Jill Fordyce's "Belonging"

Jill Fordyce was born and raised in Bakersfield, California. She received a degree in English from the University of Southern California and a law degree from Santa Clara University. While practicing law, she continued to study writing through the Stanford Continuing Education creative writing program.

Here Fordyce dreamcasts an adaptation of Belonging, her debut novel:

I write in scenes and I love movies, so I have always imagined Belonging as a film. A little about the novel: Jenny Hayes is raised in a dreary, faithless home, so she paints her room the color of a tangerine, collects prayer cards, and surrounds herself with music. She has a self-reliance that both protects her and keeps her from the love and closeness she desires. As an adult, Jenny returns home to confront the wounds of her childhood: the mother who abused her in subtle ways; the father who allowed it; the boy she once loved; the landscape that is beautiful, barren, and stifling; the secrets kept for generations. Spanning three decades, Belonging is about first love and heartbreak, friendship and secrets, family and forgiveness, hometowns and coming of age, and memory and music. The heart of the story is Jenny’s struggle to undo the binds of a childhood that have deeply affected her life, the painful path to love endured by children raised in alcoholic families, and the grim reality of believing you must hide a part of yourself in order to belong.

My dream director for the film adaptation of Belonging would be Sofia Coppola. I loved her most recent film, Priscilla, for several reasons—all of which would be important to a film version of Belonging: a strong female perspective, a commitment to authentic depiction of the time period, a soft retro color palette, and an evocative and original soundtrack. Music is an integral part of Belonging, spanning years and genres, a way to bring the reader to a specific time and place, a nod to the Bakersfield Sound, and also, a window into Jenny’s lonely bedroom, where music insulates her from the chaos of her home. I listened to a lot of music while writing Belonging and created my own soundtrack along the way (Belonging: Soundtrack to the Novel is available on Spotify). I also feel like Sofia Coppola would also uniquely understand the material, having grown up in an Italian family in a part of rural California.

My dream cast would be Camila Morrone as Jenny, Timothée Chalamet as Henry, Hero Fiennes Tiffin as Billy, and Mark Ruffalo as Uncle Gino. Camila Morrone has a lovely understated, earthy, and earnest appeal, while also conveying a quiet strength, which I think would be perfect for Jenny. I have always seen Timothée Chalamet as Henry. Physically, he has the same beautiful eyes and tall, thin build. Emotionally, I think he would be able to bring out Henry’s whimsy and fun, and also his vulnerability—the depth of his pain and his secrets. Seeing Hero Fiennes Tiffin in First Love, I was reminded of Billy. He is strong and sweet, part teenage boy, part grown man. I have loved Mark Ruffalo since 13 Going on 30. He conveys such a gentleness, care, and warmth, which is the hallmark of Uncle Gino.

Visit Jill Fordyce's website.

The Page 69 Test: Belonging.

--Marshal Zeringue

Sarahlyn Bruck's "Light of the Fire"

Sarahlyn Bruck writes contemporary, book club fiction and is the award-winning author of three novels: Light of the Fire (2024), Daytime Drama (2021), and Designer You (2018). When she’s not writing, Bruck moonlights as a full-time writing and literature professor at a local community college. She’s also a co-host of the pop culture podcast, Pretty Much Pop. From Northern California, she now lives in Philadelphia with her family.

Here Bruck dreamcasts an adaptation of Light of the Fire:

If they make Light of the Fire into a film, here’s who I’d like to play the lead roles of Beth, Ally, and Jordan.

Beth is a professional soccer player—a goal keeper. I envision her as tall and lanky, with far reaching arms, and long, light brown hair that’s almost always pulled into a ponytail. Originally, I envisioned actual soccer players for the two leads as I wrote the first draft. But the actress who could capture her athleticism, competitiveness, and independence would be someone like Mackenzie Davis. She’s tall, the right age, and she has something about her that could inhabit the character of Beth.

