single-love-story arc — it’s an entire rainbow. Because of that, the film or series would offer a great opportunity for multiple actors to shine. There’s her first love, who appears early in the book, but as she moves through time, we see relationships that reflect different backgrounds, identities, and emotional tones. Each love teaches her something new about herself and the world she’s walking through. I think that range would not only enrich the adaptation, but also create space for emerging actors — or established ones looking for something fresh — to step into these roles and really make them their own.

As far as directors, Ava DuVernay is at the top of my list. She brings such care and intention to stories about Black history, identity, and possibility. I can imagine her capturing the visual beauty of the book — the candlelit soirées, the Parisian streets, the quiet moments between characters — while also holding the emotional weight of Nella’s journey. I could also see the story finding a home as a Shondaland project. Shonda Rhimes has a way of creating character-driven dramas that feel both intimate and big, and the success of Bridgerton shows how well her team handles sweeping period pieces with modern flair, bringing them to a wider audience.

In my mind, the best adaptation would be one that blends romance, history, fantasy, and emotional depth — something lush and human and full of feeling. Whoever ends up involved (in my imaginary version of this!), I hope they’d honor what the book is really about and bring Nella and all her loves to the rest of the world.

Visit Brionni Nwosu's website.

Writers Read: Brionni Nwosu.

The Page 69 Test: The Wondrous Life and Loves of Nella Carter.

--Marshal Zeringue