Ally used to play soccer, too. She’s smaller than Beth and has a classic soccer build with muscular legs and lean torso. In high school she wore her hair short and she’s never let it get too long. She had her daughters in her early twenties, dropped out of college and soccer, divorced her first husband, and now finds herself unexpectedly pregnant in her late 30s with her newish boyfriend, Noah. Over the years, Ally has worked her butt off and founded an all-girls soccer league in her hometown—something she’d wished she and Beth had been able to benefit from as kids but now can give to her own girls. She’s got a lot of literal and proverbial balls in the air, so someone I think can capture Ally’s energy is Anna Kendrick.

So Jordan. He’s a journalist, which means he’s curious and intelligent. And for the first time, he’s seeing his father in a new light—as someone who was possibly blamed and punished for something he didn’t do. Subsequently, Jordan, his mom, and sister suffered, too. In his mind, the least he could do now that his father’s health is on the decline is to try to clear his name and make up for not being the son his dad needed him in the last 20 years. The actor I could see in this role is Jesse Williams. Most people know him from Grey’s Anatomy, but I enjoyed his performance in the latest season of Only Murders in the Building. Williams brings both an academic intelligence as well as an emotional intelligence that I think serve Jordan really well as an investigative reporter and genuinely caring guy, who wants to do the right thing.

Visit Sarahlyn Bruck's website.

--Marshal Zeringue

Edward M. Lerner's "Life and Death on Mars"

Edward M. Lerner worked in high tech and aerospace for thirty years, as everything from engineer to senior vice president, for much of that time writing science fiction as his hobby. Since 2004, he has written full-time.

His novels range from near-future techno-thrillers, like Small Miracles and Energized, to traditional SF, like Déjà Doomed and his InterstellarNet series, to (collaborating with Larry Niven) the space-opera epic Fleet of Worlds series. Lerner’s 2015 novel, InterstellarNet: Enigma, won the inaugural Canopus Award “honoring excellence in interstellar writing.” His fiction has also been nominated for Locus, Prometheus, and Hugo awards.

Lerner’s short fiction has appeared in anthologies, collections, and many of the usual SF magazines and websites. He also writes about science and technology, notably including Tropeing the Light Fantastic: The Science Behind the Fiction.

Here, Lerner dreamcasts a screen adaptation of his latest novel, Life and Death on Mars:

Let’s start with the novel itself: near-future adventure set mainly—no surprise, given its title—on and near Mars. The action kicks off with a Space Race to make the Sixties competition with the Soviets seem lackadaisical. Making matters more exciting, beyond American and Chinese expeditions is another, bankrolled by a mysterious cabal of Earth’s billionaires.

And then we have …

The face scarcely seemed human. Scarcely seemed a face.

Bloated, purple-mottled flesh, the swollen lips almost black. Oozing pustules. Tissues peeling and flaking, even to scattered glimpses of muscle and bone. The nose little more than naked, pitted cartilage. Eyes, except for anime-sized black pupils, all blood-red. Had it not been for the snaky, sweat-soaked tresses, languidly adrift like some somnolent Medusa, even to speculate at a gender would have been impossible.

Yet there could be no question who, or where, this was.

Those are only the novel’s opening paragraphs! How can this book not become a movie? Think The Martian meets For All Mankind … with a deadly plague added.

Okay, on to casting.

First comes Alexander (Xander) Hopkins, the NASA engineer dragooned into the crew of the NASA-led mission. He’s something of a smart aleck—and he’d best learn to tamp that down. Just as he’d best figure out why people are dying. Or maybe he’ll join them. Or maybe everyone on Earth will. For Xander, I’d suggest Alan Tudyk (Resident Alien, Dollhouse, Dirk Gently’s Holistic Detective Agency, Santa Clarita Diet … okay, what hasn’t he been in?). I’m mainly picturing Tudyk’s cocky pilot character in Firefly and Serenity.

Second is Wang Kai, crewman in the CMSA-led mission. Kai is deflecting from the painful memory of his wife’s recent tragic death as much as he’s blazing a trail to Mars. He’s technically military, because there’s no other way to become a taikonaut. He never expected military training to matter—until his commander is killed and it may have been sabotage. I see Garrett Wang (aka, Ensign Harry Kim of Star Trek Voyager) as Kai.

Maria Theresa (Teri) Rodriquez heads the Mars mission for a plutocratic cabal. Teri is tough as nails and yet vulnerable. That her bosses are seldom candid about their endgame has rendered her life complicated—even before a fatal accident to her team. As Teri I’d cast Michelle Rodriquez (Lost, Resident Evil, Avatar).

Next is Dale Bennigan, presidential science adviser and onetime research microbiologist. Can people set boot on Mars without contaminating possible native life there? Can robots? Can samples be brought to Earth without endangering humanity? Those questions become pressing when ancient traces of life are found. Those questions become personal when the secretive Planetary Protection League takes matters into its own hands. For Dale, I’d cast Amanda Tapping (Stargate SG-1, Sanctuary, Travelers).

I’ll end with a minor (but important and recurring) role: the president herself. For the cynical, calculating Carla DeMille—Cruella to Washington insiders—I see Amy Acker (Angel, Alias, Dollhouse), mainly picturing her star turn as Root in Person of Interest).

Hollywood, are you listening?

Learn more about the author and his work at his website.

The Page 99 Test: Small Miracles.

The Page 69 Test: Fools’ Experiments.

The Page 69 Test: InterstellarNet: Origins.

My Book, The Movie: InterstellarNet: Origins.

My Book, The Movie: Déjà Doomed.

The Page 69 Test: Déjà Doomed.

Q&A with Edward M. Lerner.

--Marshal Zeringue

Chris McKinney's "Sunset, Water City"

Chris McKinney was born and raised in Hawaiʻi, on the island of Oahu. He has written nine novels, including The Tattoo and The Queen of Tears, a coauthored memoir, and the screenplays for two feature films and two short films. He is the winner of the Elliott Cades Award and seven Kapalapala Poʻokela Awards and has been appointed Visiting Distinguished Writer at the University of Hawaiʻi at Mānoa.

Here McKinney shares some thoughts on an adaptation of his new novel, Sunset, Water City, Book 3 of the Water City Trilogy:

Cartoons! Well, more specifically anime. I’d love for this post-apocalyptic world and its characters, who all have special abilities, to be animated in the style of Monster or Ghost in the Shell, the “seinsen” genre of anime. There are numerous action scenes in this book, from gunfights, to the hunting of genetically engineered mythical creatures, to death defying nosedives from the mesosphere. Anime would match the energy of the book perfectly.

For voice actors, my list of impossible to get talent would include Denzel Washington as the world-weary father, Florence Pugh as the cynical yet idealistic daughter, and Gemma Chan as Ascalon Lee—the woman who controls Water City. Rila Fukushima would be great as Akira Kimura, the scientist responsible for this post-apocalyptic world. Please let Netflix know.

I recently binge-watched Blue Eye Samurai, which is fantastic. I found it interesting that the series was made by a French production company. It would be a dream come true if my book and this series fell into the hands of a company like that.

Visit Chris McKinney's website.

The Page 69 Test: Sunset, Water City.

Q&A with Chris McKinney.

--Marshal Zeringue

M. M. DeLuca's "The Night Side"

M. M. (Marjorie) DeLuca spent her childhood in the beautiful cathedral city of Durham in North-Eastern England. She attended the University of London, Goldsmiths College, studied psychology, then became a teacher. She immigrated to Canada and lives in Winnipeg with her husband and two children. There she also studied writing under her mentor, Pulitzer Prize winning author, Carol Shields.

She loves writing for all ages and in many genres—suspense, historical, sci-fi for teens. She's also a screenwriter with several pilot projects in progress.

DeLuca enjoys teaching workshops in Creative Writing and the writing process.

Here she dreamcasts an adaptation of her new novel, The Night Side:

Since I’m also a keen screenwriter, I always need to visualize my main characters as if I’m compiling a cast list. Sometimes I’ll even pin pictures of them to a board in my office so I can glance up at them every now and again to remind me of how they look.

My book The Night Side, is focused on a toxic relationship between a mother and daughter, so these two characters would be the leads in a movie adaptation of the book, which is a story about Ruby Carlson, who at eighteen ran away from her home in Stoneybrook, Montana, and vowed she'd never return. Never return to life under the control of her manipulative mother, Ida, a self-styled medium and psychic scammer who made a career out of ruining people's lives. Never return to the small town where enemies lurk at every turn.

But twenty years later, Ruby, now a successful archaeologist, is back. Her mother is missing, presumed dead, and Ruby reluctantly returns to a home filled with chilling memories to settle Ida's affairs. Did she really commit suicide by drowning, or is this another dark scheme? Ruby thought she knew everything about her mother, but finds herself unraveling a web of lies and secrets to reveal a story more twisted than anyone could have imagined.

My dream actress for the character of Ruby would be Ana de Armas. Since I watched her breathtaking portrayal of Marilyn Monroe in the movie, Blonde, I was awestruck by her ability to bring vulnerability and a whole range of emotions to the role. She also has an enigmatic quality to her, which is absolutely necessary to portray Ruby who is traumatized and haunted by her past and the secrets she is forced to hide. Ana de Armas can project that aura of mystery and intrigue.

The character of Ida needs a strong, vivacious actress capable of expressing an entire range of emotions, but also able to project the heartlessness and cunning needed to manipulate her own child as well as her victims. Cate Blanchett would be the perfect person to play the role. Her chilling performance in Nightmare Alley in which she plays Lilith Ritter, a wealthy and ruthless psychiatrist who cold-bloodedly beats up and coming psychic Stanton Carlisle at his own game, is one of her strongest roles. Ida is a chameleon, able to change her persona whenever the mood suits her and whenever it is personally beneficial to her. Cate Blanchett is the best actress for the role.

Visit M.M. DeLuca's website.

--Marshal Zeringue

Constance Sayers's "The Star and the Strange Moon"

Constance Sayers is the author of the best-selling novels A Witch in Time and The Ladies of the Secret Circus, the latter receiving both a Publishers Weekly and Library Journal starred reviews. Her work has been translated into six languages. In her spare time, she is the Chief Revenue Officer for a media and information company. She splits her time between Alexandria, Virginia and West Palm Beach, Florida.

Here Sayers dreamcasts an adaptation of her new novel, The Star and the Strange Moon:

For me, books are very cinematic and incredibly visual so I “need” to cast my characters. I mean there would be no Luke Varner in A Witch in Time without the actor Callum Keith Rennie (Californication and Battlestar Galactica). I need to cast the characters to write for them.

For The Star and the Strange Moon, the idea was the mystery of film. The old superstitions about could a film steal your soul. While I was excited about this book, I had only the idea of a main character, a down-on-her-luck actress named Gemma Turner. While I was in Paris doing research, I came across a photo of a striking redhaired actress named Françoise Dorléac. I wrote her name down with a plan to come back to her later, but found I was haunted by her photo. She has a rather tragic story: The older sister of Catherine Deneuve, Dorléac was killed in a car accident in 1967 as she rushed to get to the airport in Nice. She was only twenty-five and there is certainly a feeling that had she lived she would have been a major star. On screen the actress is mesmerizing. The muse of François Truffaut, her performance as a flight attendant who gets caught up in an affair with a married man in The Soft Skin elevates the entire film. She also pairs up with her sister (and Gene Kelly) in Jacques Demy’s The Young Girls of Rochefort, which is a film a bit thin on plot, but so visually striking it’s like Technicolor eye candy. When I began to think of my main character, I always pictured Françoise Dorléac’s face as though I’d cast her in the role of Gemma Turner. Her relationship with Truffaut was an inspiration for the initial relationship between Gemma and Thierry Valdon.

For Thierry Valdon, there is only one actor that comes to mind, and it is the magnificent actor, Assaad Bouab from Call my Agent and The Pursuit of Love. When he’s onscreen you cannot take your eyes off him. He has the complexity to pull off a complicated character like Thierry Valdon.

Visit Constance Sayers's website.

My Book, The Movie: A Witch in Time.

The Page 69 Test: A Witch in Time.

Q&A with Constance Sayers.

--Marshal Zeringue

Jacquelyn Mitchard's "A Very Inconvenient Scandal"

Jacquelyn Mitchard is the New York Times bestselling author of 23 novels for adults and teenagers, and the recipient of Great Britain’s Talkabout prize, The Bram Stoker and Shirley Jackson awards, and named to the short list for the Women’s Prize for Fiction.

Here she dreamcasts an adaptation of her newest novel, A Very Inconvenient Scandal:

A Very Inconvenient Scandal is the story of powerful people in a powerful seaside family who clash when 60-year-old Mack Attleboro, a famed marine biologist widowed for one year, announces his marriage to his daughter Frankie’s lifelong best friend, Ariel: they’re expecting a baby and Mack couldn’t be happier. But his news fractures the family. Frankie, an acclaimed young underwater photographer, feels undermined not only because she, too, is getting married and expecting a baby, but because no one, not even Frankie’s brother Penn, confided in her. It was easy for the home crowd to keep the secret because Frankie is usually in some far-flung destination required by her work. Grieving for her mother, Beatrice, and feeling alone in the world except for her fiancé, Gil, Frankie is further unsettled when Ariel’s reprobate mother, Carlotta, returns after a ten-year absence, claiming to have turned over a new leaf – a claim everyone except Frankie seems to believe. Things only get worse when Mack and Ariel’s baby is born, the labor deliberately induced on Frankie’s wedding day. Although Frankie and her new husband planned to live near her family on Cape Cod (another surprise that went flat) they instead be estranged from her all of them forever.

If there were a movie version of this novel, I would love for Greta Gerwig (who directed the latest and best version of Little Women in 2019) to direct it. I think Greta Gerwig should direct every movie because she is so intelligent and sensitive to personalities and nuance and doesn’t fear real drama. She would be just the right person for this story about tangled family relationships.

If I could cast the roles, I would choose Saoirse Ronan as Frankie. Frankie … she’s so wonderful and has such natural charm and passion. She was nominated for an Academy Award for the wonderful film Brooklyn and also (no coincidence) played Jo March in Gerwig’s Little Women.

The others might be:

Timothée Chalamet as Frankie’s brother, Penn (clearly I’m obsessed with Gerwig’s Little Women, in which Chalamet played “Laurie” Lawrence)

Amy Madigan (in flashback) as Frankie’s late mother, Beatrice. She’s so stunning and reassuring, a consistently great performer.

Kevin Costner as Mack Attleboro. (You think he’s busy?)

Louisa Jacobson (whose mother is Meryl Streep) and who starred in The Gilded Age, would be Ariel.

Jamie Lee Curtis as Ariel’s mother, Carlotta. It would be so against type, but Carlotta, a woman denied, needs an actor with plenty of fire!

Hugh Dancy as Frankie’s journalist husband, Gil.

Javier Bardem as “Sailor” Madeira, Beatrice’s best friend and the sort of benign godfather of the beach, who has secrets of his own.

I know all these actors are just waiting for the call!

Visit Jacquelyn Mitchard's website.

My Book, the Movie: Two If by Sea.

The Page 69 Test: Two If by Sea.

The Page 69 Test: The Good Son.

Q&A with Jacquelyn Mitchard.

My Book, The Movie: The Good Son.

Writers Read: Jacquelyn Mitchard.

The Page 69 Test: A Very Inconvenient Scandal.

--Marshal Zeringue

Kathleen M. Willett's "Anything for a Friend"

Kathleen Willett has a B.A. in English from Holy Cross and a M.A. in English Education from Columbia University. An English teacher who grew up in New Jersey and London, Kathleen lives in Manhattan with her husband, two daughters, and a cat named Mr. Sparkles.

Here Willett dreamcasts an adaptation of her new novel, Anything for a Friend:

Anything For A Friend features Carrie, a woman who has just moved with her family from New York City to Montauk, hoping for a change of pace and a fresh start. She's shocked when her former college roommate calls her and tells her she's passing through the area-- they haven't seen each other in nearly twenty years. Maya and her teenage daughter are in a difficult position, and Carrie offers to help by having them stay for a few days. But Carrie soon regrets her impulsive offer. There are reasons she and Maya are estranged, and having her in such close proximity is dredging up unsettling memories. Plus, strange things are happening in the house: Carrie's manuscript is deleted, her herb garden is destroyed, and she starts to fear that a piece of the past she'd hoped was buried may soon resurface and throw her world off course.

It would be a dream to see this story play out on screen! It's brimming with quiet, mounting tension and nonverbal communication and I think that would translate really well visually. I think the flashback scenes when Maya and Carrie are in college would also be a great aspect of a screen adaptation!

When I write, I tend to imagine actors as characters, to try to make describing them with detail easier and more consistent. For Carrie, I imagined Naomi Watts. She was in The Watcher, which, while different from Anything For A Friend, does share the trait of being about a situation where strange things are happening inside a house. Naomi Watts has a lot of depth and crevices as an actor and so does Carrie-- she's a fundamentally good person, but with lots of flaws and secrets. I think Naomi Watts also plays "stressed out" very well!

For Maya, I imagined Rachel Bilson. Maya is described as bird-like and quiet, but with a unique, intimidating imperviousness to others' opinions. I think Rachel really captures that kind of quiet confidence as an actor. Also, thinking all the way back to The OC (I loved that show, by the way!) where you couldn't really tell if her character Summer was nice or mean-- with Maya, (my hope is that) the reader can't tell if she's totally innocent or up to something, and I think Rachel Bilson could walk that line perfectly. I could imagine her in the scene after Maya reorganizes Carrie's kitchen (to Carrie's horror), saying ever-so-innocently, "I thought you'd love it."

For Pete, I pictured Aidan from Sex and the City. I'm just realizing maybe that's why I named the main character Carrie-- whoops! Pete is that classic "good guy," and yet, there may be something about him that rubs the reader the wrong way at times. Aidan was always that way to me-- clearly a great guy, in nearly all ways, but sometimes a bit condescending in the way he joked around with his Carrie, in a way that was just a bit grating.

As for Kelsey and Lola, the teenaged girls, I don't know many actors that age, but I will say that Lola's age is described to be a bit shifty-- sometimes she seems younger than she is, sometimes older-- so an actor like Sydney Sweeney (Euphoria), who could play sixteen or thirty, and who could seem at times off-puttingly mature for her age, would be a good choice.

Visit Kathleen M. Willett's website.

Q&A with Kathleen M. Willett.

The Page 69 Test: Mother of All Secrets.

My Book, The Movie: Mother of All Secrets.

--Marshal Zeringue

Diane Barnes's "All We Could Still Have"

Diane Barnes is the author of More Than, Waiting for Ethan, and Mixed Signals. She is also a marketing and corporate communication writer in the health-care industry. When she’s not writing, she’s at the gym, running, or playing tennis, trying to burn off the ridiculous amounts of chocolate and ice cream she eats. She and her husband, Steven, live in New England with Oakley, their handsome golden retriever.

Here Barnes dreamcasts an adaptation of her new novel, All We Could Still Have:

So many early readers have told me All We Could Still Have would make a must-see Netflix/Apple series because of the characters, twists and turns of the plot, and the setting in a small, mountain town. So Reese, if you’re reading this, please make my dream come true. I’ll even help out by making casting suggestions.

Nikki Sebastian, the protagonist, is a woman having trouble trying to conceive. She believes everyone is judging/talking about her because she has no kids. I’ve seen lots of headlines suggesting your Morning Show co-star Jennifer Aniston could really relate to Nikki. So, I think Jennifer would do her justice. Based on physical appearance, Rose Byrne or Natalie Portman would also make great Nikkis.

Nikki’s husband Kyle is a handsome, hard-working New England guy, just like Massachusetts’ own Chris Evans. Chris would make an outstanding Kyle.

Dana DeMarco is Nikki’s younger sister. She’s a free spirit and maybe a little irresponsible from time to time. Kate Hudson would do a wonderful job with her.

Aunt Izzie is a hearty New Englander living by herself in the mountains of New Hampshire. She’s tough but down deep soft-hearted. Allison Janney would make a fabulous Aunt Izzie.

Uncle Hank is a former tough guy NHL hockey star now handsome restauranterer. Nikki doesn’t like him because she thinks he broke his promise to keep her parents’ restaurant running and he also put her job in jeopardy. I can definitely see Christopher Meloni killing it as Hank.

There’s a golden retriever in the story, and I always pictured my dog, Oakley (AKA Golden Boy), in those scenes.

Sharon is Nikki’s best friend. She’s a mom of two young boys who dreams of opening her own bakery. Reese, that’s your part. Let’s get it done.

Visit Diane Barnes's website.

Q&A with Diane Barnes.

The Page 69 Test: All We Could Still Have.

--Marshal Zeringue

Elizabeth Topp's "City People"

Elizabeth Topp’s debut novel, Perfectly Impossible, was a number one Amazon bestseller in literary fiction. Topp penned her first short story as a second grader at the Dalton School and continued studying creative writing at Harvard College and Columbia’s School of the Arts, where she earned a master of fine arts in nonfiction writing. Topp coauthored her first book, Vaginas: An Owner’s Manual, with her gynecologist mother while she worked as a private assistant, a job she still holds. Topp lives in the same Manhattan apartment where she grew up with her partner, Matthew; daughter, Anna; and their cat, Stripes.

Here Topp dreamcasts an adaptation of her new novel, City People:

I always cast the television show or film of my novel as I’m writing it, which is especially helpful when I am inspired by my lived experience but the book itself is completely fictitious. It’s also great to have a cast of three-dimensional actual humans for reference when you’re working, as I was, in multiple points of view. City People brings us inside the lives of six Manhattan Moms grappling with the unexpected loss of one of their own in the midst of private school admissions season.

In my fantasy network television adaptation, the central character, Vic, would be played by Alicia Silverstone: well-meaning but a little bit ditsy, pretty without trying, alternating between sincere empathy and self-involvement. Mindy Kaling would bring a lighter energy and depth to Bhavna, the intense, ambitious, social climber. Sandra Oh was my pick for Amy, the singularly focused Chinese private equity tycoon, who moved thousands of miles from her country of origin to conceal her own deeply held secret. Chandice, the corporate lawyer turned stay-at-home mom who trains her skeptical eye on the woke posturing of the uber prestigious Kent School while battling cancer, would be played by the regal Rutina Wesley. Anne Hathaway would naturally fit the role of Penelope, a generationally wealthy New York native who can’t seem to escape the society box assigned to her, no matter how hard she tries. And finally, Maggie Gyllenhaal would bring the mild crazy-eye necessary for Kara, the outsider posturing and pretending to fit into the posh Kent crowd, hiding just how much the stress of it all--plus Susan’s untimely, violent death--is unraveling her. The otherwise enviable Susan, who is already dead by suicide at the novel’s open would be played by Kate Upton, reinforcing the idea that the outside of a person tells us nothing about what’s going on inside.

Visit Elizabeth Topp's website.

The Page 69 Test: City People.

--Marshal Zeringue